Piano Excerpts
- Viola and Piano
- Piano reduction with part(s)
- Schott Musik
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- Viola and Piano
- Piano reduction with part(s)
- Schott Musik
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The early classical concerto of Friedrich Wilhelm Heinrich Benda that was written around 1775 is virtuoso showing the technical and tonal qualities of the instrument to their best advantage.
The early classical concerto of Friedrich Wilhelm Heinrich Benda that was written around 1775 is virtuoso showing the technical and tonal qualities of the instrument to their best advantage.
- Viola and Piano
- Piano reduction with part(s)
- Schott Musik
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Die Edition Schott spiegelt die ganze Vielfalt der Musik in einer umfassenden Noten-Bibliothek für den Schüler, Amateur- und Profi-Musiker wider. Die Edition Schott bietet Musik von der Renaissance bi...
Die Edition Schott spiegelt die ganze Vielfalt der Musik in einer umfassenden Noten-Bibliothek für den Schüler, Amateur- und Profi-Musiker wider. Die Edition Schott bietet Musik von der Renaissance bi...
- Viola and Piano
- Piano reduction with part(s)
- Schott Musik
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The title combines the words recitare and cantare, and thus this eloquent song embodies a renewed attempt to demonstrate the communicative power of music. The piece was written for Tabea Zimmermann an...
The title combines the words recitare and cantare, and thus this eloquent song embodies a renewed attempt to demonstrate the communicative power of music. The piece was written for Tabea Zimmermann an...
- Viola and Piano
- Piano reduction with part(s)
- Schott Musik
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- Viola and Piano
- Piano reduction with part(s)
- Schott Musik
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For his famous organ concerto BWV 593, Johann Sebastian Bach arranged Antonio Vivaldi's Concerto Op. 3 No. 8 for two solo violins, strings and basso continuo from 'L'Estro Armonico'. This edition, in...
For his famous organ concerto BWV 593, Johann Sebastian Bach arranged Antonio Vivaldi's Concerto Op. 3 No. 8 for two solo violins, strings and basso continuo from 'L'Estro Armonico'. This edition, in...
- Cello and Piano
- Piano reduction with part(s)
- Joachim F. W. Schneider
- Bärenreiter Verlag
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Dass Offenbach in seiner Jugend als Cellist Furore machte, dass man ihn sogar als 'Paganini des Cellos' bezeichnete, ist angesichts seiner epochalen Bedeutung als Bühnenkomponist in Vergessenheit gera...
Dass Offenbach in seiner Jugend als Cellist Furore machte, dass man ihn sogar als 'Paganini des Cellos' bezeichnete, ist angesichts seiner epochalen Bedeutung als Bühnenkomponist in Vergessenheit gera...
- Cello and Piano
- Piano reduction with part(s)
- Jean-Christophe Keck
- Bote & Bock
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Klavierauszug mit Solostimme
- Cello and Piano
- Piano reduction with part(s)
- Raphael Wallfisch
- Boosey & Hawkes
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- Cello and Piano
- Piano reduction with part(s)
- Schott Musik
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Boccherini, one of the greatest violoncellists of the 18th century, left numerous concertos for his favourite instrument. In the very first of these works, the personal style of the composer is unmist...
Boccherini, one of the greatest violoncellists of the 18th century, left numerous concertos for his favourite instrument. In the very first of these works, the personal style of the composer is unmist...
- Cello and Piano
- Piano reduction with part(s)
- Schott Musik
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Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...
Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...
- Cello and Piano
- Piano reduction with part(s)
- Schott Musik
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As to style, the concerto discovered in Naples in 1986 is close to the well-known concerto in Bb major; it was most likely created at the same -time. The carefully edited publication offers the origin...
As to style, the concerto discovered in Naples in 1986 is close to the well-known concerto in Bb major; it was most likely created at the same -time. The carefully edited publication offers the origin...
- Cello and Piano
- Piano reduction with part(s)
- Schott Musik
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David Popper (1843-1913), a pupil of Julius Goltermann, was not only a much-travelled and successful concert cellist. Like many of his virtuoso fellow musicians, he left a number of compositions for h...
David Popper (1843-1913), a pupil of Julius Goltermann, was not only a much-travelled and successful concert cellist. Like many of his virtuoso fellow musicians, he left a number of compositions for h...
- Cello and Piano
- Piano reduction with part(s)
- Schott Musik
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The popularity of his (first) violin concerto drove Max Bruch not just almost to despair - 'I cannot listen to this concerto any more', he wrote to his publisher - it also got in the way of the compos...
The popularity of his (first) violin concerto drove Max Bruch not just almost to despair - 'I cannot listen to this concerto any more', he wrote to his publisher - it also got in the way of the compos...
- Cello and Piano
- Piano reduction with part(s)
- Schott Musik
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The content and formal structure of the two-movement Poem have been subjectively borrowed from the poem Steps [Stufen] by Hermann Hesse. The frequently appearing short motifs in both parts of the work...
The content and formal structure of the two-movement Poem have been subjectively borrowed from the poem Steps [Stufen] by Hermann Hesse. The frequently appearing short motifs in both parts of the work...
- Cello and Piano
- Piano reduction with part(s)
- Schott Musik
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Apart from his 'classic', the First Concerto, Camille Saint-Saëns composed other works for the violoncello, such as his 'Suite' Op. 16. Written in 1862, the work lives on the composer's examination of...
Apart from his 'classic', the First Concerto, Camille Saint-Saëns composed other works for the violoncello, such as his 'Suite' Op. 16. Written in 1862, the work lives on the composer's examination of...
- Cello and Piano
- Piano reduction with part(s)
- Schott Musik
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When writing his Concerto No. 1 in A minor, Op. 33, Camille Saint-Saëns created a 'classic' of violoncello literature. But the French musician even wrote other solo works for this instrument: a second...
When writing his Concerto No. 1 in A minor, Op. 33, Camille Saint-Saëns created a 'classic' of violoncello literature. But the French musician even wrote other solo works for this instrument: a second...
- Cello and Piano
- Piano reduction with part(s)
- Schott Musik
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- Cello and Piano
- Piano reduction with part(s)
- Schott Musik
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The last of three Concertos for Violoncello and Orchestra by the famous film composer combines in two movements soloistic virtuosity with the characteristic style of Mediterranean folk tunes - now als...
The last of three Concertos for Violoncello and Orchestra by the famous film composer combines in two movements soloistic virtuosity with the characteristic style of Mediterranean folk tunes - now als...
- Cello and Piano
- Piano reduction with part(s)
- Schott Musik
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- Cello and Piano
- Piano reduction with part(s)
- Schott Musik
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In 1972 Nino Rota composed his Cello Concerto No. 1; the actual date of the world premiere, however, remains unknown today. In contrast to his Cello Concerto No. 2, he refers here to the late Romantic...
In 1972 Nino Rota composed his Cello Concerto No. 1; the actual date of the world premiere, however, remains unknown today. In contrast to his Cello Concerto No. 2, he refers here to the late Romantic...
- Cello and Piano
- Piano reduction with part(s)
- Schott Musik
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Dolci Pianti (Sweet Tears) Romance for cello and orchestra, published within Doblinger's Johann Strauss Complete Edition
Dolci Pianti (Sweet Tears) Romance for cello and orchestra, published within Doblinger's Johann Strauss Complete Edition
- Cello and Piano
- Piano reduction with part(s)
- Doblinger Musikverlag
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Kai' was written in memory of Kai Scheffler, principal cellist and a key member of the Ensemble Modern in Germany, who died tragically young in 1989. The 18 minute work is in four continuous movements...
Kai' was written in memory of Kai Scheffler, principal cellist and a key member of the Ensemble Modern in Germany, who died tragically young in 1989. The 18 minute work is in four continuous movements...
- Cello and Piano
- Piano reduction with part(s)
- Schott Musik
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Enjott Schneider's Concerto for violoncello takes up the Sumerian legend of the bird deity 'Dugud' in archaic scenes. Legend has it that Princess Emeshe was impregnated by the hermaphrodite - half eag...
Enjott Schneider's Concerto for violoncello takes up the Sumerian legend of the bird deity 'Dugud' in archaic scenes. Legend has it that Princess Emeshe was impregnated by the hermaphrodite - half eag...
- Cello and Piano
- Piano reduction with part(s)
- Schott Musik
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