Sheet Music Downloads by Johanna Senfter

In the two volumes, the American organist Gregory Hand dedicates himself to the entire oeuvre for solo organ of the Oppenheim composer Johanna Senfter. In Volume I, the focus is on the independent wor...

Johanna Senfter (1879-1961) is one of the most interesting composers of the late Romantic period. She studied piano and composition at the Frankfurt Conservatoire 1895-1903 and thereafter in Leipzig w...

These Six Waltzes (1902) for piano, four hands by Johanna Senfter are published here for the first time: this will represent another small step towards the long overdue rediscovery of music from the b...

The composer Johanna Senfter (1879-1961) studied with Max Reger in Leipzig from 1908 to 1910 and on graduation won the Arthur Nikisch award. She valued Reger greatly and a life-long friendship ensued....

Johanna Senfter’s Duo, completed in 1956, is the last and at the same time most compact of her five compositions for viola and piano. The impressive work is in a classical A-B-A form. Two mostly calm,...

In 1932 Johanna Senfter wrote Sechs Stücke for the church holidays for viola and organ. She arranged five of them for viola and piano as well. They are remarkable, atmospheric and colourful character...

The Sonata F minor for viola and piano op. 41, completed in May 1922, still breathes the spirit of the grand master Reger and yet already goes its own way in terms of rhythm, harmony, modulation and f...

The second Sonata F major for viola and piano op. 101 was composed in 1943 and is a fascinating testimony to its time. It stands in the tradition of the great classical sonata literature and yet is ch...

Of the five works that Johanna Senfter wrote for viola and piano, the Variations op. 94, completed at the beginning of the 1940s, are certainly her most sophisticated composition in terms of harmony a...

The Trio in G major / E minor op. 103 by the Oppenheim composer and pupil of Max Regers can be assigned to the composer's late work on the basis of the opus number, even if no year of composition and...

The Sonata for clarinet, viola, horn and piano, op. 37 was composed in 1920 (at the latest). The violist Michael Balling, a friend of Johanna Senfter, wrote to the composer about the work, which he ha...

The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leip...

With this double concerto, the Reger pupil Johanna Senfter (1879-1961) is entirely in the tradition of Antonio Vivaldi and J.S. Bach, although she combines the concerto form with the classical four-mo...

Johanna Senfter erhielt mit 29 Jahren, 1908, Theorie- und Kompositionsunterricht bei Max Reger. Obwohl sie noch relativ unbekannt ist, wird sie immer mehr entdeckt, denn ihre Stücke eignen sich wegen...

With this double concerto, the Reger pupil Johanna Senfter (1879-1961) is entirely in the tradition of Antonio Vivaldi and J.S. Bach, although she combines the concerto form with the classical four-mo...

The composer and violinist Johanna Senfter from Oppenheim wrote concert works, such as chamber music works for violin, her whole life. Being a pupil of Reger, who held her in high esteem, she composed...

The composer and violinist Johanna Senfter (1879 1961) from Oppenheim concerned herself with piano-accompanied chamber music for strings all her life. Max Reger valued her 'extraordinary compositional...

The composer Johanna Senfter (1879-1961) from Oppenheim studied composition with Max Reger in Leipzig. Her expressive style is characterised by polyphonic settings and late-Romantic harmony. Sonate fü...