Piano Excerpts

Liszt composed the Missa Solennis in 1855 for the consecration of the Basilica in Esztergom. It is usually called the 'Graner Messe' after 'Gran', the comtemporary German name Esztergom. The first per...

Immerse yourself in the profound sacred music of Johann Sebastian Bach with the Mass No. 3 in G minor, BWV 235. This 'Lutheran Mass' captivates with its masterful polyphony, expressive choral writing,...

Text selected from the Requiem Mass, D.H. Lawrence, Percy Bysshe Shelley and the Old Testament First performance 3rd December 2003 at St. Martin-in-the-Fields Subsequent revisions have been small, mai...

Wolfgang Amadeus Mozart's legendary Requiem in D minor, K. 626 is undoubtedly one of the most moving and monumental masterpieces in all of music history. Shrouded in myth and filled with profound emot...

A stunningly beautiful and very moving setting by Paul Carr of the 'Ave Verum Corpus' for mixed voice choir, soprano saxophone and accompaniment of either string orchestra or organ. It was commissione...

A beautiful new setting of 'O Magnum Mysterium' for mixed voice choir (SATB) and oboe, harp and string orchestra. The Vocal Score contains a piano reduction for rehearsal purposes, the Full Score and...

This is the Schirmer edition of the Vocal Score for Verdi's Messa Di Requiem for four solo voices and full chorus.

Felix Mendelssohn's Come, Let Us Sing Op. 46 is a setting of the 95th Psalm, and available here is the vocal score for Tenor solo, SATB Chorus and Piano reduction.

Edited and arranged by Joseph Barnby for Soprano, Tenor and Bass Soli and Full Chorus of Mixed Voices with Piano or Organ accompaniment.

The scale of Berlioz's choral settings broke new boundaries in Orchestration and musical forces. The work is written for triple SATB chorus with Tenor soloist. This vocal score edition features a Pian...

Bach's sacred cantata No. 140: Sleeper's Wake, a rousing work for SATB Chorus with Piano Accompaniment. English translation by Henry Drinker.

This Mass, composed in 1815 but not published until 1846, has great depth whilst also being lyrical and climactic. It was originally set for Soprano, Tenor and Bass Soli, SATB Chorus, Strings and Orga...

A Sacred Cantata for Solo Voice (Soprano, Tenor or Baritone) and SATB Choir with Organ. Text freely adapted from St. Luke.

Originally a purely orchestral work incorporated into Lenten services, The Seven Last Words of Christ (each 'word' is actually a full sentence) consists of a slow introduction; seven slow, meditative...

A Sacred Cantata for Solo Voices, Mixed Chorus and Piano or Organ Accompaniment.