Scores for Orchestra
Martinu composed the one-act opera 'Ariane' over the course of a single month, in June 1958. He prepared the libretto himself according to his friend Georges Neveux's play 'The Voyage of Theseus' (194...
Martinu composed the one-act opera 'Ariane' over the course of a single month, in June 1958. He prepared the libretto himself according to his friend Georges Neveux's play 'The Voyage of Theseus' (194...
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Bohuslav Martinu's Concerto for Violoncello and Orchestra No. 1 exists in three versions: the first from 1930, the second from 1939 and the third from 1955. These three versions differ primarily in th...
Bohuslav Martinu's Concerto for Violoncello and Orchestra No. 1 exists in three versions: the first from 1930, the second from 1939 and the third from 1955. These three versions differ primarily in th...
- Cello and Orchestra
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Bohuslav Martinu composed the one-act opera "Mariken de Nimègue" based on a medieval Dutch Marian miracle during his stay in Paris in 1933 to a French text by Henri Ghéon. This is the unpublished and...
Bohuslav Martinu composed the one-act opera "Mariken de Nimègue" based on a medieval Dutch Marian miracle during his stay in Paris in 1933 to a French text by Henri Ghéon. This is the unpublished and...
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- Soloists and Orchestra
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- Soloists and Orchestra
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- Soloists and Orchestra
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- Soloists, Mixed Choir (SATB) and Orchestra
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'Giulio Cesare in Egitto' is by far Handel's most frequently performed opera owing its success not least to its subject matter, one of the best known love stories in world history. Already during Hand...
'Giulio Cesare in Egitto' is by far Handel's most frequently performed opera owing its success not least to its subject matter, one of the best known love stories in world history. Already during Hand...
- Soloists (SSAAAAB) and Orchestra
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In the autograph, the 'little Cecilia Ode', composed in September 1739, is superscribed with 'Song'; the title used in contemporary sources, such as the textual source by John Dryden, and taken over b...
In the autograph, the 'little Cecilia Ode', composed in September 1739, is superscribed with 'Song'; the title used in contemporary sources, such as the textual source by John Dryden, and taken over b...
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In the almost six months from 14 August 1736 to 27 January 1737, George Frideric Handel had achieved unprecedented productivity in his operatic oeuvre with the composition of three operas. In addition...
In the almost six months from 14 August 1736 to 27 January 1737, George Frideric Handel had achieved unprecedented productivity in his operatic oeuvre with the composition of three operas. In addition...
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Volume 14 of Series III (Church Music) of the Halle Handel Edition contains two anthems which Handel composed in 1749 and which are his last contributions to the genre of the English anthem. He perfor...
Volume 14 of Series III (Church Music) of the Halle Handel Edition contains two anthems which Handel composed in 1749 and which are his last contributions to the genre of the English anthem. He perfor...
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Urtext aus/from: Joseph Haydn Werke, G. Henle Verlag München
Urtext aus/from: Joseph Haydn Werke, G. Henle Verlag München
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The compositional legacy of Carl Stamitz (1745-1801) includes seven concertos for bassoon and orchestra. The Concerto in C major was last published by Breitkopf & Härtel between 1782 and 1784, after w...
The compositional legacy of Carl Stamitz (1745-1801) includes seven concertos for bassoon and orchestra. The Concerto in C major was last published by Breitkopf & Härtel between 1782 and 1784, after w...
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This critical edition of Janácek's most famous orchestral composition, the "Sinfonietta", is an updated version of the edition published by Universal Edition in 2017, which has been supplemented by a...
This critical edition of Janácek's most famous orchestral composition, the "Sinfonietta", is an updated version of the edition published by Universal Edition in 2017, which has been supplemented by a...
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Hallische Händel-Ausgabe. Serie I, Band 6. Gesamtausgabe, Partitur, Urtextausgabe SSolo/ASolo/TSolo/BSolo/GemCh-SATB/2Ob/Fag/2Trp/Str/Bc
Hallische Händel-Ausgabe. Serie I, Band 6. Gesamtausgabe, Partitur, Urtextausgabe SSolo/ASolo/TSolo/BSolo/GemCh-SATB/2Ob/Fag/2Trp/Str/Bc
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Hallische Händel-Ausgabe. Serie I, Band 31 Sopran solo (2), Mezzosopran solo, Tenor solo, Gemischter Chor (SATB), Flöte (2), Oboe (2), Fagott (2), Horn (2), Trompete (2), Streicher, Basso continuo
Hallische Händel-Ausgabe. Serie I, Band 31 Sopran solo (2), Mezzosopran solo, Tenor solo, Gemischter Chor (SATB), Flöte (2), Oboe (2), Fagott (2), Horn (2), Trompete (2), Streicher, Basso continuo
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Hallische Händel-Ausgabe. Serie I, Band 13 Sopran solo (2), Alt solo, Tenor solo (5), Bass solo (3), Gemischter Chor (SATB), Flöte (2), Oboe (2), Fagott (2), Trompete (2), Posaune (3), Pauke, Glockens...
Hallische Händel-Ausgabe. Serie I, Band 13 Sopran solo (2), Alt solo, Tenor solo (5), Bass solo (3), Gemischter Chor (SATB), Flöte (2), Oboe (2), Fagott (2), Trompete (2), Posaune (3), Pauke, Glockens...
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Opera seria in tre atti (italienisch). Urtext der Hallischen Händel-Ausgabe. Sopran solo (5), Mezzosopran solo, Alt solo (2), Tenor solo, Bass solo, Piccolo, Flöte (2), Oboe (2), Trompete (4), Pauke,...
Opera seria in tre atti (italienisch). Urtext der Hallischen Händel-Ausgabe. Sopran solo (5), Mezzosopran solo, Alt solo (2), Tenor solo, Bass solo, Piccolo, Flöte (2), Oboe (2), Trompete (4), Pauke,...
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Opera seria in tre atti (italienisch). Urtext der Hallischen Händel-Ausgabe. Sopran solo (4), Mezzosopran solo, Bass solo (2), Flöte, Oboe (2), Fagott, Horn (2), Trompete (2), Streicher, Basso continu...
Opera seria in tre atti (italienisch). Urtext der Hallischen Händel-Ausgabe. Sopran solo (4), Mezzosopran solo, Bass solo (2), Flöte, Oboe (2), Fagott, Horn (2), Trompete (2), Streicher, Basso continu...
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Orchester - Partitur; Sammelband; Urtextausgabe; Gesamtausgabe Orchesterwerke - Sinfonieorchester - Sinfonieorchester ohne Soloinstrument(e)
Orchester - Partitur; Sammelband; Urtextausgabe; Gesamtausgabe Orchesterwerke - Sinfonieorchester - Sinfonieorchester ohne Soloinstrument(e)
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Urtext der Neuen Mozart-Ausgabe. Anhang: Skizze zur Arie Nr.6 (Faksimile) mit Übertragungsversuch. Solo (2), Tenor solo (2), Bass solo (2), Sprecher, Männerchor, Flöte (2), Oboe (2), Fagott (2), Horn...
Urtext der Neuen Mozart-Ausgabe. Anhang: Skizze zur Arie Nr.6 (Faksimile) mit Übertragungsversuch. Solo (2), Tenor solo (2), Bass solo (2), Sprecher, Männerchor, Flöte (2), Oboe (2), Fagott (2), Horn...
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Anhang: Autographe Skizzen zur Arietta 11. Urtext der Neuen Mozart-Ausgabe. Sopran solo (2), Tenor solo, Bass solo 6 Spr, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2),...
Anhang: Autographe Skizzen zur Arietta 11. Urtext der Neuen Mozart-Ausgabe. Sopran solo (2), Tenor solo, Bass solo 6 Spr, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (2), Trompete (2),...
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Urtext der Neuen Mozart-Ausgabe. Sopran solo (3), Tenor solo (2), Flöte (2), Oboe (2), Fagott (2), Horn (2), Posaune, Streicher, Basso continuo - Partitur; Urtextausgabe; Gesamtausgabe V o k a l m u s...
Urtext der Neuen Mozart-Ausgabe. Sopran solo (3), Tenor solo (2), Flöte (2), Oboe (2), Fagott (2), Horn (2), Posaune, Streicher, Basso continuo - Partitur; Urtextausgabe; Gesamtausgabe V o k a l m u s...
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