Scores for Orchestra
The essence and resonance of this timeless overture is perfectly preserved in Leidig's arrangement. Technical range is perfect for high school string or full orchestras. String parts are carefully edi...
The essence and resonance of this timeless overture is perfectly preserved in Leidig's arrangement. Technical range is perfect for high school string or full orchestras. String parts are carefully edi...
- Orchestra
- Score Download
- Vernon Leidig
- Highland-Etling Publishing
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Girolamo Frescobaldi composed this now famous melody in the 1600s . For 300 years, it has appeared on literally thousands of programs for solo instruments as well as almost every conceivable ensemble....
Girolamo Frescobaldi composed this now famous melody in the 1600s . For 300 years, it has appeared on literally thousands of programs for solo instruments as well as almost every conceivable ensemble....
- Orchestra
- Score Download
- Hans Kinder
- Belwin Music
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Kantate zum 2. Pfingsttag. Urtetxt der Neuen Bach-Ausgabe. Sopran solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Horn, Trompete/ Zink, Posaune (3), Streicher, Basso continuo - Partitur
Kantate zum 2. Pfingsttag. Urtetxt der Neuen Bach-Ausgabe. Sopran solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Horn, Trompete/ Zink, Posaune (3), Streicher, Basso continuo - Partitur
- 2 Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Score (Urtext)
- Bärenreiter Verlag
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Kantate zum 4. Adventssonntag. Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Streicher, Basso continuo
Kantate zum 4. Adventssonntag. Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Streicher, Basso continuo
- 4 Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Score (Urtext)
- Bärenreiter Verlag
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With his four works 'Le Rouet d'Omphale', 'Phaéton', 'Danse macabre' and 'La Jeunesse d'Hercule', composed between 1872 and 1877, Camille Saint-Saëns decidedly put himself in the tradition of Hector B...
With his four works 'Le Rouet d'Omphale', 'Phaéton', 'Danse macabre' and 'La Jeunesse d'Hercule', composed between 1872 and 1877, Camille Saint-Saëns decidedly put himself in the tradition of Hector B...
- Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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Fünf echte Klavierkonzerte gibt es von Camille Saint-Saëns, gemeinhin sind vor allem das Zweite und das Fünfte heute im Konzertleben präsent. Die Kritische Neuausgabe der Camille Saint-Saens - Oeuvres...
Fünf echte Klavierkonzerte gibt es von Camille Saint-Saëns, gemeinhin sind vor allem das Zweite und das Fünfte heute im Konzertleben präsent. Die Kritische Neuausgabe der Camille Saint-Saens - Oeuvres...
- Piano and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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> A work marking the beginning of Dvorák's so-called Slavonic period > Urtext edition incorporating every known source > Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor Dvorák's 'Sla...
> A work marking the beginning of Dvorák's so-called Slavonic period > Urtext edition incorporating every known source > Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor Dvorák's 'Sla...
- Orchestra
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- Bärenreiter Verlag
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Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...
Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...
- Orchestra
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- Bärenreiter Verlag
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Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...
Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...
- Orchestra
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Dvoráks 7. Symphonie wurde im August 1883 von der 'Royal Philharmonic Society' in Auftrag gegeben und am 22. April 1885 in London unter der Leitung des Komponisten uraufgeführt. Im folgenden Juni kürz...
Dvoráks 7. Symphonie wurde im August 1883 von der 'Royal Philharmonic Society' in Auftrag gegeben und am 22. April 1885 in London unter der Leitung des Komponisten uraufgeführt. Im folgenden Juni kürz...
- Orchestra
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The 'New World' Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition. Yet again Jonathan Del Mar has managed to untangle a complex network of...
The 'New World' Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition. Yet again Jonathan Del Mar has managed to untangle a complex network of...
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Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this p...
Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this p...
- Piano and Orchestra
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'To tell the truth, I'm a concerto grosso type,' Martinu wrote in 1945. Unsurprisingly, the concerto grosso is also the formal basis of both concertante compositions for four solo instruments and orch...
'To tell the truth, I'm a concerto grosso type,' Martinu wrote in 1945. Unsurprisingly, the concerto grosso is also the formal basis of both concertante compositions for four solo instruments and orch...
- 2 Violins, Viola, Cello and Orchestra
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'Incarnation' (1956), Bohuslav Martinu's fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu's friend Rudolf Firkušný, who played from a copy of the autograp...
'Incarnation' (1956), Bohuslav Martinu's fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu's friend Rudolf Firkušný, who played from a copy of the autograp...
- Piano and Orchestra
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- Bärenreiter Verlag
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“The Frescoes of Piero della Francesca” and “The Parables” represent the culmination of the late Neo-Impressionist orchestral output of Bohuslav Martinu, marked by a fantastic, kaleidoscopic style. Ma...
“The Frescoes of Piero della Francesca” and “The Parables” represent the culmination of the late Neo-Impressionist orchestral output of Bohuslav Martinu, marked by a fantastic, kaleidoscopic style. Ma...
- Orchestra
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Hallische Händel-Ausgabe. Serie I, Band 9.2 Besetzung: Sopran solo (3), Alt solo (3), Tenor solo, Bass solo, Gemischter Chor: SATTB, 1. Flauti (Piccolo-Flöte, 1. Blockflöte, Flöte) 2. Flauti (Piccolo-...
Hallische Händel-Ausgabe. Serie I, Band 9.2 Besetzung: Sopran solo (3), Alt solo (3), Tenor solo, Bass solo, Gemischter Chor: SATTB, 1. Flauti (Piccolo-Flöte, 1. Blockflöte, Flöte) 2. Flauti (Piccolo-...
- Soloists, Mixed Choir (SATTB) and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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With his 'La Bellezza ravveduta nel trionfo del Tempo e del Disinganno' ('Beauty Reformed in the Triumph of Time and Enlightenment'), HWV 46a, the 22-year-old Handel notched up one of his greatest suc...
With his 'La Bellezza ravveduta nel trionfo del Tempo e del Disinganno' ('Beauty Reformed in the Triumph of Time and Enlightenment'), HWV 46a, the 22-year-old Handel notched up one of his greatest suc...
- Soloists (SSAT) and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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Haydns 'Abschiedssinfonie' ist eines der meistgespielten Werke der sinfonischen Literatur. Der populäre Titel stammt nicht vom Komponisten: Er bezieht sich auf den Finalsatz, an dessen Ende (Adagio) d...
Haydns 'Abschiedssinfonie' ist eines der meistgespielten Werke der sinfonischen Literatur. Der populäre Titel stammt nicht vom Komponisten: Er bezieht sich auf den Finalsatz, an dessen Ende (Adagio) d...
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Zusammen mit den Londoner und Pariser Sinfonien gehören Haydns Sturm-und-Drang-Sinfonien zu den meistgespielten Werken des Komponisten. Unter ihnen befinden sich nicht nur Meisterwerke wie die 'Abschi...
Zusammen mit den Londoner und Pariser Sinfonien gehören Haydns Sturm-und-Drang-Sinfonien zu den meistgespielten Werken des Komponisten. Unter ihnen befinden sich nicht nur Meisterwerke wie die 'Abschi...
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Along with Symphonies Nos. 80 and 81, Haydn's Symphony in F major Hob. I:79 belongs to a group of works that he composed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy who wish...
Along with Symphonies Nos. 80 and 81, Haydn's Symphony in F major Hob. I:79 belongs to a group of works that he composed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy who wish...
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Haydn composed his Symphony no. 76 at the same time as his Symphonies nos. 77 and 78 for a planned trip to England that never took place. Nonetheless, H. C. Robbins Landon calls these works the 'Engli...
Haydn composed his Symphony no. 76 at the same time as his Symphonies nos. 77 and 78 for a planned trip to England that never took place. Nonetheless, H. C. Robbins Landon calls these works the 'Engli...
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Letters of the composer have come down to us only on a few of Haydn's symphonies, amongst them the 'Laudon' Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher's suggestion to n...
Letters of the composer have come down to us only on a few of Haydn's symphonies, amongst them the 'Laudon' Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher's suggestion to n...
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In 1776, around ten years after Haydn took up his position at Esterházy Palace, he composed his Symphony in D major Hob. I:61, which is characterized by a fuller woodwind sound compared to the symphon...
In 1776, around ten years after Haydn took up his position at Esterházy Palace, he composed his Symphony in D major Hob. I:61, which is characterized by a fuller woodwind sound compared to the symphon...
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The first four symphonic poems from Smetana's six-part cycle Má vlast (My Country) were written in 1874-75 and arranged for piano duet shortly after the completion of the fourth part, From Bohemia's W...
The first four symphonic poems from Smetana's six-part cycle Má vlast (My Country) were written in 1874-75 and arranged for piano duet shortly after the completion of the fourth part, From Bohemia's W...
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Since 2014, the six symphonic poems of the cycle "My Fatherland" by Bedrich Smetana have been published individually in new Urtext editions edited by Hugh Macdonald. Now all six parts of this unique w...
Since 2014, the six symphonic poems of the cycle "My Fatherland" by Bedrich Smetana have been published individually in new Urtext editions edited by Hugh Macdonald. Now all six parts of this unique w...
- Orchestra
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