Piano Excerpts
Several elements contribute to the Christmassy character of this mass, which is characterized by its high level of compositional skill: creative devices such as triadic motifs, cradle symbolism as wel...
Several elements contribute to the Christmassy character of this mass, which is characterized by its high level of compositional skill: creative devices such as triadic motifs, cradle symbolism as wel...
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Frieden fängt im Kleinen an consists of eight songs that can be sung as part of a mass or in concert. The texts approach the concept of "home" from different perspectives, off the beaten track, and ex...
Frieden fängt im Kleinen an consists of eight songs that can be sung as part of a mass or in concert. The texts approach the concept of "home" from different perspectives, off the beaten track, and ex...
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Urtext based on the new Complete Edition edited by Jeremiah W. McGrann [solos,mix ch,orch]
Urtext based on the new Complete Edition edited by Jeremiah W. McGrann [solos,mix ch,orch]
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
- Breitkopf & Härtel KG
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The cantata Schmücket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a compar...
The cantata Schmücket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a compar...
- Soloists, Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Breitkopf & Härtel KG
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This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...
This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
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Soli,GCh,Orch 45' - Soli: SATB - Chor: SATB - 1.2.2.2. - 2.2.3.0. - Pk - Org - Str
Soli,GCh,Orch 45' - Soli: SATB - Chor: SATB - 1.2.2.2. - 2.2.3.0. - Pk - Org - Str
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
- Julius Spengel
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Klavierauszug von Alfred Dürr
Klavierauszug von Alfred Dürr
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The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressin...
The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressin...
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- Piano Reduction (Urtext)
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The Frankfurt composer and professor of composition Kurt Hessenberg (1908-1994), together with Ernst Pepping and Hugo Distler, ranks among the most important representatives of Protestant church music...
The Frankfurt composer and professor of composition Kurt Hessenberg (1908-1994), together with Ernst Pepping and Hugo Distler, ranks among the most important representatives of Protestant church music...
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- Schott Musik
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- Soloists and Mixed Choir (SATB)
- Piano Reduction Download
- Schott Musik
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immediately available
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- Soloists and Mixed Choir (SATB)
- Piano Reduction Download
- Schott Musik
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- Soloists and Mixed Choir (SATB)
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Klavierauszug mit Chor S/A/T/B und Soli A/T/B 42 Seiten, kartoniert, 21,5 x 30 cm
Klavierauszug mit Chor S/A/T/B und Soli A/T/B 42 Seiten, kartoniert, 21,5 x 30 cm
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
- Eichelberg-Verlag
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In this new Urtext edition, Klaus Burmeister builds on our 1929 edition by Kurt Soldan. The piano part has been revised for consistency alongside our new full score, supplying instrument cues and supp...
In this new Urtext edition, Klaus Burmeister builds on our 1929 edition by Kurt Soldan. The piano part has been revised for consistency alongside our new full score, supplying instrument cues and supp...
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- Piano Reduction (Urtext)
- Edition Peters
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Johann Sebastian Bach's "St. John Passion BWV 245" is one of the most important and dramatic works of Protestant church music. In this original version, edited by Carl Eberhardt and Gustav Rösler, the...
Johann Sebastian Bach's "St. John Passion BWV 245" is one of the most important and dramatic works of Protestant church music. In this original version, edited by Carl Eberhardt and Gustav Rösler, the...
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- Piano Reduction (Urtext)
- Edition Peters
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für Soli (SATB), gem. Chor und Orchester (Neue Ausgabe) Urtext
für Soli (SATB), gem. Chor und Orchester (Neue Ausgabe) Urtext
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- Piano Reduction (Urtext)
- Edition Peters
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Christian Gotthilf Tag was one of the most outstanding church musicians of his time in Germany. He composed an astonishing wealth of sacred choral works. He cultivated intensively the cantata form in...
Christian Gotthilf Tag was one of the most outstanding church musicians of his time in Germany. He composed an astonishing wealth of sacred choral works. He cultivated intensively the cantata form in...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
- Edition Merseburger
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- Soloists, Mixed Choir (SATB) and Piano
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- Prospect Studio-Label-Verlag
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Buxtehude's numerous vocal compositions written for the performance in Lübeck's Marienkirche are stylistically very different. The cantata "So hat Gott die Welt geliebet" is a concerto for solo sopran...
Buxtehude's numerous vocal compositions written for the performance in Lübeck's Marienkirche are stylistically very different. The cantata "So hat Gott die Welt geliebet" is a concerto for solo sopran...
- High Voice and Piano
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- Carus-Verlag
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Strangely enough, the cantata has survived with two texts. Of these, the second is certainly a parody, but possibly also the first. While the first text is clearly intended for Easter, the second has...
Strangely enough, the cantata has survived with two texts. Of these, the second is certainly a parody, but possibly also the first. While the first text is clearly intended for Easter, the second has...
- Low Voice and Piano
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Trauermusik. Schlussteil mit dem Alt-Solo. Alt solo, Violine Solo, Flöte (3), Oboe (2), Klarinette in b (2), Bass-Klarinette, Fagott (2), Kontrafagott, Horn (2), Trompete (3), Posaune (2), Pauke, Schl...
Trauermusik. Schlussteil mit dem Alt-Solo. Alt solo, Violine Solo, Flöte (3), Oboe (2), Klarinette in b (2), Bass-Klarinette, Fagott (2), Kontrafagott, Horn (2), Trompete (3), Posaune (2), Pauke, Schl...
- Voice, Violin and Piano
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- Bärenreiter Verlag
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In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...
In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...
- Soloists, Mixed Choir (SATBarB), 2 Flutes, 2 Oboes, 2 Violins, 2 Violas, Double Bass and Continuo
- Piano Reduction (Urtext)
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Ultimately, he is a pupil for whom I need not feel embarrassed,' wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C. Altnickol. Altnickol's two settings of the Sanctus, based on...
Ultimately, he is a pupil for whom I need not feel embarrassed,' wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C. Altnickol. Altnickol's two settings of the Sanctus, based on...
- Choir (Unison), 2 Violins, Viola and Continuo
- Piano Reduction (Urtext)
- Carus-Verlag
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Gounods Messe à la mémoire de Jeanne dArc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles V...
Gounods Messe à la mémoire de Jeanne dArc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles V...
- Soloists (SATB), Mixed Choir (SATB), 4 Trumpets, 3 Trombones, Violin Solo, Harp and Organ
- Piano Reduction (Urtext)
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The best-known requiem mass before Mozart's unfinished Requiem was written by the opera composer Niccolò Jommelli, who was celebrated in his day. The Missa pro defunctis was composed in 1756 during hi...
The best-known requiem mass before Mozart's unfinished Requiem was written by the opera composer Niccolò Jommelli, who was celebrated in his day. The Missa pro defunctis was composed in 1756 during hi...
- Soloists (SATB), Mixed Choir (SATB), 2 Violins and 2 Violas
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