Sheet Music Downloads by Georg Friedrich Händel
- Tuba in Eb and Organ
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- Klemens Schnorr
- Editions Marc Reift
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- Tuba in Bb and Organ
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- Klemens Schnorr
- Editions Marc Reift
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- Tuba and Piano
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- Ted Barclay
- Editions Marc Reift
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- Tuba in Eb and Piano
- Piano Score and Part(s) Download
- Ted Barclay
- Editions Marc Reift
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- Brass Instrument
- Piano Score and Part(s) Download
- Ted Barclay
- Editions Marc Reift
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- 2 Tubas and Piano
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- John Glenesk Mortimer
- Editions Marc Reift
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- 2 Tubas in Eb and Piano
- Piano Score and Part(s) Download
- John Glenesk Mortimer
- Editions Marc Reift
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- 2 Tubas in Bb and Piano
- Piano Score and Part(s) Download
- John Glenesk Mortimer
- Editions Marc Reift
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- Tuba in Eb and Piano
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- Colette Mourey
- Editions Marc Reift
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- Brass Instrument
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- Colette Mourey
- Editions Marc Reift
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- Tuba in Eb and Piano
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- Walter Hilgers
- Editions Marc Reift
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- Tuba in Bb and Organ
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- Walter Hilgers
- Editions Marc Reift
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- 2 Tubas and Piano
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- Timofej Dokshitser
- Editions Marc Reift
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- 2 Tubas in Eb and Piano
- Sheet Music Download
- Timofej Dokshitser
- Editions Marc Reift
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- 2 Tubas in Bb and Piano
- Sheet Music Download
- Timofej Dokshitser
- Editions Marc Reift
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- 2 Tubas and Organ
- Score and Parts Download
- John Glenesk Mortimer
- Editions Marc Reift
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- Score and Parts Download
- John Glenesk Mortimer
- Editions Marc Reift
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- Tuba and Piano
- Piano Score and Part(s) Download
- Carlo Pettinger
- Editions Marc Reift
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- Tuba in Eb and Piano
- Piano Score and Part(s) Download
- Carlo Pettinger
- Editions Marc Reift
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- Brass Instrument
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- Carlo Pettinger
- Editions Marc Reift
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It is believed this cantata was written for Senesino when he arrived in England in 1720, however this volume was not complete until 1722.
It is believed this cantata was written for Senesino when he arrived in England in 1720, however this volume was not complete until 1722.
- Low Voice and Continuo
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- Oxford University Press
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The autograph would seem to identify this work as having an English provenance; corroborated by the lack of key signature in the recitative and highly embellished melodic style..
The autograph would seem to identify this work as having an English provenance; corroborated by the lack of key signature in the recitative and highly embellished melodic style..
- Low Voice and Continuo
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- Oxford University Press
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The style of this cantata points to an Italian provenance, due to the survival of a copy in an Italian manuscript.
The style of this cantata points to an Italian provenance, due to the survival of a copy in an Italian manuscript.
- Low Voice and Continuo
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- Oxford University Press
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Handel must have particularly enjoyed the light and airy first aria, as versions of it can be found in a number of his works, including Rodrigo, Io languisco, and Il pastor fido.
Handel must have particularly enjoyed the light and airy first aria, as versions of it can be found in a number of his works, including Rodrigo, Io languisco, and Il pastor fido.
- Low Voice and Continuo
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- Oxford University Press
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This aria has been dated to 1722, and, also like Deh! Lasciate, it may have been written for the castrato Senesino.
This aria has been dated to 1722, and, also like Deh! Lasciate, it may have been written for the castrato Senesino.
- Low Voice and Continuo
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- Oxford University Press
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