Piano Excerpts
2. Fassung mit der Variante des Osanna in excelsis und der Cum Sancto Spiritu-Fuge aus der 1. Fassung. Klavierauszug nach dem Urtext der Neuen Schubert-Ausgabe - Second version with the variant of the...
2. Fassung mit der Variante des Osanna in excelsis und der Cum Sancto Spiritu-Fuge aus der 1. Fassung. Klavierauszug nach dem Urtext der Neuen Schubert-Ausgabe - Second version with the variant of the...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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Klavierauszug nach dem Urtext der Neuen Schubert-Ausgabe - Vocal Score based on the Urtext of the New Schubert Edition Sopran solo (2), Alt solo, Tenor solo (2), Bass solo, Gemischter Chor-SATB, Oboe...
Klavierauszug nach dem Urtext der Neuen Schubert-Ausgabe - Vocal Score based on the Urtext of the New Schubert Edition Sopran solo (2), Alt solo, Tenor solo (2), Bass solo, Gemischter Chor-SATB, Oboe...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
- Olga Kroupová
- Bärenreiter Verlag
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Klavierauszug nach dem Urtext der neuen Berlioz Edition. Tenor solo, Gemischter Chor (2)-STB+STB, Kinderchor-SA, Orchester - Klavierauszug
Klavierauszug nach dem Urtext der neuen Berlioz Edition. Tenor solo, Gemischter Chor (2)-STB+STB, Kinderchor-SA, Orchester - Klavierauszug
- Soloist, 2 Mixed Choirs, Childrens' Choir and Piano
- Piano Reduction (Urtext)
- Otto Taubmann
- Bärenreiter Verlag
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> Complete scholarly-critical edition based on 'Georg Philipp Telemann Musical Works' > Bilingual Foreword (Ger/Eng) A festive piece for church and concert hall Composed around 1760, 'Die Auferstehung...
> Complete scholarly-critical edition based on 'Georg Philipp Telemann Musical Works' > Bilingual Foreword (Ger/Eng) A festive piece for church and concert hall Composed around 1760, 'Die Auferstehung...
- Soloists (SATB), Mixed Choir and Orchestra
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...
> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...
- Soloists (SATB), Mixed Choir (SATB), 2 Horns, 2 Oboes, 2 Violins, Viola and Continuo
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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Soprano solo 1, Soprano solo 2, Alto solo 1, Alto solo 2, Tenor solo 1, Tenor solo 2, Bass solo 1, Bass solo 2, Piano - Piano reduction; Urtext edition Choral works with orchestral accompaniment and s...
Soprano solo 1, Soprano solo 2, Alto solo 1, Alto solo 2, Tenor solo 1, Tenor solo 2, Bass solo 1, Bass solo 2, Piano - Piano reduction; Urtext edition Choral works with orchestral accompaniment and s...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
- Martin Focke
- Bärenreiter Verlag
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Die Missa in F von 1734 für zwei bzw. vier Chöre ist wohl das bedeutendste Werk Pergolesis für Chor und Orchester. Die Bezeichnung 'Missa Romana' ist nachträglich entstanden. Sie geht auf eine Aufführ...
Die Missa in F von 1734 für zwei bzw. vier Chöre ist wohl das bedeutendste Werk Pergolesis für Chor und Orchester. Die Bezeichnung 'Missa Romana' ist nachträglich entstanden. Sie geht auf eine Aufführ...
- Mixed Choir (SSATB), Mixed Choir (SATB) and Piano
- Piano Reduction (Urtext)
- Bärenreiter Verlag
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> Cherubini's well-known Requiem in a definitive Urtext edition > Bilingual Foreword (Eng/Ger) > Idiomatic, uncluttered piano reduction Cherubini owes his fame as a church composer primarily to the 'R...
> Cherubini's well-known Requiem in a definitive Urtext edition > Bilingual Foreword (Eng/Ger) > Idiomatic, uncluttered piano reduction Cherubini owes his fame as a church composer primarily to the 'R...
- Mixed Choir (SATB) and Piano
- Piano Reduction (Urtext)
- Bärenreiter Verlag
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> Score with realization of the organ part > Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) > Idiomatic piano reduction Beethoven's sacred works include two settings of the Mass. The'Mass...
> Score with realization of the organ part > Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) > Idiomatic piano reduction Beethoven's sacred works include two settings of the Mass. The'Mass...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Andrea Campora
- Bärenreiter Verlag
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From a music-historical point of view, Anton Diabelli belongs to a middle group of Biedermeier composers who can be assigned neither to the Classical nor to the Romantic period. Although Diabelli want...
From a music-historical point of view, Anton Diabelli belongs to a middle group of Biedermeier composers who can be assigned neither to the Classical nor to the Romantic period. Although Diabelli want...
- Soloists, Mixed Choir (SATB) and Organ
- Piano Reduction Download
- Carus-Verlag
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Antonín Dvorák's impressive "Stabat Mater" for soloists, choir and orchestra is probably the best known of the composer's sacred works. Dvorák's own painful experiences - his first daughter died in 18...
Antonín Dvorák's impressive "Stabat Mater" for soloists, choir and orchestra is probably the best known of the composer's sacred works. Dvorák's own painful experiences - his first daughter died in 18...
- Soloists (SATB), Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction Download
- Carus-Verlag
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Tango Argentino meets Classic! The Argentinian composer Martín Palmeri, whose "Misatango" is known and loved by many choirs, sets the 127th psalm "Nisi Dominus" to music for solo soprano and mixed cho...
Tango Argentino meets Classic! The Argentinian composer Martín Palmeri, whose "Misatango" is known and loved by many choirs, sets the 127th psalm "Nisi Dominus" to music for solo soprano and mixed cho...
- High Voice, Mixed Choir (SATB), Bandoneon, Piano, 2 Violins, Viola, Cello and Double Bass
- Piano Reduction Download
- Carus-Verlag
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The cantata Leichtgesinnte Flattergeister BWV 181, composed for Sunday Sexagesimae 1724, has only survived incompletely: IT is missing the obbligato instrumental part of the second aria, which was rec...
The cantata Leichtgesinnte Flattergeister BWV 181, composed for Sunday Sexagesimae 1724, has only survived incompletely: IT is missing the obbligato instrumental part of the second aria, which was rec...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction Download
- Carus-Verlag
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The cantata "Sie werden euch in den Bann tun" BWV 183 for Sunday Exaudi is one of the cantatas based on texts by the Leipzig poet Christian Mariane von Ziegler, with which Bach concluded his second Le...
The cantata "Sie werden euch in den Bann tun" BWV 183 for Sunday Exaudi is one of the cantatas based on texts by the Leipzig poet Christian Mariane von Ziegler, with which Bach concluded his second Le...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction Download
- Carus-Verlag
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On April 1, 1725, Bach formed the Easter cantata "Kommt, gehet und eilt" BWV 249.3, which was to become the nucleus of the Easter Oratorio, from the Shepherd's Cantata BWV 249.1 he had composed a few...
On April 1, 1725, Bach formed the Easter cantata "Kommt, gehet und eilt" BWV 249.3, which was to become the nucleus of the Easter Oratorio, from the Shepherd's Cantata BWV 249.1 he had composed a few...
- Soloists, Mixed Choir (SATB) and Piano
- Piano Reduction Download
- Carus-Verlag
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The Gloria in D RV 589 is Vivaldi's best-known sacred work and is one of his most important church music compositions. It was probably composed as an independent single movement between 1713 and 1717...
The Gloria in D RV 589 is Vivaldi's best-known sacred work and is one of his most important church music compositions. It was probably composed as an independent single movement between 1713 and 1717...
- Soloists (SSA), Mixed Choir (SATB) and Orchestra
- Piano Reduction Download
- Carus-Verlag
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Ensembles for whom Schubert's "great" masses are not accessible will find a pleasant alternative in this compact and smaller scored mass from 1816. In terms of its external dimensions, it is a Missa b...
Ensembles for whom Schubert's "great" masses are not accessible will find a pleasant alternative in this compact and smaller scored mass from 1816. In terms of its external dimensions, it is a Missa b...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction Download
- Carus-Verlag
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George Frideric Handel is regarded as the first and most important English representative of the oratorio genre. The Messiah in particular is regarded as the epitome of sacred music and is also one of...
George Frideric Handel is regarded as the first and most important English representative of the oratorio genre. The Messiah in particular is regarded as the epitome of sacred music and is also one of...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction Download
- Carus-Verlag
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The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....
- Soloists, Mixed Choir and Orchestra
- Piano Reduction (Urtext)
- Breitkopf & Härtel KG
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Klavierauszug vom Komponisten als zentrale Quelle Felix Mendelssohn Bartholdy überarbeitete seinen 'Elias' nach der erfolgreichen Uraufführung im Sommer 1846 in Birmingham grundlegend - die einzelnen...
Klavierauszug vom Komponisten als zentrale Quelle Felix Mendelssohn Bartholdy überarbeitete seinen 'Elias' nach der erfolgreichen Uraufführung im Sommer 1846 in Birmingham grundlegend - die einzelnen...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
- Breitkopf & Härtel KG
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- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
- Breitkopf & Härtel KG
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Urtext nach der Leipziger Mendelssohn-Gesamtausgabe. Mendelssohns "Lauda Sion" MWV A 24 ist eine nahezu komplette Vertonung der Sequenz zu Fronleichnam für Soli, Chor und Orchester. Es entstand als Au...
Urtext nach der Leipziger Mendelssohn-Gesamtausgabe. Mendelssohns "Lauda Sion" MWV A 24 ist eine nahezu komplette Vertonung der Sequenz zu Fronleichnam für Soli, Chor und Orchester. Es entstand als Au...
- Soloists, Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Matthias Grünert
- Breitkopf & Härtel KG
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Der argentinische Komponist Martín Palmeri legte mit diesem Werk eine ausführliche Magnificat-Vertonung der besonderen Art vor: Mit Bandoneón und Klavier, dazu ein Streichorchester zum gemischten Chor...
Der argentinische Komponist Martín Palmeri legte mit diesem Werk eine ausführliche Magnificat-Vertonung der besonderen Art vor: Mit Bandoneón und Klavier, dazu ein Streichorchester zum gemischten Chor...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction Download
- Schott Musik
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When the E minor Mass was premiered in Linz it was heard in its first version. Bruckner made several changes to this version in 1876 and 1882: he reviewed its architecture and phrase structure and imp...
When the E minor Mass was premiered in Linz it was heard in its first version. Bruckner made several changes to this version in 1876 and 1882: he reviewed its architecture and phrase structure and imp...
- Mixed Choir (SATB) and Piano
- Piano Reduction (Urtext)
- Edition Peters
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Mozart probably composed his Sparrow Mass no earlier than 1775. The nickname was given to it in the 19th century because of the accompanying figure of the violins in the Sanctus . Our edition is based...
Mozart probably composed his Sparrow Mass no earlier than 1775. The nickname was given to it in the 19th century because of the accompanying figure of the violins in the Sanctus . Our edition is based...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
- Edition Peters
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