Sheet Music Downloads from Oxford University Press
Funérailles is probably best thought of as an extended study in piano sonorities, at times deep, dark, and resonant, at others vivid and bright.
Funérailles is probably best thought of as an extended study in piano sonorities, at times deep, dark, and resonant, at others vivid and bright.
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This vibrant collection presents five jazzy settings of poems from William Blake's Songs of Innocence. The bass and drum parts may be played as written or used as a guide from which the player may imp...
This vibrant collection presents five jazzy settings of poems from William Blake's Songs of Innocence. The bass and drum parts may be played as written or used as a guide from which the player may imp...
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This celebratory anthem for double choir is set to the words of the Roman lyric poet Horace. Jackson combines declamatory unison passages for full choir with more lyrical polyphonic phrases shared bet...
This celebratory anthem for double choir is set to the words of the Roman lyric poet Horace. Jackson combines declamatory unison passages for full choir with more lyrical polyphonic phrases shared bet...
- High Voice and Piano
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This sequence of six carols explores the role of Mary in the Christmas story, focussing on her human experience within a story of the divine. The work has two accompaniment options: piano (using the v...
This sequence of six carols explores the role of Mary in the Christmas story, focussing on her human experience within a story of the divine. The work has two accompaniment options: piano (using the v...
- High Voice and Piano
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The piece sets extracts from the philosopher Ludwig Wittgenstein's Tractatus Logico-Philosophicus, and is made up of six choral movements, including a substantial solo role for countertenor. Between t...
The piece sets extracts from the philosopher Ludwig Wittgenstein's Tractatus Logico-Philosophicus, and is made up of six choral movements, including a substantial solo role for countertenor. Between t...
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This is a setting of a powerful text by Kevin Crossley-Holland about the cruelty of child abuse being overcome by love and kindness.
This is a setting of a powerful text by Kevin Crossley-Holland about the cruelty of child abuse being overcome by love and kindness.
- High Voice and Piano
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James Whitbourn has a worldwide reputation for writing very personal yet accessible and highly communicative choral music, and these qualities are amply on display in this striking work for Soprano so...
James Whitbourn has a worldwide reputation for writing very personal yet accessible and highly communicative choral music, and these qualities are amply on display in this striking work for Soprano so...
- High Voice and Piano
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In this setting, which includes salient fragments for St Luke's gospel (in Greek), alongside the customary text from the Book of Common Prayer, Finnissy renders this excitement, joy, awe, and trepidat...
In this setting, which includes salient fragments for St Luke's gospel (in Greek), alongside the customary text from the Book of Common Prayer, Finnissy renders this excitement, joy, awe, and trepidat...
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John Sheppard's Verbum caro factum est is perhaps the most magnificent of his Responds, as befits its Christmas context. The music alternates between polyphony and plainchant, and the text is one that...
John Sheppard's Verbum caro factum est is perhaps the most magnificent of his Responds, as befits its Christmas context. The music alternates between polyphony and plainchant, and the text is one that...
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This is the first publication of three of Walton's early songs (1918) for high voice and piano. Lyrical and charming, the songs are firmly in the English pastoral vein. The set is completed with 'The...
This is the first publication of three of Walton's early songs (1918) for high voice and piano. Lyrical and charming, the songs are firmly in the English pastoral vein. The set is completed with 'The...
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Parry relishes in warm harmonies, with occasional chromatic inflections, in his calm but captivating setting of the anonymous fifteenth-century text There is no rose. Offprinted from Carols for Choirs...
Parry relishes in warm harmonies, with occasional chromatic inflections, in his calm but captivating setting of the anonymous fifteenth-century text There is no rose. Offprinted from Carols for Choirs...
- 2 Voices
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This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's When Icicles Hang. This set contains: 1 x fl 1, 1 x fl 2, 1 x hp, 1 x hpschd, 4 x v...
This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's When Icicles Hang. This set contains: 1 x fl 1, 1 x fl 2, 1 x hp, 1 x hpschd, 4 x v...
- Mixed Choir (SATB) and Chamber Orchestra
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Instrumentation for Down by the riverside: 4 trumpets, 3 trombones, tuba, drum kit (trap set), piano, harp (optional), and strings. This set contains the following string parts: 4x vln I, 4x vln II, 3...
Instrumentation for Down by the riverside: 4 trumpets, 3 trombones, tuba, drum kit (trap set), piano, harp (optional), and strings. This set contains the following string parts: 4x vln I, 4x vln II, 3...
- Mixed Choir (SATB) and Chamber Orchestra
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This uplifting work by American composer Reginal Wright sets a text by the nineteenth-century poet Arthur O'Shaughnessy. The powerful words are sung to a memorable melody embellished with syncopation...
This uplifting work by American composer Reginal Wright sets a text by the nineteenth-century poet Arthur O'Shaughnessy. The powerful words are sung to a memorable melody embellished with syncopation...
- High Voice, Mixed Choir (SATB) and Chamber Orchestra
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Full score for Rutter's arrangement of this buoyant Cornish carol. With its combination of pagan and Christian imagery and references to the Crucifixion and Resurrection, this carol is well suited to...
Full score for Rutter's arrangement of this buoyant Cornish carol. With its combination of pagan and Christian imagery and references to the Crucifixion and Resurrection, this carol is well suited to...
- Mixed Choir (SATB) and Chamber Orchestra
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Full score for Rutter's arrangement of this popular French carol. Compatible with the JRAE vocal score and the Joy to the world! collection.
Full score for Rutter's arrangement of this popular French carol. Compatible with the JRAE vocal score and the Joy to the world! collection.
- Mixed Choir (SATB) and Chamber Orchestra
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My Perfect Stranger is a captivating setting of Kevin Crossley-Holland's retelling of the Christmas story. The artful harp writing makes for a vibrant accompaniment and a successful alternative to the...
My Perfect Stranger is a captivating setting of Kevin Crossley-Holland's retelling of the Christmas story. The artful harp writing makes for a vibrant accompaniment and a successful alternative to the...
- Mixed Choir (SATB) and Orchestra
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This uplifting anthem combines two well-known texts that are commonly read at weddings: 1 Corinthians 13:13 and Song of Solomon 8:6-7. Portraying a theme that is both personal and eternal, Faith, hope...
This uplifting anthem combines two well-known texts that are commonly read at weddings: 1 Corinthians 13:13 and Song of Solomon 8:6-7. Portraying a theme that is both personal and eternal, Faith, hope...
- Mixed Choir (SATB) and Orchestra
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This is an attractive, not difficult carol to a traditional Scottish text and with a gentle 'folk-y' feel. A flowing melody, complete with flattened 7ths and delicate Scotch snaps, appears in various...
This is an attractive, not difficult carol to a traditional Scottish text and with a gentle 'folk-y' feel. A flowing melody, complete with flattened 7ths and delicate Scotch snaps, appears in various...
- Mixed Choir (SATB) and Orchestra
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Larsen's fun setting of a sweetly humorous text by May Sarton will provide enjoyable and rewarding learning for school or amateur choirs. The contrabass part would also be suitable for the younger pup...
Larsen's fun setting of a sweetly humorous text by May Sarton will provide enjoyable and rewarding learning for school or amateur choirs. The contrabass part would also be suitable for the younger pup...
- Mixed Choir (SATB) and Orchestra
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A highly original and effective concert setting of the Latin Missa brevis in which the various movements embrace a variety of jazz styles. The characterful piano accompaniment can be played as written...
A highly original and effective concert setting of the Latin Missa brevis in which the various movements embrace a variety of jazz styles. The characterful piano accompaniment can be played as written...
- Mixed Choir (SATB) and Orchestra
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Helvey sets a combination of sacred texts to beautiful music. Similar to his Cor mundum crea in me Deus, Helvey writes mainly in homophonic textures, with thick, lush chords.
Helvey sets a combination of sacred texts to beautiful music. Similar to his Cor mundum crea in me Deus, Helvey writes mainly in homophonic textures, with thick, lush chords.
- Mixed Choir (SATB) and Orchestra
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Published for the very first time, this is a beautiful arrangement of the old German tune 'Lasst uns das Kindlein wiegen', setting words adapted from an old Scots poem by Ursula Wood. With flowing con...
Published for the very first time, this is a beautiful arrangement of the old German tune 'Lasst uns das Kindlein wiegen', setting words adapted from an old Scots poem by Ursula Wood. With flowing con...
- Mixed Choir (SATB) and Orchestra
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Meditation is an adaptation of Charles Gounod's Ave Maria and J.S. Bach's Prelude in C Major from the first book of The Well-Tempered Clavier. To the piano's rising arpeggios and Gounod's melody, Wilb...
Meditation is an adaptation of Charles Gounod's Ave Maria and J.S. Bach's Prelude in C Major from the first book of The Well-Tempered Clavier. To the piano's rising arpeggios and Gounod's melody, Wilb...
- Mixed Choir (SATB) and Orchestra
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This stylish and approachable arrangement of Scarlatti's Sonata in D (K.119) (originally composed for keyboard) is vivacious and dance-like in character.
This stylish and approachable arrangement of Scarlatti's Sonata in D (K.119) (originally composed for keyboard) is vivacious and dance-like in character.
- Mixed Choir (SATB) and Orchestra
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- Edward HARPER
- Oxford University Press
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