Operetta Sheet Music
As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
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- Roger Niese
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As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
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- Roger Niese
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The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe and Karl Millöcker were t...
The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe and Karl Millöcker were t...
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- Henk van de Weijer
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'Ich lade gern mir Gäste ein' is sung by Prince Orlovsky in the second act of 'Die Fledermaus': he himself is permanently bored by his wealth, but he insists upon his guests enjoying themselves at his...
'Ich lade gern mir Gäste ein' is sung by Prince Orlovsky in the second act of 'Die Fledermaus': he himself is permanently bored by his wealth, but he insists upon his guests enjoying themselves at his...
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- Roger Niese
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As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
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- Roger Niese
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The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...
The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...
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- Roger Niese
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Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)
Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)
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- Roger Niese
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'O Fledermaus, o Fledermaus' is the very final of the Operetta 'Die Fledermaus'. (2 Sopanos, 2 Mezzo Sopranos, 2 Tenors, 2 Baritones, Choir and Concert Band)
'O Fledermaus, o Fledermaus' is the very final of the Operetta 'Die Fledermaus'. (2 Sopanos, 2 Mezzo Sopranos, 2 Tenors, 2 Baritones, Choir and Concert Band)
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- Roger Niese
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Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...
Brüderlein und Schwesterlein is the very final of the second act: at the end of Prince Orlofsky's party Dr. Falke proposes to sing a song of praise to the brotherhood of the assembled company. (2 Sopa...
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Täubchen das entflattert ist is the very beginning of Die Fledermaus: At Eisenstein's house the singer Alfred, in love with Eisenstein's wife Rosalinde, is heard serenading Rosalinde. Adele, the maid,...
Täubchen das entflattert ist is the very beginning of Die Fledermaus: At Eisenstein's house the singer Alfred, in love with Eisenstein's wife Rosalinde, is heard serenading Rosalinde. Adele, the maid,...
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Karl Millöcker (1842-1899) was one of Johann Strauss II's greatest rivals in his lifetime, but his music is almost unknown in England. Der Bettelstudent (The Beggar Student) is an operetta in three ac...
Karl Millöcker (1842-1899) was one of Johann Strauss II's greatest rivals in his lifetime, but his music is almost unknown in England. Der Bettelstudent (The Beggar Student) is an operetta in three ac...
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- Jos Dobbelstein
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Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...
Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...
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- Jos Dobbelstein
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Tenor ana Concert Band. Paganini was the first Lehar operetta written for Richard Tauber's voice and thus the beginning of a unique composer/artist partnership.Set in Italy in 1806, the story of Pagan...
Tenor ana Concert Band. Paganini was the first Lehar operetta written for Richard Tauber's voice and thus the beginning of a unique composer/artist partnership.Set in Italy in 1806, the story of Pagan...
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- Jos Dobbelstein
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Paganini was the first Lehar operetta written for Richard Tauber's voice and thus the beginning of a unique composer/artist partnership.Set in Italy in 1806, the story of Paganini tells of the legenda...
Paganini was the first Lehar operetta written for Richard Tauber's voice and thus the beginning of a unique composer/artist partnership.Set in Italy in 1806, the story of Paganini tells of the legenda...
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- Jos Dobbelstein
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Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...
Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...
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- Roger Niese
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Soprano, Choir and Symphonic Band Emmerich Kalman's most beloved operetta 'Die Csardasfürstin' had its first performance at the Vienna 'Johann Strauss-Theater' in November 1915. Only in the German sp...
Soprano, Choir and Symphonic Band Emmerich Kalman's most beloved operetta 'Die Csardasfürstin' had its first performance at the Vienna 'Johann Strauss-Theater' in November 1915. Only in the German sp...
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- Jos Dobbelstein
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Soprano and Wind Ensemble The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe...
Soprano and Wind Ensemble The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von Suppe...
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Soprano, Tenor, Choir and Symphonic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr.,...
Soprano, Tenor, Choir and Symphonic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr.,...
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- Jos Dobbelstein
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Two Tenors and Symphonic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von S...
Two Tenors and Symphonic Band The Austrian composer Carl Zeller (1842-1898) did contribute a great part to the glory of the Golden Era of the Viennese operetta in which Johann Strauss jr., Franz von S...
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- Jos Dobbelstein
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Karl Millöcker zählt zu den Operettenkomponisten der Goldenen Wiener Ära. Sein Bettelstudent wurde im Jahre 1882 im Theater an der Wien uraufgeführt. Die mitreissenden, eingängigen Lieder und Melodien...
Karl Millöcker zählt zu den Operettenkomponisten der Goldenen Wiener Ära. Sein Bettelstudent wurde im Jahre 1882 im Theater an der Wien uraufgeführt. Die mitreissenden, eingängigen Lieder und Melodien...
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- Wil van der Beek
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This lively, attractive march originates from one of the best-known operettas by Franz Lehár, Die lustige Witwe (The Merry Widow), a work that brought the composer enormous success. The operetta featu...
This lively, attractive march originates from one of the best-known operettas by Franz Lehár, Die lustige Witwe (The Merry Widow), a work that brought the composer enormous success. The operetta featu...
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- Franz Lehár
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Aus dem Repertoire der 'Neuen Böhmischen Blasmusik' unter der Leitung von Roland Kohler. Anton Ulbrich wurde in der Nähe von Gablonz an der Neisse geboren und kam bereits in frühester Jugend mit der M...
Aus dem Repertoire der 'Neuen Böhmischen Blasmusik' unter der Leitung von Roland Kohler. Anton Ulbrich wurde in der Nähe von Gablonz an der Neisse geboren und kam bereits in frühester Jugend mit der M...
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- Frantisek Manas
- Musikverlag Rundel
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Johann Strauss (Sohn) hat natürlich zu seiner Zeit keine originalen Werke für Militärmusik komponiert, obgleich sie aus dem Repertoire der Blasorchester nicht wegzudenken sind und auch der zündende Ma...
Johann Strauss (Sohn) hat natürlich zu seiner Zeit keine originalen Werke für Militärmusik komponiert, obgleich sie aus dem Repertoire der Blasorchester nicht wegzudenken sind und auch der zündende Ma...
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- Siegfried Rundel
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Julius Fucík (1872-1916) hat in der Welt häufig den Spitznamen 'Marschkönig' bekommen. Kurze Zeit studierte er in der Meisterklasse bei Antonín Dvorak am Prager Konservatorium. Sein Schicksal nahm jed...
Julius Fucík (1872-1916) hat in der Welt häufig den Spitznamen 'Marschkönig' bekommen. Kurze Zeit studierte er in der Meisterklasse bei Antonín Dvorak am Prager Konservatorium. Sein Schicksal nahm jed...
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- Karel Belohoubek
- Musikverlag Rundel
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Lange Zeit galt der Komponist Theodor Rupprecht (1873-1934) in Blasmusikkreisen als Österreicher. Weshalb, das konnte niemand so genau sagen. Bei einer genaueren Recherche entpuppte sich allerdings de...
Lange Zeit galt der Komponist Theodor Rupprecht (1873-1934) in Blasmusikkreisen als Österreicher. Weshalb, das konnte niemand so genau sagen. Bei einer genaueren Recherche entpuppte sich allerdings de...
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- Simon Felder
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