Piano Sheet Music from Faber Music for all skill levels

Nola, composed by Felix Arndt, arranged for piano solo.

Mornings At Seven (Morgens Um Sieben), composed by James Last, arranged for piano solo.

Three Quarter Blues, composed by George Gershwin, arranged for piano solo.

London Fantasia, composed by Clive Richardson, transcribed from the original score by Henry Geehl, the complete piano solo, a musical picture of 'The Battle Of Britain'.

Flamenco Love, written by Larry Wagner, Frank Shuman and Jimmy Eaton, as performed by Mantovani & his orchestra, arranged for piano solo.

Hergest Ridge, written by Mike Oldfield, arranged for piano solo.

In Dulci Jubilo, written by Mike Oldfield, arranged for piano solo.

Tubular Bells, written by Mike Oldfield, arranged for piano solo.

‘The word Lullaby is used in the sense of an incantation to sleep’ explains Oliver Knussen in a programme note for his exquisite 6-minute piano piece Sonya’s Lullaby. ‘Sonya is my daughter, who was a...

A skilled pianist himself, Carl Vine has created a body of piano music which occupies a central place in the contemporary repertoire through its scintillating command of sonority and space as well as...

After composing the unconventional but highly successful Night Piece (Notturno) for the inaugural Leeds International Piano Competition, Marion Harewood, the competition's co-founder along with Dame F...

Britten's 6 minute cadenza was requested by Sviatoslav Richter and written in the summer of 1966 in Aldeburgh before being toured by Richter.

Composed in 1994, Carl Vine’s Five Bagatelles distil his unique voice into a microcosm: motoric jazz influences, sonorous harmonies, and brief, heart-stopping moments of lyricism combine to form a com...

Composed in 2009 for Emmanuel Ax, Thomas Adès’s Mazurkas listen to the Polish folk genre as it was listened to by Chopin, except that its rhythms and the heave of its shifting accents are now caught f...

Faber Music is thrilled to publish this previously undiscovered work for piano by Olivier Messiaen, La Fauvette Passerinette. Believed to be the first publication of a piece by Messiaen produced by a...

ff is a dazzling 3-minute work of a piano solo from one of British music’s most innovative voices, where brilliant shards of sound spectra collide with highly accented and rhythmic material in the bas...

First performed by Imogen Cooper at the Cheltenham Festival, Thomas Adès’s Traced Overhead (1995-6) unfolds in three movements of progressively increasing length. The first, ‘Sursum’ (the Latin adverb...

Humphrey Searle composed this restrained and delicate Prelude for Piano on a theme of Alan Rawsthorne in 1965. A student of Anton Webern who, together with Elizabeth Lutyens was one of the pioneers of...

John Woolrich’s Locus Solus is a 12-minute scherzando, mostly fast music placed around a still centre. Its title comes from Raymond Roussel’s 1914 novel of the same name, in which an inventor has invi...

Jonathan Harvey’s Vers was written in 2000 for the 75th birthday of Pierre Boulez. Following the double meaning of the word 'vers', this 4-minute work is a verse which leads 'towards' both a brief quo...

Moderato & Nocturne is bursting with character and charm, these engaging and accessible pieces originate from Britten’s early unpublished Sonata Romantica. Ideal teaching pieces, they offer a wide gam...

Mountains was commissioned by the Sydney International Piano Competition, 1981, with assistance from the Music board of Australia Council. It was first performed by Gabriella Pusner in Verbugghen Hall...

Nicholas Maw wrote these two cadenzas for Mozart’s Piano Concerto No. 24 in C minor, K.491 for the American pianist Sarah Rothenberg in 1991. They are reproduced here in Maw’s manuscript.

Oliver Knussen’s Variations for piano were composed in 1989 and premiered by Peter Serkin. Although they are concise – the twelve variations play for a little more than six minutes in all – the compos...

Ophelia’s Last Dance (Ophelia Dances, Book 2) is based on a melody dating from early in 1974, which was among several ideas intended for - but ultimately excluded from – Oliver Knussen’s Third Symphon...