Sheet Music Downloads from Oxford University Press

This piece celebrates the power of music to bring hope and joy in times of uncertainty. A flowing, lyrical melody and supportive piano accompaniment allow A Song of Hope to encourage optimism despite...

Festival hymn with introductory fanfare for SATB, brass ensemble (4 trumpets, 3 trombones or 2 horns and one trombone, tuba), timpani, percussion, and organ, or for SATB and orchestra. Orchestral mate...

For SSAATTBB and optional organ

Christ the Lord Is Risen Today is an arrangement of the Easter hymn tune 'Lyra Davidica'. Not to be confused with Rutter's own composition, Christ the Lord is risen again, published as part of the Joh...

John Rutter's setting of the Te Deum is jubilant, straightforward, and appealing. It is well-suited to performance in choral concerts as well as sacred settings. Material for this orchestral version,...

This carol is also available in Carols for Choirs 3, and 100 Carols for Choirs. All the instrumental accompaniments are available for hire. The arrangement for orchestra is also available on sale.

A welcome collection of piano transcriptions, made by the composer, of eight of his best-loved choral pieces, from early classics such as 'The Lord bless you and keep you' to recent gems like 'A flowe...

This is a beautiful transcription of the G-minor Siciliano from the Sonata for Flute and Continuo in Eb major (BWV 1031), with the left-hand part is Bach’s continuo righthand line placed in the left-h...

With a text by the composer, this work was originally inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'. The lilting vocal lines are subtly underpinned by...

Three short movements for flute and clarinet.

In the First, Spinning Place was inspired by Dylan Thomas's exuberant poem Fern Hill. The first section of the concerto is a light, dancing movement, the second section contains echoes of Welsh hymnod...

Partially based on a plainsong melody, this peaceful setting of the Latin hymn text features sonorous harmonies, subtle time changes, and fluid choral homophony, with a beautiful soprano solo that flo...

This poignant choral arrangement of 'No sad thought his soul affright' from the cantata Hodie is well suited for performance in a Christmas concert or service. This two-verse piece has been transposed...

This soulful piece was discovered among the composer's manuscripts upon his death in 1958 and published posthumously in 1962. The viola part is edited by Bernard Shore and the piano part by Eric Gritt...

The Passacaglia for Violoncello Solo, one of Walton's last works, was commissioned by Mstislav Rostropovich and first performed in 1982. The short Tema, published for the first time, was written in 19...

From the collection Solo Time for Violin Book 2, this arrangement beautifully preserves the style of Czech folk music found in Dvo?ák's original, and the contrast of major and minor sections.

With a text by the composer, this work was inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'.

This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....

This is a gentle and graceful anthem setting the well-loved words usually ascribed to St Francis of Assisi. It has been arranged for high voice from the composer's Lux Perpetua, a choral work on the t...

This secular work for solo low voice and piano sensitively sets Langston Hughes's poem of the same name. A lilting melodic line and an effective piano part combine to create a piece that will appeal t...

As Joseph was a-walking is a beautifully serene and atmospheric setting of traditional words on the prophecy of Christ's birth as told to Joseph by an angel. With rich harmonies, striking chromatic mo...

The style of this cantata suggests an early date with the use of a dance-form ariette typical in operas from Hamburg, including Handel's.

This cantata was written in 1708 when Handel is known to have been in Naples, with text referencing the river Volturno.