Sammy Nestico: Intermediate Sheet Music

This grade 4 brass quintet arrangement of the popular jazz-flavored trumpet solo by legendary composer and arranger Sammy Nestico showcases a solo trumpet and was originally dedicated by Nestico to th...

Benny Golson's tribute to Clifford Brown has been a jazz favorite for years, and in the hands of Sammy Nestico you won't find a better feature for trumpet or flugelhorn. Silky smooth!

That unmistakable Nestico touch gives this Latin standard a fresh new sound. Sammy's brilliant brass, sparkling woodwinds, and driving Latin rhythms create a concert piece that's truly exciting.

First published in 1964, this colorful work in two movements -- 1. The Demure (expressive), 2. The Delightful (scherzando) -- features the irresistible melodies and rich harmonies for which Sammy Nest...

Here is the St. Louis Blues like you've never heard it before! It opens in a slow New Orleans style with optional parts for clarinet and tuba. Quickly shifting key and tempo, this masterful arrangemen...

As recorded by Peggy Lee, Joe Williams, Count Basie and many others, this popular standard breathes new life under the masterful pen of Sammy Nestico. A flexible solo section allows for any combinatio...

Sammy has done a masterful job with this all-time great song. If you have a trombone soloist who doesn't get featured enough along with a good trombone section, check out this bluesy arrangement.

Another hit from the Basie Straight Ahead album is this driving swinger in F minor. This chart gives the band a great chance to really play soft and make a huge build over an entire phrase to a fortis...

The quintessential recording of this chart was captured on the 1968 album called Basie Straight Ahead. Unlike many of Sammy's charts for Basie, this one starts with the Saxes and rhythm section instea...

This simplified version of the classic swinger recorded by the Count Basie Orchestra opens with a 12-bar piano solo backed by guitar, bass and drums before entrances by saxes, then brass, lead to a fu...

As recorded on the great Basie-Straight Ahead album of 1968 by Count Basie, this swing outing features solid section and full-ensemble writing, brass buckets, sax scoops, drum fills, and piano in the...

Originally issued in 1974, this chart penned for the Count Basie band has everything you'd expect from a Nestico classic -- solos for piano and tenor, sax and brass solis, a solid ensemble shout, and...

After a 35 year hiatus, multi-Grammy winning composer/arranger Sammy Nestico has joined forces with the Count Basie Orchestra to arrange this chart for the A Very Swingin' Basie Christmas CD (Concord...

Sammy Nestico, one of the most important figures in the evolution of the big band sound, has arranged this holiday classic for the Count Basie Orchestra recording A Very Swingin' Basie Christmas (Conc...

Written in 1964 and dedicated to his trombone teacher, Matthew Shiner, this popular Nestico original is a warm ballad with rubato passages, two cadenzas, and a high range to B4 (opt. C5).

This is an absolutely gorgeous tenor sax feature! The ensemble has plenty to do, too, in providing a lush, subtly swinging backdrop for the soloist. If you have a strong tenor player, this could be th...

Originally written for and played by Bud Shank, this showpiece for alto sax features a wide dynamic range and calls for a soft, smooth approach to background figures. Though written solo lines are pro...

Performed by the great Count Basie Orchestra, this gentle swing ballad starring piano in the solo role features a big, dramatic climax just past the midpoint that'll be the highpoint of any concert pr...

Starting and ending as a ballad in a comfortable two-beat style, the jazz waltz midsection provides essential contrast in this beautiful arrangement of the Rimsky-Korsakoff classic. As always, attenti...

Brass and sax unisons, easy figures and a rich harmonic structure will make this a big hit with everyone. The primary solo is reserved for trumpet (optional written solo provided), but piano adds some...

This arrangement calls for a very lazy feel. Keep saxes quietbehind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce so...

Solo-Jazzballade für Altsaxophon