Scores for Orchestra
The "Missa in C" K. 167 is the only mass by Mozart to bear a dedication in its title: "Missa in honorem SS:mae Trinitatis". The work is therefore linked to a specific occasion, which has not yet been...
The "Missa in C" K. 167 is the only mass by Mozart to bear a dedication in its title: "Missa in honorem SS:mae Trinitatis". The work is therefore linked to a specific occasion, which has not yet been...
- Mixed Choir (SATB), Organ and Orchestra
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- Bärenreiter Verlag
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Mozart's "Missa in C" K. 258 cannot be clearly dated, but was probably composed around 1775/76. The mass is composed in the brevis form and was therefore also labeled as such on the cover of the antho...
Mozart's "Missa in C" K. 258 cannot be clearly dated, but was probably composed around 1775/76. The mass is composed in the brevis form and was therefore also labeled as such on the cover of the antho...
- 4 Soloists, Mixed Choir (SATB), Organ and Orchestra
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- Bärenreiter Verlag
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When Anton Theodor Count Colloredo-Mels and Wallsee was consecrated Archbishop of Olomouc in 1778, the Prince Archbishop left the choice of music to the Kapellmeister Leopold Mozart. The choice fell o...
When Anton Theodor Count Colloredo-Mels and Wallsee was consecrated Archbishop of Olomouc in 1778, the Prince Archbishop left the choice of music to the Kapellmeister Leopold Mozart. The choice fell o...
- Soloists, Mixed Choir (SATB), Organ and Orchestra
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- Bärenreiter Verlag
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Wolfgang Amadeus Mozart's "Missa in C" K. 257 has been given many nicknames throughout its history. Known as the "Great Credo Mass", Leopold Mozart referred to it as the "Missa longa" due to its lengt...
Wolfgang Amadeus Mozart's "Missa in C" K. 257 has been given many nicknames throughout its history. Known as the "Great Credo Mass", Leopold Mozart referred to it as the "Missa longa" due to its lengt...
- Soloists, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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In January 1779, Mozart took up his new post as court organist in Salzburg, which required him to compose a series of church works. The autograph of his "Missa in C" K. 317, which has been known as th...
In January 1779, Mozart took up his new post as court organist in Salzburg, which required him to compose a series of church works. The autograph of his "Missa in C" K. 317, which has been known as th...
- Mixed Choir (SATB) and Orchestra
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- Bärenreiter Verlag
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Mozart's "Missa in C" K. 337 is similar to the "Coronation Mass" K. 317 in its scoring, occasion and scope: around a year after the "Coronation Mass", in March 1780, the "Missa in C" was also intended...
Mozart's "Missa in C" K. 337 is similar to the "Coronation Mass" K. 317 in its scoring, occasion and scope: around a year after the "Coronation Mass", in March 1780, the "Missa in C" was also intended...
- Soloists, Mixed Choir (SATB), Organ and Orchestra
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- Bärenreiter Verlag
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Mozart's Veni Sancte Spiritus KV 47 was composed in Vienna in 1768. The two-part setting of the Pentecost sequence (Come, Holy Spirit) follows the text of the antiphon Ad invocandum Spiritum Sanctum a...
Mozart's Veni Sancte Spiritus KV 47 was composed in Vienna in 1768. The two-part setting of the Pentecost sequence (Come, Holy Spirit) follows the text of the antiphon Ad invocandum Spiritum Sanctum a...
- Soloists, Mixed Choir (SATB), Organ and Orchestra
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- Bärenreiter Verlag
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According to recent research, the offertory "Benedictus sit Deus" K. 117 (66a) is identical to the offertory K. 47b, which was believed to be lost. It was intended for the dedication of the orphanage...
According to recent research, the offertory "Benedictus sit Deus" K. 117 (66a) is identical to the offertory K. 47b, which was believed to be lost. It was intended for the dedication of the orphanage...
- High Voice, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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in stock | Delivery time: 1-3 working days
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- Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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in stock | Delivery time: 1-3 working days
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The four-movement "Regina coeli" K. 108 (74d), composed in Salzburg in May 1771, is clearly modeled on Neapolitan church music in terms of expression and texture. The mostly homophonic chorus of the t...
The four-movement "Regina coeli" K. 108 (74d), composed in Salzburg in May 1771, is clearly modeled on Neapolitan church music in terms of expression and texture. The mostly homophonic chorus of the t...
- High Voice, Mixed Choir (SATB), Organ and Orchestra
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- Bärenreiter Verlag
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The "Regina coeli" K. 127, composed in Salzburg in May 1772, largely corresponds in expression and formal structure to the first work of the same name, K. 108 (74d), on the same Marian antiphon. In co...
The "Regina coeli" K. 127, composed in Salzburg in May 1772, largely corresponds in expression and formal structure to the first work of the same name, K. 108 (74d), on the same Marian antiphon. In co...
- High Voice, Mixed Choir (SATB), Organ and Orchestra
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- Bärenreiter Verlag
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The "Regina coeli" KV 276 (321b ) was composed in Salzburg after the composer's return from Paris. The occasion, date and autograph are unknown. However, its relationship to the first movement of Vesp...
The "Regina coeli" KV 276 (321b ) was composed in Salzburg after the composer's return from Paris. The occasion, date and autograph are unknown. However, its relationship to the first movement of Vesp...
- Soloists, Mixed Choir (SATB), Organ and Orchestra
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- Bärenreiter Verlag
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In addition to masses, requiems and vespers, Mozart's larger works of church music include the four litanies, all of which were composed in Salzburg. After returning from his first trip to Italy (Dece...
In addition to masses, requiems and vespers, Mozart's larger works of church music include the four litanies, all of which were composed in Salzburg. After returning from his first trip to Italy (Dece...
- Soloists, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...
The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...
- Soloists, Mixed Choir (SATB), Organ and Orchestra
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- Bärenreiter Verlag
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The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...
The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...
- 4 Soloists, Mixed Choir (SATB), Organ and Orchestra
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- Bärenreiter Verlag
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In Italy today, a Latin sacred solo cantata, which consists of two arias and two recitatives and concludes with a Hallelujah, and which is generally sung by one of the best singers after the Credo, is...
In Italy today, a Latin sacred solo cantata, which consists of two arias and two recitatives and concludes with a Hallelujah, and which is generally sung by one of the best singers after the Credo, is...
- High Voice, Organ and Orchestra
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- Bärenreiter Verlag
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How practical: This choral masterpiece is now appearing in a handy and affordable soft-cover score to complement the substantial linen-bound complete edition volume. The tried-and-tested musical text...
How practical: This choral masterpiece is now appearing in a handy and affordable soft-cover score to complement the substantial linen-bound complete edition volume. The tried-and-tested musical text...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did n...
The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did n...
- Soloists (SATTBB), Mixed Choir (SATB) and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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in stock | Delivery time: 1-3 working days
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- Soloists (SSAATTBB), 2 Mixed Choirs (SATB) and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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2nd version in D major with 4 interludes of the E flat major version (transposed). Urtext of the New Bach Edition. Soprano solo (2), alto solo, tenor solo, bass solo, mixed choir-SSATB, flute (2), obo...
2nd version in D major with 4 interludes of the E flat major version (transposed). Urtext of the New Bach Edition. Soprano solo (2), alto solo, tenor solo, bass solo, mixed choir-SSATB, flute (2), obo...
- 4 Soloists, Mixed Choir (SATB), Orchestra and Continuo
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- Bärenreiter Verlag
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The "Missa in C" KV 220 with the popular nickname "Spatzenmesse" has become a firm fixture in the repertoire of many choirs to this day. As one of the most important works of church music from Mozart'...
The "Missa in C" KV 220 with the popular nickname "Spatzenmesse" has become a firm fixture in the repertoire of many choirs to this day. As one of the most important works of church music from Mozart'...
- Soloists, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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Franz Schubert's 'Stabat Mater' D 175 is one of a number of church works that he wrote for his local congregation in Lichtental. This edition is based on the sole surviving source, the composer's auto...
Franz Schubert's 'Stabat Mater' D 175 is one of a number of church works that he wrote for his local congregation in Lichtental. This edition is based on the sole surviving source, the composer's auto...
- Mixed Choir (SATB) and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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For this scholarly-critical edition, the editor has considered no fewer than 16 sources, more than have ever been consulted for any other edition of the work. Some of these sources have been evaluated...
For this scholarly-critical edition, the editor has considered no fewer than 16 sources, more than have ever been consulted for any other edition of the work. Some of these sources have been evaluated...
- Mixed Choir (SATB) and Orchestra
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- Bärenreiter Verlag
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Beethoven described the magnificent Missa solemnis as "my greatest work" and sold copies of the manuscript to some of his subscribers even before publication. This Urtext edition of the work takes all...
Beethoven described the magnificent Missa solemnis as "my greatest work" and sold copies of the manuscript to some of his subscribers even before publication. This Urtext edition of the work takes all...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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Mozart's magnificent, unfinished "Missa in c" K. 427 impresses not only because of its monumentality and musical beauty, but also because its incomplete transmission has fascinated scholars and practi...
Mozart's magnificent, unfinished "Missa in c" K. 427 impresses not only because of its monumentality and musical beauty, but also because its incomplete transmission has fascinated scholars and practi...
- Soloists (SSTB), 2 Mixed Choirs (SATB) and Orchestra
- Score (Urtext) Download
- Ulrich Leisinger
- Bärenreiter Verlag
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