Nikolai Kapustin: Advanced Sheet Music

Kapustin beschrieb diese Fantasie als dramatisches und ernstes Stück, das aus wechselnden Episoden konstruiert ist. Der erste Abschnitt steht im freien Tempo, darauf folgen ein Bebop und zuletzt ein J...

'Spice Island' (Gewürzinsel) erhielt seinen Titel erst nach der Komposition. Die virtuose Musik bietet kontrastierende Stimmungen, aber immer reichlich gewürzt mit Jazz-Harmonien.

Kapustin's technically demanding 9th Sonata from 1995 is full of jocular twists. It has previously been recorded for CD by Vadim Rudenko.

Kapustin's technically demanding 9th Sonata from 1995 is full of jocular twists. It has previously been recorded for CD by Vadim Rudenko.

In the virtuosic Capriccio op. 71, composed in 1992, Kapustin returns to twelve-tone compositional techniques. Suitable for pianists looking for repertoire between modernity and jazz that sound like h...

This collection from 1998 contains 7 small fugues and canons for the left hand.

This small virtuoso rondo with jazz elements from 2003 is now published for the first time in a sheet music edition.

The Allegro movement "Nothing to Lose" was composed by Kapustin in 2004 and is now published for the first time as a sheet music edition.

Kapustin dedicated the piece "Countermove" to the Canadian pianist Marc-André Hamelin, who had released a complete CD of Kapustin's works in 2004. Kapustin himself later recorded "Countermove" for the...

Kapustin developed this scherzo from a short fun idea. The notes of the piano piece, which was already composed in 1999, now appear in print for the first time.

Kapustin composed the rondo „Vanity of Vanities“ op. 121 in 2004 and then recorded it for his CD „Kapustin Returns!“, released in Japan in 2008.

Kapustin composed the „Two Etude-Like Trinkets“ op. 122 in 2004 and later recorded them for his CD „Kapustin Returns!“, which was released in Japan in 2008.

Kapustin's Theme and Variations op. 80 were composed in 1996.

Nikolai Kapustin composed the Impromptu op. 83 in 1997 and later recorded it for the CD „Last Recording“, which was released in Japan in 2004.

Three for Two. Triptych for 2 pianos op. 145 was written by Kapustin in 2012 for the Japanese piano duo PiaNA, consisting of Natsuki Nishimoto and Asuka Matsumoto.

Nikolai Kapustin is considered a pioneer of the Soviet jazz scene. His music combines typical idioms of jazz with classical forms. The Trio op. 86 for flute, violoncello and piano from 1998 is one of...

Nikolai Kapustins Divertissement op. 126 pour Violine, Violoncello et Clavier date de 2005. Cette œuvre très variée a été publiée pour la première fois dans une version notée.

The Divertissement op. 91 for 2 flutes, violoncello and piano was composed by Nikolai Kapustin in 1998. He recorded it himself with Alexander Korneev (flute), Marina Rubinstein (flute) and Alexander Z...

With his 5 Etudes in Different Intervals op. 68, composed in 1992, Kapustin presents technically very demanding exercises based around different intervals. They have been recorded for CD by Marc-André...

Nikolai Kapustin, born in 1937, is regarded as pioneer of the Soviet jazz scene. In his music he combines typical jazz idioms with classical forms. Sonata Op. 69 for viola and piano was written in 199...

Virtuoser Jazz in klassischer Form: Nikolai Kapustin (geb. 1937) ist ein exzellenter Jazz-Pianist, Arrangeur und Komponist. Das Stück Elegy entstand im Jahr 1999 zusammen mit zwei weiteren Werken für...

Nikolai Kapustin is regarded as pioneer of the Soviet jazz scene. In his music he combines typical jazz idioms with classical forms. The Sonata Op. 70 in three movements for violin and piano was writt...

Kapustins 10 Bagatellen aus dem Jahre 1991 sind kleine unbeschwerte Klavierstücke im Jazz-Kolorit mit hohem technischem Anspruch. Der Zyklus wurde komplett vom Komponisten selbst und von Masahiro Kawa...