Piano Excerpts

Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor, Orchester

Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Orchester - Klavierauszug, Urtextausgabe

Sopran solo (2), Tenor solo, Bass solo, Gemischter Chor, Orchester

Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor, Orchester, Orgel

Kantate zum 15. Sonntag nach Trinitatis. Sopran solo, Trompete, Violine (2), Viola, Basso continuo - Klavierauszug; Urtextausgabe V o k a l m u s i k - Singstimme(n) mit Instrumental-Begleitung.

Cantata for the 27th Sunday after Trinity (German/English), after the Urtext of the New Bach Edition. Soprano solo, Tenor solo, Bass solo, Oboe (2), Oboe-dacc, Strings, Basso continuo

Klavierauszug nach dem Urtext der Hallischen Händel-Ausgabe__ - Vocal score based on the Halle Handel Edition Sopran solo, Violine 1, Violine 2, Basso continuo - Klavierauszug

There is hardly any reliable information about the origin of this mass, which was composed between 1773 and 1776. The title goes back to the founder of the Order of the Brothers of Mercy, St. John of...

Entstehungszeit der diesem Werk zugrundeliegenden Trauungskantate (BWV 34a) 1726, der Parodie in der ersten Hälfte der 1740er Jahre.

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

Johann Sebastian Bach’s Magnificat BWV 243 was composed in its first form in E flat, right at the beginning of Bach’s period in Leipzig, possibly for the Visitation of Mary on July 2, 1723. Its perfor...

Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...

The "Petite Messe solennelle" from 1863 is Rossini's second extensive sacred composition alongside the "Stabat Mater". The mass is an occasional work, written for the inauguration of the private chape...

Beethoven described his grandly conceived 'Missa solemnis' as 'my greatest work' and sold manuscript copies to some of the subscribers even before it had appeared in print. This Urtext edition takes i...

> Informative Foreword in the score (Ger/Eng) > Text underlay in two languages (Lat/Ger) > Piano reduction by the composer The first great orchestral psalm Mendelssohn's first great orchestral psalm t...

Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...

Bruckner’s mighty Mass in F minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music....

Bruckner’s mighty "Mass in F" minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music...

As Kapellmeister of the royal court theater in Dresden, Carl Maria von Weber's primary task was to establish a German opera at court. However, it was also part of his duties to provide the "church ser...

Even during Ludwig van Beethoven's lifetime, the composer was so revered that contemporaries arranged his music – mostly the well-known instrumental works – for choir. In some cases, he may even have...

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...

Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...