Piano Excerpts

The rediscovery of this concerto by the Bohemian composer is certainly a surprise for the violists particularly since there is only very little original literature from the classical epoch. As violist...

Nach den 'Easy Concertos' in Einzelausgaben für junge Geiger folgt nun eine eigene Sammlung für junge Cellisten, die sich erstmals vor Publikum präsentieren wollen. Der Band enthält 18 wirkungsvolle u...

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...

The Concerto for Bass Tuba and Orchestra was composed in 1953-4 to mark the 50th anniversary of the formation of the LSO and was written for the orchestra's principal tuba player, Philip Catelinet. It...

Die neue Reihe ' Bärenreiter's Easy Concertos ' wird fortgesetzt durch weitere, leicht spielbare Werke der Geigenliteratur. Die Ausgaben beinhalten die konzertierende Geigenstimme und einen Klavieraus...

The Concerto in G major (TWV 51: G 9) is not only Telemann's only concerto for the viola but one of the earliest viola concertos in history. It belongs to the standard repertoire of every violist and...

The viola is often not credited with being able to take over a soloistic role - but this is completely unjust. In 1738 Johann Philipp Eisel already wrote of the viola as being the 'very bowels of musi...

In 1838 Robert Schumann complained: 'The piano is becoming too narrow for me. I often hear in my current compositions a lot of things that I can hardly indicate'. Thus, in 1840, Schumann dedicated him...

Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establ...

The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos...

Carl Stamitz (1746 - 1801), a contemporary of Mozart and Haydn and the son of the violinist and composer Johann Stamitz, worked at the Mannheim court before traveling Europe as a violin virtuoso and c...

The a-minor Concerto is a true gem in the repertoire of great cello music. David Geringas provided the fingerings for this Urtext edition for which editor Peter Jost supplied a detailed preface. Johan...

Flute Concerto. Piano Reduction based on the Urtext of the New Mozart Edition - Flute Concerto. Piano Reduction based on the Urtext of the New Mozart Edition. Flute Solo, Oboe (2), Horn (2), Strings -...

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

Kammermusik-Ausgabe (Klavierquintett) nach dem Urtext der Neuen Mozart-Ausgabe. Klavier, Violine (2), Viola, Violoncello - Spielpartitur; Stimmensatz

In two private performances for Prince Lobkowitz in the spring of 1804, two new works by Beethoven were played for the first time: his Third Symphony op. 55 and the Triple Concerto op. 56 for piano, v...

No serious musician and no serious orchestra can ignore this new Urtext edition of a major work of concerto literature, since the music text frequently diverges from that of previous editions. All the...

As if looking back on his youth toward the end of his life, Richard Strauss wrote a second concerto for horn and orchestra, again in Eb major, around sixty years after his first concerto for horn. Thi...

Similar to Schumann's 'Concert Piece for Four Horns' op. 86 (HN 1138), Saint-Saëns' 'Morceau de Concert' was also written with the idea of exhausting the technical possibilities of a new valve horn co...

Mozart's 'daily bread' for horn players in a particularly delightful Urtext edition. The fragmentary Rondo is not only offered in the well-known Süßmayr version, but also in a very stylistically confi...

The composer and violin virtuoso Johann Stamitz not only established the world-famous Mannheim school in the 18th century but is known among clarinettists above all for presumably being the first to p...

Now the Concertino and the First Clarinet Concerto are about to be followed by Weber's Second Concerto in E-flat major, edited by Norbert Gertsch. Once again, the piano reduction contrasts the origina...

Louis Spohr's concertos have long been a standard feature in the clarinet repertoire, but up to now they have suffered due to a lack of reliable editions. In order to fill this gap, G. Henle Publisher...