Orchestra Study Scores
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- Orchestra
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- Orchestra
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- Orchestra
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- Men's Chorus (TTB) and Orchestra
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Dieses Stück habe ich 1949 komponiert mit dem Bestreben, den Begriff Sinfonik von der Vorstellung klassischer und romantischer Formen zu trennen. Der Hörer darf also hier nicht jene Elemente suchen wo...
Dieses Stück habe ich 1949 komponiert mit dem Bestreben, den Begriff Sinfonik von der Vorstellung klassischer und romantischer Formen zu trennen. Der Hörer darf also hier nicht jene Elemente suchen wo...
- Orchestra
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Karl Amadeus Hartmann wrote his first symphony in 1935/36. At that time he was still an unknown musician whose works stood no chance of being performed and who could not hope to find encouragement in...
Karl Amadeus Hartmann wrote his first symphony in 1935/36. At that time he was still an unknown musician whose works stood no chance of being performed and who could not hope to find encouragement in...
- Low Voice and Orchestra
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- Soloists and Orchestra
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Im Frühling 1957 schrieb ich Nachtstücke und Arien, mit Ingeborgs Gedichten Freies Geleit und Im Gewitter der Rosen. Das letztere bestand anfangs nur aus einem Vierzeiler bis sie mir für die Kompositi...
Im Frühling 1957 schrieb ich Nachtstücke und Arien, mit Ingeborgs Gedichten Freies Geleit und Im Gewitter der Rosen. Das letztere bestand anfangs nur aus einem Vierzeiler bis sie mir für die Kompositi...
- Orchestra, High Voice and Orchestra
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- Cello and Orchestra
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Like my oratorio Novae de infinito laudes, this work, too, has been influenced by the human world and the scenery of Rome, indeed, perhaps even by the greater hardness of the roman language compared t...
Like my oratorio Novae de infinito laudes, this work, too, has been influenced by the human world and the scenery of Rome, indeed, perhaps even by the greater hardness of the roman language compared t...
- Orchestra
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- Organ and Orchestra
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In der ersten Niederschrift meiner Oper König Hirsch (1953-1956) bestand der Schluss des zweiten Akts aus einem mythischen Gespräch zwischen dem Protagonisten und der Natur. Heinz von Cramer und ich n...
In der ersten Niederschrift meiner Oper König Hirsch (1953-1956) bestand der Schluss des zweiten Akts aus einem mythischen Gespräch zwischen dem Protagonisten und der Natur. Heinz von Cramer und ich n...
- Orchestra
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- High Voice, Violin and Orchestra
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Soli, Sprecher, Chor und Orchester
- Soloists, Choir and Orchestra
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- Orchestra
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- Orchestra
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Ein Klassiker der zeitgenössischen Musik! Im 1967 entstandenen Orchesterwerk des prominenten ungarischen Komponisten schweben und gleiten vor allem Piano- und Pianissimo-Klänge in einer spannungsgelad...
Ein Klassiker der zeitgenössischen Musik! Im 1967 entstandenen Orchesterwerk des prominenten ungarischen Komponisten schweben und gleiten vor allem Piano- und Pianissimo-Klänge in einer spannungsgelad...
- Piano and Orchestra
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Sopran, Bariton, Sprechstimme, gemischter Chor (SSSSAAAATTTTBBBB, dazu 9 Knaben, S/A) und Orchester
Sopran, Bariton, Sprechstimme, gemischter Chor (SSSSAAAATTTTBBBB, dazu 9 Knaben, S/A) und Orchester
- 2 Soloists, Narrator, Mixed Choir (SATB) and Orchestra
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- Orchestra
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