Orchestra Study Scores

Ludwig van Beethoven conceived his 7th Symphony in the summer of 1811 in the Bohemian spa town of Teplitz. The fair copy of the score autograph was made in 1812. The work was first heard on December 8...

With sovereign expertise, Hauschild manages to combine source criticism and the requirements of performance practice, while also keeping the Critical Report (included in the score, of course) concise.

score and study score with the text by Loriot

The Urtext edition of the 'Lobgesang' Symphony takes into account for the first time voice material prepared for the first performances in Leipzig and contributes to the clarification of several diffe...

Märker's Urtext edition is based on the first printing of the score in 1835.

With Cesar Franck's only symphony, a central repertoire work of the late Romantic period finds its way into the new orchestral editions that Breitkopf & Härtel has placed under the heading of 'source...

The fact that the Sibelius Symphony, which is now performed most often, provoked controversial aesthetic reactions after its first performances in Finland at the time seems almost inconceivable today.

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

Immediately after the 12 string symphonies (1821-1823), the 15-year-old Felix Mendelssohn Bartholdy wrote a 'Sinfonia XIII' in C minor in March 1824.

UA Brussels, April 25, 1969

UA Hamburg, June 4, 1989

Premiere Frankfurt, November 24, 1991

Premiere Winterthur, September 30, 2000 CD Gustav Rivinius (violoncello), Junge Deutsche Philharmonie, cond. Hans Zender CD Dialoge ('Allianz Kulturstiftung')

With the 5 study scores 'Schumann: Complete Symphonies' a large edition project comes to an end. The slipcase contains the new editions (1993-2001) of the four symphonies according to the last hand ve...

After Schumann, now Brahms: the symphonies in a slipcase The score of the edition Johannes Brahms - Sämtliche Werke is still authoritative today - especially since the most important orchestral, piano...

The authentic new edition: text-critical and complete available for purchase (only edition with choral score and a historically legitimized piano reduction by Josef Zubaty)

Russian music researcher Polina Vajdman has gone back to all relevant sources in her editing.

Robert Schumann placed great importance on the genre of the 'overture,' as can be seen in the chronology of the genesis of his sole opera Genoveva. In his 'Haushaltbuch' the composer entered as his fi...

In his homage Le Tombeau de Couperin, Ravel is less specifically interested in Couperin than in French music of the late 18th century. In his preface, editor Jean-Francois Monnard explains how Ravel p...

Über den Kompositionsprozess von Lemminkäinenist wenig bekannt und die Aufführungs- und Veröffentlichungsgeschichte ist ziemlich komplex. Eine vollständige Veröffentlichung aller vier Sätze als Suite...

Felix Mendelssohn Bartholdy composed his Reformation Symphony for the celebrations marking the 300th anniversary of the 'Confessio Augustana,” the Protestant declaration of faith. Owing to various and...

For the Urtext edition of the three great Mozart Violin Concertos K. 216, 218 and 219, three high-caliber experts came together: Mozart scholar Cliff Eisen as editor, internationally renowned concertm...

For the Urtext edition of the three great Mozart Violin Concertos K. 216, 218 and 219, three high-caliber experts came together: Mozart scholar Cliff Eisen as editor, internationally renowned concertm...

For the Urtext edition of the three great Mozart Violin Concertos K. 216, 218 and 219, three high-caliber experts came together: Mozart scholar Cliff Eisen as editor, internationally renowned concertm...