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The overture to Countess Mariza by Emmerich Kálmán comes from one of the most famous operettas of the early 20th century. Premiered in 1924, the operetta exemplifies Kálmán's unmistakable style, which...

The overture to Countess Mariza by Emmerich Kálmán comes from one of the most famous operettas of the early 20th century. Premiered in 1924, the operetta exemplifies Kálmán's unmistakable style, which...

The overture to Countess Mariza by Emmerich Kálmán comes from one of the most famous operettas of the early 20th century. Premiered in 1924, the operetta exemplifies Kálmán's unmistakable style, which...

The overture to Countess Mariza by Emmerich Kálmán comes from one of the most famous operettas of the early 20th century. Premiered in 1924, the operetta exemplifies Kálmán's unmistakable style, which...

This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...

This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...

This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...

This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...

Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...

Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...

Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...

Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...

With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...

With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...

With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...

With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...

Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...

Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...

Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...

Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...

Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...

Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...

Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...

Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...

The Duchess of Chicago is one of Emmerich Kálmán's liveliest stage works and was premiered in 1928 at the height of the Viennese operetta era. In this score, the composer combines European elegance wi...