Sacred Music Sheet Music

The organ part is supportive, but full of interest and not merely accompanimental. Particularly memorable are the jaunty Gloria, with its constantly shifting time-signatures, and the haunting Agnus De...

An easy anthem with words and music by the composer. There are four different versions of the vocal parts - unison (or two-part) with keyboard, upper voices with keyboard, SA and Men with piano or SAT...

Here's a pure, full sounding choral work from talented composer Sherri Porterfield. The notes aren't difficult, so you can devote time to developing phrasing, blend, and tone. . . and the results will...

Premiered in April of 2004 at Carnegie Hall, this exuberant festival piece by revered composer and conductor Sally K. Albrecht is not to be missed! Open your next concert with this majestic fanfare th...

This lyrical setting of the traditional Latin text overflows with warm harmonies and expressive melodic lines. Developing mixed and treble choirs will achieve a polished sound and appreciate an enrich...

One Latin phrase, Dona nobis pacem, provides the foundation for the echoing chorus, and makes a powerful bridge. Choirs of all ages will sound their very best at the holidays, or any time of year.

An achievable thriller on a familiar Latin text! Jay Althouse's compelling mixed meter theme develops into a shimmering array of contemporary harmonies in this exciting, angular work. A reflective ada...

Frauenchor - Singpartitur; Sammelband

Missa in C major KV 317

Pergolesi's famous 'Stabat mater' quickly began its triumphal march through Europe as a work for two soloists. Nevertheless, there are many indications that there were also choral performances quite e...

Haydn probably wrote his short mass in 1775 for the Order of the Brothers of Mercy in the Eisenstadt monastery. The work owes its nickname 'Little Organ Mass' to the Benedictus with its organ solo. Th...

Commissioned by the American Choral Directors Association and first performed at the 2015 ACDA Convention in Salt Lake City, this setting of the Gloria text from the Christian Mass (in Latin) is a hig...

A rapt meditation on this sacramental medieval poem, composed to mark the 400th anniversary of the of St John Ogilvie at Glasgow Cross in 1615 in a performance by pupils from six local junior schools....

Singing and playing score - optional parts included - choir (SSAA) and piano (synthesizer); accordion, wind instrument, bass, guitar and/or percussion ad lib. - Vocalisen Originally a composition for...

Sacred ist ursprünglich Teil einer ganzen Messe, in der der Komponist Elemente der lateinischen Messe mit denen des traditionellen Joik-Gesangs der Samen (einer Art Jodeln) sowie Elementen norwegische...

Als eigenständiges Stück, welches ursprünglich der sechste Satz seines Stabat Mater ist, hat sich Arnesen für einen anderen, aber ähnlichen Text entschieden. Hier steht nicht die schmerzensreiche Gott...

Setting of a prayer by Mother Cornelia Connelly, foundress of the Society of the Holy Child Jesus in 1846 and latterly Mayfield School. In 1863 she was inspired to transform the ruins of the Old Palac...

Kim André Arnesen’s Stabat Mater breathes new life into the 13th-century Latin hymn, which portrays the Virgin Mary’s suffering at the crucifixion of her son, Jesus Christ. Amongst the traditional sta...

The familiar Latin text, ‘Tantum ergo Sacramentum’ (‘Therefore only the sacrament’), attributed to the 13th-century St Thomas Aquinus is here set by Anna Lapwood in simple strophic form for upper voic...

Cantata mundi is a development of ideas first heard in Songs of Sanctuary, where the world of ethnic influenced (both in vocal sound and percussion) are combined with established Western European clas...

This 'Magnificat' for treble voices with optional strings is by the Baroque composer Nicola Porpora and edited by Joan Whittemore. It consists of six contrasting choral movements and was written for t...