Sheet Music Downloads from Baton Music
Maurice Ravel finished In 1905 his piano cycle "Miroirs" of which some parts are orchestrated by the composer himself. Especially the fourth part, "Alborada del gracioso", created in 1919 in Paris for...
Maurice Ravel finished In 1905 his piano cycle "Miroirs" of which some parts are orchestrated by the composer himself. Especially the fourth part, "Alborada del gracioso", created in 1919 in Paris for...
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- Christiaan Janssen
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César Antonovich Cui (1835-1918) was a Russian composer and music critic of French and Lithuanian descent. In this sideline he is known as a member of The Five, a group of Russian composers under the...
César Antonovich Cui (1835-1918) was a Russian composer and music critic of French and Lithuanian descent. In this sideline he is known as a member of The Five, a group of Russian composers under the...
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- Gerard Posch
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César Antonovich Cui (1835-1918) was a Russian composer and music critic of French and Lithuanian descent. In this sideline he is known as a member of The Five, a group of Russian composers under the...
César Antonovich Cui (1835-1918) was a Russian composer and music critic of French and Lithuanian descent. In this sideline he is known as a member of The Five, a group of Russian composers under the...
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'Le Nozze di Figaro' is one of the three 'da Ponte' opera's which Mozart composed on libretto's of Lorenzo da Ponte (1749-1838) the famous Viennese theaterdirector and courtpoet. The aria 'Non più and...
'Le Nozze di Figaro' is one of the three 'da Ponte' opera's which Mozart composed on libretto's of Lorenzo da Ponte (1749-1838) the famous Viennese theaterdirector and courtpoet. The aria 'Non più and...
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'Le Nozze di Figaro' is one of the three 'da Ponte' opera's which Mozart composed on libretto's of Lorenzo da Ponte (1749-1838) the famous Viennese theaterdirector and courtpoet. The aria 'Non più and...
'Le Nozze di Figaro' is one of the three 'da Ponte' opera's which Mozart composed on libretto's of Lorenzo da Ponte (1749-1838) the famous Viennese theaterdirector and courtpoet. The aria 'Non più and...
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Madamina, il catalogo è questo (also known as The Catalogue Aria) is an aria from Mozart's opera 'Don Giovanni' to an Italian libretto by Lorenzo Da Ponte. It is sung in scene 5 of the first act of th...
Madamina, il catalogo è questo (also known as The Catalogue Aria) is an aria from Mozart's opera 'Don Giovanni' to an Italian libretto by Lorenzo Da Ponte. It is sung in scene 5 of the first act of th...
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'Madamina, il catalogo è questo' (also known as The Catalogue Aria) is an aria from Mozart's opera 'Don Giovanni' to an Italian libretto by Lorenzo Da Ponte. It is sung in scene 5 of the first act of...
'Madamina, il catalogo è questo' (also known as The Catalogue Aria) is an aria from Mozart's opera 'Don Giovanni' to an Italian libretto by Lorenzo Da Ponte. It is sung in scene 5 of the first act of...
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In 1876, Edvard Grieg created incidental music for the premiere of Ibsen's play 'Peer Gynt', at the request of the author. Many of the pieces from this work became very popular in the form of orchestr...
In 1876, Edvard Grieg created incidental music for the premiere of Ibsen's play 'Peer Gynt', at the request of the author. Many of the pieces from this work became very popular in the form of orchestr...
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In 1876, Grieg created incidental music for the premiere of Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the form of orchestral suites...
In 1876, Grieg created incidental music for the premiere of Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the form of orchestral suites...
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The aria 'Fin ch'han dal vino' (Champagne aria) is sung by Don Giovanni in the third scene of the first act: Leporello informs Giovanni that all the guests of the peasant wedding are in Giovanni's hou...
The aria 'Fin ch'han dal vino' (Champagne aria) is sung by Don Giovanni in the third scene of the first act: Leporello informs Giovanni that all the guests of the peasant wedding are in Giovanni's hou...
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The aria 'Fin ch'han dal vino' (Champagne aria) is sung by Don Giovanni in the third scene of the first act: Leporello informs Giovanni that all the guests of the peasant wedding are in Giovanni's hou...
The aria 'Fin ch'han dal vino' (Champagne aria) is sung by Don Giovanni in the third scene of the first act: Leporello informs Giovanni that all the guests of the peasant wedding are in Giovanni's hou...
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'Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus 'Avec la garde montante' is sung in the first act: A grou...
'Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus 'Avec la garde montante' is sung in the first act: A grou...
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- Douglas McLain
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'Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus 'Avec la garde montante' is sung in the first act: A grou...
'Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The chorus 'Avec la garde montante' is sung in the first act: A grou...
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- Douglas McLain
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'Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The aria 'Les tringles des sistres tintaient'is sung in 2nd act of t...
'Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The aria 'Les tringles des sistres tintaient'is sung in 2nd act of t...
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- Douglas McLain
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'Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The aria 'Les tringles des sistres tintaient'is sung in 2nd act of t...
'Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The aria 'Les tringles des sistres tintaient'is sung in 2nd act of t...
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- Douglas McLain
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The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. 'Danse de l'Amazone' is one of his last compositions. It was writ...
The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. 'Danse de l'Amazone' is one of his last compositions. It was writ...
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- Marcel Baars
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The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. "Danse de l'Amazone" is one of his last compositions. It was writ...
The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. "Danse de l'Amazone" is one of his last compositions. It was writ...
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Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...
Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...
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- Marco Tamanini
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Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...
Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...
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'I Puritani' (The Puritans) is the last opera by Vincenzo Bellini. It is situated in England during the English Civil War in 1640. The aria 'Ah! Per sempre io ti perdei' is sung in the first act by Ri...
'I Puritani' (The Puritans) is the last opera by Vincenzo Bellini. It is situated in England during the English Civil War in 1640. The aria 'Ah! Per sempre io ti perdei' is sung in the first act by Ri...
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- Anton Haeck
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'I Puritani' (The Puritans) is the last opera by Vincenzo Bellini. It is situated in England during the English Civil War in 1640. The aria 'Ah! Per sempre io ti perdei' is sung in the first act by Ri...
'I Puritani' (The Puritans) is the last opera by Vincenzo Bellini. It is situated in England during the English Civil War in 1640. The aria 'Ah! Per sempre io ti perdei' is sung in the first act by Ri...
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- Anton Haeck
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In 1900, Russian composer Anton Arensky (1861-1906) composed his ballet 'Nuits d'Egypte', based on the novella 'Une nuit de Cléopatre'. The ballet became very succesful and in 1902 a suite from this b...
In 1900, Russian composer Anton Arensky (1861-1906) composed his ballet 'Nuits d'Egypte', based on the novella 'Une nuit de Cléopatre'. The ballet became very succesful and in 1902 a suite from this b...
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Russian composer Anton Arensky (1861-1906) composed his ballet Nuits d'Egypte, based on Théophile Gautier's novella Une nuit de Cléopatre, in 1900. The ballet was programmed by Serge Diaghilev at his...
Russian composer Anton Arensky (1861-1906) composed his ballet Nuits d'Egypte, based on Théophile Gautier's novella Une nuit de Cléopatre, in 1900. The ballet was programmed by Serge Diaghilev at his...
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Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
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- Jos van de Braak
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Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
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- Jos van de Braak
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