Scores for Orchestra
His collection of 13 piano songs op. 34, Rachmaninov added a small final piece without any text three years later: Vocalise, which quickly became a worldwide success. Since its premiere in 1916, the m...
His collection of 13 piano songs op. 34, Rachmaninov added a small final piece without any text three years later: Vocalise, which quickly became a worldwide success. Since its premiere in 1916, the m...
- Violin and Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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His collection of 13 piano songs op. 34, Rachmaninov added a small final piece without any text three years later: Vocalise, which quickly became a worldwide success. Since its premiere in 1916, the m...
His collection of 13 piano songs op. 34, Rachmaninov added a small final piece without any text three years later: Vocalise, which quickly became a worldwide success. Since its premiere in 1916, the m...
- High Voice and Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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The Song of Fingal, Op. 17b, for mixed choir and orchestra is an arrangement of the fourth movement from the Four Songs for Women’s Choir, horns, and harp, Op. 17, which Brahms composed in 1879 at the...
The Song of Fingal, Op. 17b, for mixed choir and orchestra is an arrangement of the fourth movement from the Four Songs for Women’s Choir, horns, and harp, Op. 17, which Brahms composed in 1879 at the...
- Mixed Choir (SATB) and Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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The present Concertino in E-flat major, Op. 5, was composed especially for the Leipzig trombone virtuoso Carl Traugott Queisser (1800-1846), to whom the work is also dedicated. The Concertino was firs...
The present Concertino in E-flat major, Op. 5, was composed especially for the Leipzig trombone virtuoso Carl Traugott Queisser (1800-1846), to whom the work is also dedicated. The Concertino was firs...
- Bass Trombone and Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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Something "completely new and unheard-of" would be offered to the audience, Robert Schumann wrote to Franz Liszt at the end of 1851, referring to the premiere of his "dramatic poem" Manfred. Already a...
Something "completely new and unheard-of" would be offered to the audience, Robert Schumann wrote to Franz Liszt at the end of 1851, referring to the premiere of his "dramatic poem" Manfred. Already a...
- Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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With the 'Kullervo' premiere in 1892, Jean Sibelius, already at the age of 27, announced his claim as a symphonist far ahead of the purely instrumental symphonies and tone poems. Urtext according to t...
With the 'Kullervo' premiere in 1892, Jean Sibelius, already at the age of 27, announced his claim as a symphonist far ahead of the purely instrumental symphonies and tone poems. Urtext according to t...
- Soloists, Men's Chorus and Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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Russian music researcher Polina Vajdman has gone back to all relevant sources in her editing.
Russian music researcher Polina Vajdman has gone back to all relevant sources in her editing.
- Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.
For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.
- Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
Schumann's 'Sinfonietta' in the Urtext The intensity with which Schumann dealt with the symphony is shown not only by the four known works themselves, but also by compositions that stand between the g...
- Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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On their way to Salzburg, Constanze and Wolfgang Amadeus Mozart made a stopover in Linz in the fall of 1783. The stay was productive: the 13-voice, four-movement Linz Symphony was created. To compose...
On their way to Salzburg, Constanze and Wolfgang Amadeus Mozart made a stopover in Linz in the fall of 1783. The stay was productive: the 13-voice, four-movement Linz Symphony was created. To compose...
- Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
1936 erhielt Béla Bartók von seinem Schweizer Mäzen Paul Sacher den Kompositionsauftrag zur "Musik für Saiteninstrumente, Schlagzeug und Celesta". Bartók gelang dabei eines der großen Meisterwerke des...
- Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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Little is known about the actual composition process of Lemminkäinen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en...
Little is known about the actual composition process of Lemminkäinen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en...
- Orchestra
- Score (Urtext)
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Little is known about the actual composition process of Lemminkäinen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en...
Little is known about the actual composition process of Lemminkäinen and the performance and publication history is rather complex, resulting in a first complete printing of all the four movements en...
- Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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Of all his symphonies, Mahler gave the Fourth, his favorite and problem child, his most particular attention. 'The Heavenly Life,' a humoresque composed in 1892 for soprano and piano, which he already...
Of all his symphonies, Mahler gave the Fourth, his favorite and problem child, his most particular attention. 'The Heavenly Life,' a humoresque composed in 1892 for soprano and piano, which he already...
- High Voice and Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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Richard Strauss was aware (especially following the success of his 'Don Juan') of his reputation and above all of his 'value' as a composer, which led him to rewrite several of his successful works by...
Richard Strauss was aware (especially following the success of his 'Don Juan') of his reputation and above all of his 'value' as a composer, which led him to rewrite several of his successful works by...
- Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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Joachim Raff's Fifth Symphony "Lenore" op. 177, composed in 1872, reveals the composer as a representative of the middle ground between Neo-German aesthetics and the symphonic tradition. It owes its n...
Joachim Raff's Fifth Symphony "Lenore" op. 177, composed in 1872, reveals the composer as a representative of the middle ground between Neo-German aesthetics and the symphonic tradition. It owes its n...
- Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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Richard Strauss's last completed tone poem is regarded as the pinnacle of his art of orchestration: "Now I've finally learned to orchestrate," he himself is once supposed to have said about it after t...
Richard Strauss's last completed tone poem is regarded as the pinnacle of his art of orchestration: "Now I've finally learned to orchestrate," he himself is once supposed to have said about it after t...
- Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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Strauss had originally intended that Don Quixote always be performed, if possible, together with Heldenleben, “since Don Q. in particular is only fully comprehensible alongside Heldenleben.” To date,...
Strauss had originally intended that Don Quixote always be performed, if possible, together with Heldenleben, “since Don Q. in particular is only fully comprehensible alongside Heldenleben.” To date,...
- Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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“The Blue Danube“ is said to be Austria’s secret anthem, and alongside the “Radetzky March” it is the traditional encore piece at the annual New Year's Concert of the Vienna Philharmonic Orchestra. Al...
“The Blue Danube“ is said to be Austria’s secret anthem, and alongside the “Radetzky March” it is the traditional encore piece at the annual New Year's Concert of the Vienna Philharmonic Orchestra. Al...
- Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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Johann Strauß Sohn revolutionized the Viennese waltz in the 19th century and made it popular all over the world. His works, such as the famous waltzes "The Beautiful Blue Danube" op. 314 and "Tales fr...
Johann Strauß Sohn revolutionized the Viennese waltz in the 19th century and made it popular all over the world. His works, such as the famous waltzes "The Beautiful Blue Danube" op. 314 and "Tales fr...
- Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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In the fall of 1833, Friedrich Wieck confidently announced his daughter’s new composition: "She is now writing a major concerto that is attracting the attention of connoisseurs." At this time, Clara S...
In the fall of 1833, Friedrich Wieck confidently announced his daughter’s new composition: "She is now writing a major concerto that is attracting the attention of connoisseurs." At this time, Clara S...
- Piano and Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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I am now working on a new symphony, entirely in the Finnish spirit, wrote 25-year-old Jean Sibelius to his fiancée, Aino Järnefelt, in April 1891. Just one year later, his work for soprano and bariton...
I am now working on a new symphony, entirely in the Finnish spirit, wrote 25-year-old Jean Sibelius to his fiancée, Aino Järnefelt, in April 1891. Just one year later, his work for soprano and bariton...
- Soloists (SBar), Men's Chorus (TTBB) and Orchestra
- Score (Urtext)
- Breitkopf & Härtel
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Die Neue Robert Schumann-Ausgabe (RSA) versteht sich als historisch-kritische Gesamtausgabe. Gemäß dem neuesten Stand der musikwissenschaftlichen Editionstechnik sollen sämtliche Werke sorgfältig aufb...
Die Neue Robert Schumann-Ausgabe (RSA) versteht sich als historisch-kritische Gesamtausgabe. Gemäß dem neuesten Stand der musikwissenschaftlichen Editionstechnik sollen sämtliche Werke sorgfältig aufb...
- Orchestra
- Score (Urtext)
- Schott Musik
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Full score for John Rutter's charming arrangement of the enduringly popular carol. Also available on hire/rental. A different arrangement for unaccompanied SA voices is in
Full score for John Rutter's charming arrangement of the enduringly popular carol. Also available on hire/rental. A different arrangement for unaccompanied SA voices is in
- Mixed Choir (SATB) and Orchestra
- Score Download
- Oxford University Press
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immediately available
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Finally! The first time ever in print! Here is Anderson's original full-length version, transcribed from the hand-written score, as recorded by the Boston Pops. Following its premier in 1950, this fab...
Finally! The first time ever in print! Here is Anderson's original full-length version, transcribed from the hand-written score, as recorded by the Boston Pops. Following its premier in 1950, this fab...
- Orchestra
- Score Download
- Belwin Music
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immediately available
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