R. Mark Rogers: Intermediate Sheet Music

Commissioned by the Kansas City Youth Symphony, this work was intended to serve as a major contribution to the celebration of the orchestra's 40th anniversary. The wind band version of the symphony wa...

Folk Tune (also known as Sheep Shearing Song) was originally composed for piano by Eugene Goossens. This setting for symphonic band by Percy Grainger bears the hallmark ingenious application of instru...

This reimagined band edition by Mark Rogers breathes new life into an absolute gem by Leroy Anderson. This publication features the first full score offered with the parts - as well as an alternate tr...

FORGOTTEN DREAMS was completed on May 28, 1954. The first performance was a few days later on June 2nd during a recording session for Delta Records in New York, at which time Leroy Anderson performed...

The iconic tune Autumn Leaves les Feuilles Mortes by Hungarian-born composer Joseph Kosma hardly requires an introduction to jazz afficionados. The music was originally set to French lyrics by Jacques...

The extensive passages for orchestra alone in The Many Moods of Christmas suites represent some of Robert Russell Bennett's most brilliant and attractive writing based on familiar carols. This Mark Ro...

This all-new setting of Robert Russell Bennett's enchanting Many Moods of Christmas, Suite No. 1 for wind band alone, consists of approximately eight of the original twelve minutes of the original sui...

Included within this first-ever setting for band alone of THE MANY MOODS OF CHRISTMAS, SUITE THREE, are What Child Is This, Hark! The Herald Angels Sing, Bring a Torch, Jeanette, Isabella, concluding...

Morton Gould's setting of JINGLE BELLS calls to mind the quiet sounds of a horse-drawn sleigh passing through newly fallen snow. Beginning softly, as if the sleigh is approaching the listener from a d...

Morton Gould's setting of JINGLE BELLS calls to mind the quiet sounds of a horse-drawn sleigh passing through newly fallen snow. Beginning softly, as if the sleigh is approaching the listener from a d...

This stately, pastoral work incorporates the chorus of O Come All Ye Faithful (or Adeste Fideles) into the writing. The original melody by Yon is rather remarkable in its elegant beauty and sounds tim...

Nikolai Rimsky-Korsakov’s "Variations on a Theme by Glinka" was written for solo oboe accompanied by wind band. This rather unusual combination is due to the fact that at the time of its composition,...

The extensive passages for orchestra alone in The Many Moods of Christmas suites represent some of Robert Russell Bennett's most brilliant and attractive writing based on familiar carols. This Mark Ro...

The second movement of Shostakovich's masterful and subversive Fifth Symphony, written as his career as a composer in communist Russia teetered in the balance, could suggest a barely literate composer...

Composed while Bernhard Heiden served as Assistant Bandmaster for the 445th US Army band during World War II, this first-ever print edition has been carefully edited and adapted with modern instrument...

During the period of his earliest success as a composer, Karl King became acquainted with several members of the band in Carrollton, Ohio, located some thirty miles southeast of Canton (present popula...

During the period of his earliest success as a composer, Karl King became acquainted with several members of the band in Carrollton, Ohio, located some thirty miles southeast of Canton (present popula...

Included within this first-ever setting for band alone of THE MANY MOODS OF CHRISTMAS, SUITE THREE, are What Child Is This, Hark! The Herald Angels Sing, Bring a Torch, Jeanette, Isabella, concluding...

In addition to its phenomenal success on the stage, the operetta 'El Capitan' bears the distinction of being the most fertile source for excerpted material for Sousa stage works, including these waltz...