Operetta Sheet Music for Concert Band
The "Entrance March" from the operetta "The Gypsy Baron" by Johann Strauss is one of his most famous works. Composed in 1885, this march captivates with its powerful melody and festive, almost triumph...
The "Entrance March" from the operetta "The Gypsy Baron" by Johann Strauss is one of his most famous works. Composed in 1885, this march captivates with its powerful melody and festive, almost triumph...
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- Andreas Simbeni
- Symphonic Dimensions Publishing
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Diese Operette wurde 1896 in Wien uraufgeführt. Die erste Fassung der Ouvertüre hatte jedoch noch nicht das später für den Druck hinzugefügte Allegretto moderato, den sogenannten Jagdgalopp. Das vorli...
Diese Operette wurde 1896 in Wien uraufgeführt. Die erste Fassung der Ouvertüre hatte jedoch noch nicht das später für den Druck hinzugefügte Allegretto moderato, den sogenannten Jagdgalopp. Das vorli...
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- Fritz Neuböck
- Tierolff Musikverlag
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Der Bettelstudent ist die wohl populärste Operette des Österreichers Carl Millöcker, in deren Mittelpunkt der charmante Walzer 'Ach ich hab sie ja nur auf die Schulter geküsst' steht. Das Werk hat im...
Der Bettelstudent ist die wohl populärste Operette des Österreichers Carl Millöcker, in deren Mittelpunkt der charmante Walzer 'Ach ich hab sie ja nur auf die Schulter geküsst' steht. Das Werk hat im...
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- Fritz Neuböck
- Tierolff Musikverlag
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- Concert Band
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- David Stern
- Willow-Blossom Music
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The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The song ' The sun, whose rays are all ablaze' is sung by Yum-yum at the...
The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The song ' The sun, whose rays are all ablaze' is sung by Yum-yum at the...
- Concert Band (Vocal Solo (High Voice))
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- Roger Niese
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The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The Trio Three little maids from school is sung in the first act by Yum-...
The plot of Sullivan's Operetta The Mikado tells the story of Nanki-Poo, son of the Mikado of Japan and the young girl Yum-yum. The Trio Three little maids from school is sung in the first act by Yum-...
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- Roger Niese
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As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
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- Roger Niese
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As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
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The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe and Karl Millöcker were t...
The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe and Karl Millöcker were t...
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- Henk van de Weijer
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'Ich lade gern mir Gäste ein' is sung by Prince Orlovsky in the second act of 'Die Fledermaus': he himself is permanently bored by his wealth, but he insists upon his guests enjoying themselves at his...
'Ich lade gern mir Gäste ein' is sung by Prince Orlovsky in the second act of 'Die Fledermaus': he himself is permanently bored by his wealth, but he insists upon his guests enjoying themselves at his...
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As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
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The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...
The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...
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Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)
Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)
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'O Fledermaus, o Fledermaus' is the very final of the Operetta 'Die Fledermaus'. (2 Sopanos, 2 Mezzo Sopranos, 2 Tenors, 2 Baritones, Choir and Concert Band)
'O Fledermaus, o Fledermaus' is the very final of the Operetta 'Die Fledermaus'. (2 Sopanos, 2 Mezzo Sopranos, 2 Tenors, 2 Baritones, Choir and Concert Band)
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Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...
Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...
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Täubchen das entflattert ist is the very beginning of Die Fledermaus: At Eisenstein's house the singer Alfred, in love with Eisenstein's wife Rosalinde, is heard serenading Rosalinde. Adele, the maid,...
Täubchen das entflattert ist is the very beginning of Die Fledermaus: At Eisenstein's house the singer Alfred, in love with Eisenstein's wife Rosalinde, is heard serenading Rosalinde. Adele, the maid,...
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Karl Millöcker (1842-1899) was one of Johann Strauss II's greatest rivals in his lifetime, but his music is almost unknown in England. Der Bettelstudent (The Beggar Student) is an operetta in three ac...
Karl Millöcker (1842-1899) was one of Johann Strauss II's greatest rivals in his lifetime, but his music is almost unknown in England. Der Bettelstudent (The Beggar Student) is an operetta in three ac...
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- Jos Dobbelstein
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Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...
Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...
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- Jos Dobbelstein
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Tenor ana Concert Band. Paganini was the first Lehar operetta written for Richard Tauber's voice and thus the beginning of a unique composer/artist partnership.Set in Italy in 1806, the story of Pagan...
Tenor ana Concert Band. Paganini was the first Lehar operetta written for Richard Tauber's voice and thus the beginning of a unique composer/artist partnership.Set in Italy in 1806, the story of Pagan...
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- Jos Dobbelstein
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Paganini was the first Lehar operetta written for Richard Tauber's voice and thus the beginning of a unique composer/artist partnership.Set in Italy in 1806, the story of Paganini tells of the legenda...
Paganini was the first Lehar operetta written for Richard Tauber's voice and thus the beginning of a unique composer/artist partnership.Set in Italy in 1806, the story of Paganini tells of the legenda...
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- Jos Dobbelstein
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Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...
Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...
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- Roger Niese
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Soprano, Choir and Symphonic Band Emmerich Kalman's most beloved operetta 'Die Csardasfürstin' had its first performance at the Vienna 'Johann Strauss-Theater' in November 1915. Only in the German sp...
Soprano, Choir and Symphonic Band Emmerich Kalman's most beloved operetta 'Die Csardasfürstin' had its first performance at the Vienna 'Johann Strauss-Theater' in November 1915. Only in the German sp...
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- Jos Dobbelstein
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Soprano and Wind Ensemble The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe...
Soprano and Wind Ensemble The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe...
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- Jos Dobbelstein
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Soprano, Tenor, Choir and Symphonic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr.,...
Soprano, Tenor, Choir and Symphonic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr.,...
- Concert Band, Soloists and Choir
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- Jos Dobbelstein
- Baton Music
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Two Tenors and Symphonic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von S...
Two Tenors and Symphonic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von S...
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- Jos Dobbelstein
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