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Benjamin Godard
from the Suite de Trois Morceaux

The "Suite de Trois Morceaux" is one of the few compositions of Benjamin Godard (1849-1895) that is still immense popular. It's a short work for flute and piano or orchestra in three movements -- Alle...

The "Suite de Trois Morceaux" is one of the few compositions of Benjamin Godard (1849-1895) that is still immense popular. It's a short work for flute and piano or orchestra in three movements -- Alle...

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  • Egbert van Groningen
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Gaetano Donizetti
from the opera L'elisir d'amore

With his L'elisir d'amore (The Elixer of Love), composed in 1832 Donizetti wrote something far greater than a mere comic opera: this was perhaps the first example of a moving, middleclass genre of the...

With his L'elisir d'amore (The Elixer of Love), composed in 1832 Donizetti wrote something far greater than a mere comic opera: this was perhaps the first example of a moving, middleclass genre of the...

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  • Jos Dobbelstein
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Gaetano Donizetti
from the opera L'elisir d"amore

With his 'L'elisir d'amore' (The Elixer of Love), composed in 1832 Donizetti wrote something far greater than a mere comic opera: this was perhaps the first example of a moving, middleclass genre of t...

With his 'L'elisir d'amore' (The Elixer of Love), composed in 1832 Donizetti wrote something far greater than a mere comic opera: this was perhaps the first example of a moving, middleclass genre of t...

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  • Jos Dobbelstein
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Federico Chueca, Joaquin Valverde
Symphonic Suite From The Zarzuela

Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...

Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...

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  • Oscar Senen
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Federico Chueca, Joaquin Valverde
Symphonic Suite from the Zarzuela

Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...

Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...

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  • Oscar Senen
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Jon Lord (1941 - 2012) was an English composer, pianist, and Hammond organ player known for his pioneering work in fusing rock with classical or baroque forms, especially with 'Deep Purple', as well a...

Jon Lord (1941 - 2012) was an English composer, pianist, and Hammond organ player known for his pioneering work in fusing rock with classical or baroque forms, especially with 'Deep Purple', as well a...

  • Concert Band (Solo/Feature: Rhythm Section)
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  • Jos van de Braak
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Johann Strauss (Sohn)
Walzer

Rosen aus dem Süden (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta Das Spitzentuch der Königin inspired by a novel by Heinrich Bohrmann-R...

Rosen aus dem Süden (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta Das Spitzentuch der Königin inspired by a novel by Heinrich Bohrmann-R...

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  • Roger Niese
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Order no.: BTM386-DL
Johann Strauss (Sohn)
Walzer

'Rosen aus dem Süden' (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta 'Das Spitzentuch der Königin' inspired by a novel by Heinrich Bohrma...

'Rosen aus dem Süden' (Roses from the South), is a waltz medley composed by Strauss in 1880 with its themes drawn from the operetta 'Das Spitzentuch der Königin' inspired by a novel by Heinrich Bohrma...

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  • Roger Niese
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Order no.: BTM386SC-DL
Giuseppe Verdi
from the opera La Forza del Destino

Don Alvaro's aria 'La vita e inferno all'infelice comes in the third act. It is dawn at the encampment at Velletri in Italy, where Don Alvaro has enrolled under the name of Don Federico Herreros. He s...

Don Alvaro's aria 'La vita e inferno all'infelice comes in the third act. It is dawn at the encampment at Velletri in Italy, where Don Alvaro has enrolled under the name of Don Federico Herreros. He s...

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Order no.: BTM387-DL
Giuseppe Verdi
from the opera La Forza del Destino

Don Alvaro's aria La vita è inferno all'infelice comes in the third act. It is dawn at the encampment at Velletri in Italy, where Don Alvaro has enrolled under the name of Don Federico Herreros. He si...

Don Alvaro's aria La vita è inferno all'infelice comes in the third act. It is dawn at the encampment at Velletri in Italy, where Don Alvaro has enrolled under the name of Don Federico Herreros. He si...

  • Concert Band (Solo/Feature: Clarinet)
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  • Charles Yassky
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Vittorio Monti
for Violin and Orchestra

Classical composers who have used csardas themes in their works include Emmerich Kalman, Franz Liszt, Johannes Brahms, Leo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

Classical composers who have used csardas themes in their works include Emmerich Kalman, Franz Liszt, Johannes Brahms, Leo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

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  • Marco Tamanini
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Order no.: BTM388-DL
Vittorio Monti
for Violin and Orchestra

Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Léo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

Classical composers who have used csárdás themes in their works include Emmerich Kálmán, Franz Liszt, Johannes Brahms, Léo Delibes, Johann Strauss, Pablo de Sarasate, Pyotr Ilyich Tchaikovsky and othe...

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  • Marco Tamanini
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Giuseppe Verdi
from the opera Rigoletto

Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet 'Si, vendretta, treme...

Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet 'Si, vendretta, treme...

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  • Marco Tamanini
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Order no.: BTM389-DL
Giuseppe Verdi
from the opera Rigoletto

Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet "Si, vendretta, treme...

Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The duet "Si, vendretta, treme...

  • Concert Band (Vocal Solo (High Voice) and Medium Voice)
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  • Marco Tamanini
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Rudy Wiedoeft
A Study In Laugh And Slap Tongue

Rudy Wiedoeft (1893-1940) was born in Detroit Michigan to a large family of musicians, with whom he began his musical studies, playing in the family orchestra which toured as a professional ensemble....

Rudy Wiedoeft (1893-1940) was born in Detroit Michigan to a large family of musicians, with whom he began his musical studies, playing in the family orchestra which toured as a professional ensemble....

  • Concert Band (Solo/Feature: Alto Saxophone)
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  • Roger Niese
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Order no.: BTM392-DL
Rudy Wiedoeft
A study in Laugh and Slap Tongue

Rudy Wiedoeft (1893-1940) was born in Detroit Michigan to a large family of musicians, with whom he began his musical studies, playing in the family orchestra which toured as a professional ensemble....

Rudy Wiedoeft (1893-1940) was born in Detroit Michigan to a large family of musicians, with whom he began his musical studies, playing in the family orchestra which toured as a professional ensemble....

  • Concert Band (Solo/Feature: Alto Saxophone)
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  • Roger Niese
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Cécile Chaminade
for Flute

Chaminade's Concertino for Flute in D major, Op. 107 was composed in 1902 for flute and orchestra and was later arranged for flute and piano. Scholarship indicates that the Concertino was commissioned...

Chaminade's Concertino for Flute in D major, Op. 107 was composed in 1902 for flute and orchestra and was later arranged for flute and piano. Scholarship indicates that the Concertino was commissioned...

  • Concert Band (Solo/Feature: Flute)
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  • Roger Niese
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Order no.: BTM394-DL
Cécile Chaminade
for Flute

Chaminade's Concertino for Flute in D major, Op. 107 was composed in 1902 for flute and orchestra and was later arranged for flute and piano. Scholarship indicates that the Concertino was commissioned...

Chaminade's Concertino for Flute in D major, Op. 107 was composed in 1902 for flute and orchestra and was later arranged for flute and piano. Scholarship indicates that the Concertino was commissioned...

  • Concert Band (Solo/Feature: Flute)
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  • Roger Niese
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Vincenzo Bellini
Sinfonia

'Il Pirata' (The Pirate) was Bellini's third opera. 'Il Pirata' is an opera in two acts to an Italian libretto by Felice Romani from a French translation of the tragic play 'Bertram', or 'The Castle o...

'Il Pirata' (The Pirate) was Bellini's third opera. 'Il Pirata' is an opera in two acts to an Italian libretto by Felice Romani from a French translation of the tragic play 'Bertram', or 'The Castle o...

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  • Anton Haeck
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Camille Saint-Saëns
for Horn

One finds in Saint-SaÙns' Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...

One finds in Saint-SaÙns' Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...

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  • Marco Tamanini
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Order no.: BTM396-DL
Camille Saint-Saëns
for Horn

One finds in Saint-Saëns" Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...

One finds in Saint-Saëns" Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...

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  • Marco Tamanini
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Order no.: BTM396SC-DL

Prokofiev composed his first piano concerto while at the Conservatory, in 1911 and 1912, and premiered it himself on August 7, 1912. The concerto is a single movement divided into clearly marked secti...

Prokofiev composed his first piano concerto while at the Conservatory, in 1911 and 1912, and premiered it himself on August 7, 1912. The concerto is a single movement divided into clearly marked secti...

  • Concert Band (Solo/Feature: Piano)
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  • Douglas McLain
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255,00 €
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Order no.: BTM397-DL

Prokofiev composed his first piano concerto while at the Conservatory, in 1911 and 1912, and premiered it himself on August 7, 1912. The concerto is a single movement divided into clearly marked secti...

Prokofiev composed his first piano concerto while at the Conservatory, in 1911 and 1912, and premiered it himself on August 7, 1912. The concerto is a single movement divided into clearly marked secti...

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  • Douglas McLain
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Emanuel Alexis Chabrier
à Vincent d"Indy

'Joyeuse Marche' by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was 'Prélude Pastoral') first performed on 4 November 1888 in Angers, conducted by th...

'Joyeuse Marche' by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was 'Prélude Pastoral') first performed on 4 November 1888 in Angers, conducted by th...

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  • Marc Koninkx
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156,95 €
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Order no.: BTM398-DL
Emanuel Alexis Chabrier
à Vincent d"Indy

Joyeuse Marche by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was "Prélude Pastoral") first performed on 4 November 1888 in Angers, conducted by the...

Joyeuse Marche by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was "Prélude Pastoral") first performed on 4 November 1888 in Angers, conducted by the...

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  • Marc Koninkx
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38,95 €
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Order no.: BTM398SC-DL