Scores for Orchestra
Wolfgang Amadeus Mozart (1756-1791) originally wrote his CONCERTO FOR OBOE in C Major, K. 314/274k, in 1777. One year later, he adapted the work to create his CONCERTO FOR FLUTE No. 2 in D, K. 314/285...
Wolfgang Amadeus Mozart (1756-1791) originally wrote his CONCERTO FOR OBOE in C Major, K. 314/274k, in 1777. One year later, he adapted the work to create his CONCERTO FOR FLUTE No. 2 in D, K. 314/285...
- Flute and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
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Written by Wolfgang Amadeus Mozart (1756-1791) between 1784 and 1787, the Horn Concerto No. 3 in E-flat, K. 447, the work was likely written for hornist Joseph Leutgeb, whose name is mentioned in the...
Written by Wolfgang Amadeus Mozart (1756-1791) between 1784 and 1787, the Horn Concerto No. 3 in E-flat, K. 447, the work was likely written for hornist Joseph Leutgeb, whose name is mentioned in the...
- Horn and Orchestra
- Score and Parts
- Edwin F. Kalmus
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Wolfgang Amadeus Mozart (1756-1791) completed his Symphony No. 25 in G minor, K. 183/173dB in October of 1773, when the young composer was only 17 years old. One of two symphonies Mozart wrote in G mi...
Wolfgang Amadeus Mozart (1756-1791) completed his Symphony No. 25 in G minor, K. 183/173dB in October of 1773, when the young composer was only 17 years old. One of two symphonies Mozart wrote in G mi...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
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Composed in 1774 when Wolfgang Amadeus Mozart (1756-1791) was just 18 years old, SYMPHONY No. 29 in A major, K. 201/186a marks a significant step forward in the young composer's symphonic writing. Cre...
Composed in 1774 when Wolfgang Amadeus Mozart (1756-1791) was just 18 years old, SYMPHONY No. 29 in A major, K. 201/186a marks a significant step forward in the young composer's symphonic writing. Cre...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
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In 1778, Wolfgang Amadeus Mozart (1756-1791) charmed his way into the music scene in Paris with his Symphony No. 31 in D major, first performed on June 12 at the house of Count Sickingen by the Concer...
In 1778, Wolfgang Amadeus Mozart (1756-1791) charmed his way into the music scene in Paris with his Symphony No. 31 in D major, first performed on June 12 at the house of Count Sickingen by the Concer...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Wolfgang Amadeus Mozart (1756-1791) composed his SYMPHONY No. 35 in D Major, K. 385, in the summer of 1782. It is also known as the HAFFNER SYMPHONY after the affluent Salzburg family by which it was...
Wolfgang Amadeus Mozart (1756-1791) composed his SYMPHONY No. 35 in D Major, K. 385, in the summer of 1782. It is also known as the HAFFNER SYMPHONY after the affluent Salzburg family by which it was...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
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Symphony No. 39 in E-flat, K. 543 is the first of three symphonies that Wolfgang Amadeus Mozart composed in rapid succession during the summer of 1788. These three constitute Mozart's final symphonies...
Symphony No. 39 in E-flat, K. 543 is the first of three symphonies that Wolfgang Amadeus Mozart composed in rapid succession during the summer of 1788. These three constitute Mozart's final symphonies...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Wolfgang Amadeus Mozart's (1756-1791) divertimenti, along with the serenade, had a large place among the works he composed during his youth in Salzburg. Generally more relaxed multi-movement pieces, t...
Wolfgang Amadeus Mozart's (1756-1791) divertimenti, along with the serenade, had a large place among the works he composed during his youth in Salzburg. Generally more relaxed multi-movement pieces, t...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
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Wolfgang Amadeus Mozart (1756-1791) wrote the SERENADE No. 5 in D Major, K. 204/213a on August 5, 1775 for ceremonies at the University of Salzburg. Concurrently writing his five violin concertos, the...
Wolfgang Amadeus Mozart (1756-1791) wrote the SERENADE No. 5 in D Major, K. 204/213a on August 5, 1775 for ceremonies at the University of Salzburg. Concurrently writing his five violin concertos, the...
- Violin and Orchestra
- Score and Parts
- Edwin F. Kalmus
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Wolfgang Amadeus Mozart (1756-1791) composed the Serenade No. 9 in D Major, K. 320 for a graduation ceremony at the University of Salzburg. Completed on August 3, 1779, it was subtitled "Posthorn" due...
Wolfgang Amadeus Mozart (1756-1791) composed the Serenade No. 9 in D Major, K. 320 for a graduation ceremony at the University of Salzburg. Completed on August 3, 1779, it was subtitled "Posthorn" due...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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The MAURERISCHE TRAUERMUSIK (MASONIC FUNERAL MUSIC) in C minor, K. 477/K. 479a by Wolfgang Amadeus Mozart (1756 - 1791) was composed in 1785 as a member of the Freemasons. It was performed during a Ma...
The MAURERISCHE TRAUERMUSIK (MASONIC FUNERAL MUSIC) in C minor, K. 477/K. 479a by Wolfgang Amadeus Mozart (1756 - 1791) was composed in 1785 as a member of the Freemasons. It was performed during a Ma...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Mikhail Tushmalov (1861-1896), a Russian Georgian whose career eventually led to posts in Warsaw and Tiflis (Tbilisi) conducting opera, was a student of Nicolai Rimsky-Korsakov and is most widely disc...
Mikhail Tushmalov (1861-1896), a Russian Georgian whose career eventually led to posts in Warsaw and Tiflis (Tbilisi) conducting opera, was a student of Nicolai Rimsky-Korsakov and is most widely disc...
- Orchestra
- Score and Parts
- Mikhail Tushmalov
- Edwin F. Kalmus
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Danish composer Carl August Nielsen (1865-1931) wrote his Helios Overture in 1903 during a prolonged stay in Athens, Greece. Inspired by the sun rising and setting over the Aegean Sea, Nielsen titled...
Danish composer Carl August Nielsen (1865-1931) wrote his Helios Overture in 1903 during a prolonged stay in Athens, Greece. Inspired by the sun rising and setting over the Aegean Sea, Nielsen titled...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
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Violin virtuoso and composer Niccolò Paganini's (1782-1840) Concerto for Violin No. 1 in D, Op. 6 was written between 1817 and 1818, with the premiere taking place on March 31, 1819, in Naples, Italy....
Violin virtuoso and composer Niccolò Paganini's (1782-1840) Concerto for Violin No. 1 in D, Op. 6 was written between 1817 and 1818, with the premiere taking place on March 31, 1819, in Naples, Italy....
- Violin and Orchestra
- Score and Parts
- Edwin F. Kalmus
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The rondo third movement of Niccolò Paganini's VIOLIN CONCERTO NO. 2 owes its nickname La Clochette or La Campanella (Little Bell) to the little bell which plays before each recurrence of the rondo th...
The rondo third movement of Niccolò Paganini's VIOLIN CONCERTO NO. 2 owes its nickname La Clochette or La Campanella (Little Bell) to the little bell which plays before each recurrence of the rondo th...
- Violin and Orchestra
- Score and Parts
- Gregory Vaught
- Edwin F. Kalmus
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The premiere of Rachmaninoff's Symphony No. 2 was conducted by the composer himself in Saint Petersburg on February 8, 1908. The score is dedicated to Sergei Taneyev, a Russian composer, teacher, theo...
The premiere of Rachmaninoff's Symphony No. 2 was conducted by the composer himself in Saint Petersburg on February 8, 1908. The score is dedicated to Sergei Taneyev, a Russian composer, teacher, theo...
- Orchestra
- Score and Parts
- Clinton Nieweg
- Edwin F. Kalmus
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Nicolai Rimsky-Korsakov's (1844-1908) overture Russian Easter Festival was written in 1888, at the same time as the composer's well-known suite for orchestra, Scheherazade. Both works include short vi...
Nicolai Rimsky-Korsakov's (1844-1908) overture Russian Easter Festival was written in 1888, at the same time as the composer's well-known suite for orchestra, Scheherazade. Both works include short vi...
- Orchestra
- Score and Parts
- Clinton F. Nieweg
- Edwin F. Kalmus
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A young Gioacchino Rossini (1792-1868) composed Variazzioni di clarinetto (Variations for Clarinet and Small Orchestra in C major) around 1809. The work was edited by Amadeo Cerasa. Instrumentation: 1...
A young Gioacchino Rossini (1792-1868) composed Variazzioni di clarinetto (Variations for Clarinet and Small Orchestra in C major) around 1809. The work was edited by Amadeo Cerasa. Instrumentation: 1...
- Clarinet and Orchestra
- Score and Parts
- Amadeo Cerasa
- Edwin F. Kalmus
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Camille Saint-Saëns (1835-1921) wrote this Tarantelle (Tarantella), Op. 6 for flute, clarinet, and piano in 1857, and the salon piece showcases the composer's mature style despite his young age, which...
Camille Saint-Saëns (1835-1921) wrote this Tarantelle (Tarantella), Op. 6 for flute, clarinet, and piano in 1857, and the salon piece showcases the composer's mature style despite his young age, which...
- Flute, Clarinet and Orchestra
- Score and Parts
- Edwin F. Kalmus
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Camille Saint-Saëns composed ROMANCE in F Major, Op. 36 in 1874, scoring it for horn or violoncello with orchestra or piano. The version for horn and piano premiered on February 14, 1874 in Paris with...
Camille Saint-Saëns composed ROMANCE in F Major, Op. 36 in 1874, scoring it for horn or violoncello with orchestra or piano. The version for horn and piano premiered on February 14, 1874 in Paris with...
- Horn and Orchestra
- Score and Parts
- Edwin F. Kalmus
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Following the death of his mother in 1888, a depressed Camille Saint-Saëns (1835-1921) decided to take a trip to his favorite destination, North Africa, travelling to Ceylon, then to Alexandria and Ca...
Following the death of his mother in 1888, a depressed Camille Saint-Saëns (1835-1921) decided to take a trip to his favorite destination, North Africa, travelling to Ceylon, then to Alexandria and Ca...
- Piano and Orchestra
- Score and Parts
- Edwin F. Kalmus
-
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Written in only 17 days at the request of famed Russian pianist Anton Rubinstein so that Rubinstein could enjoy his Parisian conducting debut while Saint-Saëns, this PIANO CONCERTO NO. 2 in G minor is...
Written in only 17 days at the request of famed Russian pianist Anton Rubinstein so that Rubinstein could enjoy his Parisian conducting debut while Saint-Saëns, this PIANO CONCERTO NO. 2 in G minor is...
- Piano and Orchestra
- Score and Parts
- Clinton Nieweg
- Edwin F. Kalmus
-
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In 1875, Camille Saint-Saëns (1835-1921) created an innovative four-part structure for his CONCERTO FOR PIANO NO. 4 IN C MINOR, OP. 44. Dedicating the work to Anton Door, the composer gave the first p...
In 1875, Camille Saint-Saëns (1835-1921) created an innovative four-part structure for his CONCERTO FOR PIANO NO. 4 IN C MINOR, OP. 44. Dedicating the work to Anton Door, the composer gave the first p...
- Piano and Orchestra
- Score and Parts
- Nancy M. Bradburd
- Edwin F. Kalmus
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Camille Saint-Saëns' (1835-1921) opera SAMSON ET DALILA, Op. 47 tells the biblical story of Delilah's betrayal of Samson. Originally conceived as an oratorio due to Saint-Saëns' admiration of such wor...
Camille Saint-Saëns' (1835-1921) opera SAMSON ET DALILA, Op. 47 tells the biblical story of Delilah's betrayal of Samson. Originally conceived as an oratorio due to Saint-Saëns' admiration of such wor...
- Orchestra
- Score and Parts
- Edwin F. Kalmus
-
ships within 2-4 weeks
Robert Schumann (1810-1856) wrote his CELLO CONCERTO in A minor, Op. 129, in 1850, within the span of only two weeks. He tried offering the work to two publishers before Breitkopf and Hartel decided t...
Robert Schumann (1810-1856) wrote his CELLO CONCERTO in A minor, Op. 129, in 1850, within the span of only two weeks. He tried offering the work to two publishers before Breitkopf and Hartel decided t...
- Cello and Orchestra
- Score and Parts
- Edwin F. Kalmus
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ships within 2-4 weeks
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