Scores for Orchestra
Johann Sebastian Bachs vier Orchestersuiten (BA 5252-BA 5255) gehören zu jener besonderen Gruppe barocker Orchesterwerke, die von je her äusserst beliebt und vielgespielt sind. Sie stammen wahrscheinl...
Johann Sebastian Bachs vier Orchestersuiten (BA 5252-BA 5255) gehören zu jener besonderen Gruppe barocker Orchesterwerke, die von je her äusserst beliebt und vielgespielt sind. Sie stammen wahrscheinl...
- Orchestra
- Score
- Bärenreiter Verlag
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Flöte Solo, Oboe (2), Fagott (2), Horn (2), Streicher - Partitur
Flöte Solo, Oboe (2), Fagott (2), Horn (2), Streicher - Partitur
- Flute and Orchestra
- Score
- Bärenreiter Verlag
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Charpentier schrieb ' In nativitatem Domini canticum ' während seiner Zeit als Kapellmeister an der Kirche Saint Louis in Paris (um 1690). Das Werk steht in der Tradition der Oratorien Carissimis und...
Charpentier schrieb ' In nativitatem Domini canticum ' während seiner Zeit als Kapellmeister an der Kirche Saint Louis in Paris (um 1690). Das Werk steht in der Tradition der Oratorien Carissimis und...
- Mixed Choir (SATB) and Orchestra
- Score
- Bärenreiter Verlag
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3Fl/2Ob/EnglHn/2Klar/2Fag/4Hn/Cymb/2Hfe/2V/Va/Vc/KB
3Fl/2Ob/EnglHn/2Klar/2Fag/4Hn/Cymb/2Hfe/2V/Va/Vc/KB
- Orchestra
- Score
- Bärenreiter Verlag
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V-solo/Fl1/Fl2(Fl-picc)/2Ob/2Clar/2Fag/2Hn/Trp/Perc(Tri/Timbre/Be)/Cel/Hfe/2V/Va/Vc/KB
V-solo/Fl1/Fl2(Fl-picc)/2Ob/2Clar/2Fag/2Hn/Trp/Perc(Tri/Timbre/Be)/Cel/Hfe/2V/Va/Vc/KB
- Violin and Orchestra
- Score
- Bärenreiter Verlag
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V-solo/Fl/2Ob/2Fag/2Hn/2V/Va/Vc/KB
V-solo/Fl/2Ob/2Fag/2Hn/2V/Va/Vc/KB
- Violin and Orchestra
- Score
- Bärenreiter Verlag
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2Fl/2Ob/2Clar/2Fag/4Hn/2Trp/Pk/2V/Va/Vc/KB
2Fl/2Ob/2Clar/2Fag/4Hn/2Trp/Pk/2V/Va/Vc/KB
- Orchestra
- Score
- Bärenreiter Verlag
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The Bernd Alois Zimmermann Complete Edition (BAZ-GA) is published as a hybrid edition and consists of a printed edition published in hardcover and a digital, internet-based edition. The separation int...
The Bernd Alois Zimmermann Complete Edition (BAZ-GA) is published as a hybrid edition and consists of a printed edition published in hardcover and a digital, internet-based edition. The separation int...
- Orchestra
- Score
- Schott Musik
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The Bernd Alois Zimmermann Complete Edition (BAZ-GA) is published as a hybrid edition and consists of a printed edition published in hardcover and a digital, internet-based edition. The separation int...
The Bernd Alois Zimmermann Complete Edition (BAZ-GA) is published as a hybrid edition and consists of a printed edition published in hardcover and a digital, internet-based edition. The separation int...
- Orchestra
- Score
- Schott Musik
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In his preface to the new critical edition of the 'Seventh Symphony', Dr. Reinhold Kubik (editor and vice-president of the International Gustav Mahler Society) reflects on the reception of Mahler and...
In his preface to the new critical edition of the 'Seventh Symphony', Dr. Reinhold Kubik (editor and vice-president of the International Gustav Mahler Society) reflects on the reception of Mahler and...
- Orchestra
- Score
- Bote & Bock
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Brahms' sketch of his 'Vier Ernste Gesänge' suggests the possibility of orchestration. 'Detlev Glanert took up this suggestion and developed it even further. He orchestrated the songs for orchestra, a...
Brahms' sketch of his 'Vier Ernste Gesänge' suggests the possibility of orchestration. 'Detlev Glanert took up this suggestion and developed it even further. He orchestrated the songs for orchestra, a...
- Low Voice and Orchestra
- Score
- Bote & Bock
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- Orchestra
- Score
- M.P. Belaieff
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Le va et le vient is a suite de ballet which might well one day return to the stage as a ballet. Originally commissioned by Merce Cunningham and performed under the title Set, Hold, Clear and Squelch...
Le va et le vient is a suite de ballet which might well one day return to the stage as a ballet. Originally commissioned by Merce Cunningham and performed under the title Set, Hold, Clear and Squelch...
- Orchestra
- Score
- M.P. Belaieff
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- Orchestra
- Score
- M.P. Belaieff
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Metamusik is not only the title of this work, but also a concept with which the composer has attempted to describe his style. He considers Metamusik to be 'a semantic overtone above music'. 'Meta', Si...
Metamusik is not only the title of this work, but also a concept with which the composer has attempted to describe his style. He considers Metamusik to be 'a semantic overtone above music'. 'Meta', Si...
- Piano and Orchestra
- Score
- M.P. Belaieff
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Symphony no. 6 is 'a gigantic farewell symphony written at the end of the millenium. It is at one and the same time retrospective, sums up, and, in a visionary manner, is directed towards the future ....
Symphony no. 6 is 'a gigantic farewell symphony written at the end of the millenium. It is at one and the same time retrospective, sums up, and, in a visionary manner, is directed towards the future ....
- Orchestra
- Score
- M.P. Belaieff
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The work was inspired by the work of the Russian poet Xenia Nekrassova, who, after achieving some success in the 1950s, died forgotten and in complete poverty. The childish and naïve character of her...
The work was inspired by the work of the Russian poet Xenia Nekrassova, who, after achieving some success in the 1950s, died forgotten and in complete poverty. The childish and naïve character of her...
- Orchestra
- Score
- M.P. Belaieff
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Peter Tchaikovsky based the fantasy overture Romeo and Juliet, which he composed in October and November 1869, on Shakespeare's tragedy of the same name. The idea of the work had been suggested to him...
Peter Tchaikovsky based the fantasy overture Romeo and Juliet, which he composed in October and November 1869, on Shakespeare's tragedy of the same name. The idea of the work had been suggested to him...
- Orchestra
- Score
- Viktor Ekimovsky
- M.P. Belaieff
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- Narrator and Orchestra
- Score
- Boosey & Hawkes
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- Orchestra
- Score
- Boosey & Hawkes
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Sketches were rediscovered in some papers in the library of the Royal School of Church Music, including the main tune and other promising fragments of material which provided links to another near-ind...
Sketches were rediscovered in some papers in the library of the Royal School of Church Music, including the main tune and other promising fragments of material which provided links to another near-ind...
- Orchestra
- Score
- Boosey & Hawkes
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Composed in 2005 to commission by the Los Angeles Philharmonic and the Serge Koussevitzky Foundation in the Library of Congress, in memory of Serge and Natalie Koussevitzky. The world première took pl...
Composed in 2005 to commission by the Los Angeles Philharmonic and the Serge Koussevitzky Foundation in the Library of Congress, in memory of Serge and Natalie Koussevitzky. The world première took pl...
- Orchestra
- Score
- Boosey & Hawkes
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Composed in 2007 to commission by the Stiftung Berliner Philharmoniker and the San Francisco Symphony. Whilst the work's title is taken from the last section of Schoenberg's Gurrelieder it makes no ex...
Composed in 2007 to commission by the Stiftung Berliner Philharmoniker and the San Francisco Symphony. Whilst the work's title is taken from the last section of Schoenberg's Gurrelieder it makes no ex...
- Orchestra
- Score
- Boosey & Hawkes
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A cycle of six of Finzi's songs arranged for voice and chamber orchestra to mark the composer's centenary in 2001. One of them, When I set out for Lyonnesse, was a hitherto unpublished orchestration o...
A cycle of six of Finzi's songs arranged for voice and chamber orchestra to mark the composer's centenary in 2001. One of them, When I set out for Lyonnesse, was a hitherto unpublished orchestration o...
- Voice and Orchestra
- Score
- Boosey & Hawkes
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Leokadiya Kashperova (1872–1940), hitherto consigned to a footnote in musical history as Stravinsky’s piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, sh...
Leokadiya Kashperova (1872–1940), hitherto consigned to a footnote in musical history as Stravinsky’s piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, sh...
- Orchestra
- Score
- Boosey & Hawkes
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