Sheet Music Downloads from Oxford University Press

Setting inspiring words by James Weldon Johnson, this work is both poignant and stirring. My heart be brave is an ideal choice for choirs looking to address issues of social justice in their programmi...

From the collection Bob Chilcott Carols 2, 'Jingle, Bells' is Chilcott's lively and exhilarating arrangement of the seasonal classic, scored for SATB and piano. Featuring rhythmic harmonies and a spar...

The string accompaniment is available on hire and for sale.

This a cappella setting of evocative words by E. Pauline Johnson is immediately appealing, with its playful, swinging syncopations and dancing scat accompaniment.

This set of Preces and Responses, including the Lord's Prayer, will be enjoyed by all seeking new material for the liturgy. The largely syllabic four-part setting harks back to the music of the great...

Part of the John Rutter Anniversary Edition, this a cappella anthem, suitable as an introit or call to worship, was inspired by Celtic folksong.

This attractive motet was written for performance alongside Brahms's Requiem. The gracefully sculpted music clothes the text with touching melodies, expressive harmonies and varied sonorities.

In this short introit Bednall sets the 'In manus tuas' responsary for the Compline service. A setting of a useful text for church or cathedral services, the anthem is appropriately serene and luminesc...

From the collection Mack Wilberg Anthems, 'Beautiful Saviour' is Wilberg's arrangement of a 12th century melody to create this reverent hymn. Scored for SATB unaccompanied, this gentle, worshipful pie...

The Songs of Farewell are among Hubert Parry's greatest achievements, and have found a secure place in the repertoires of chamber choirs and ecclesiastical choral foundations. While not all are devoti...

Also in Carols for Choirs 3 and 100 Carols for Choirs.

This vibrant setting of Isaiah 9:6 draws on the rhythms and textures of modern Nigerian art music. The predominantly homophonic texture is interspersed with solo lines, in a setting full of dynamic co...

Oi Bethleem! is a traditional Basque carol from Lapurdi in the French Basque Country. Its well-known melody was adopted by English carol composers after being published in a French collection in the l...

Alice is a quirky, light-hearted celebration of the Alice books by Lewis Carroll. The singers' tale of an encounter with the White Rabbit, the Cheshire Cat, and the Hatter is underpinned by a lively a...

Written for the Mormon Tabernacle Choir, this is a new arrangement of the well-known spiritual. In classic Wilberg style, the piece builds up verse by verse with expanding textures towards a grand and...

From the collection Jazz on a Summer's Day, 'Summertide' is a reflective jazz ballad which evokes the atmosphere of long, dreamy days. An engaging addition to the repertoire of intermediate players.

This heartfelt setting is built upon a haunting melody of folk-like simplicity, underpinned throughout by a lyrical and independent accompaniment. An orchestral accompaniment is available on hire.

Locus iste is an atmospheric setting of a well-known Latin text. With an ever-changing time signature, Todd's writing is gentle but effective; the mysterious piano accompaniment combined with the diss...

This arrangement of the well-loved hymn stays true to the jubilation and reverence of Easter. Wesley's words and the eighteenth-century melody shine through in a sensitive reharmonization, and a recur...

This setting of St Benedict's 6th-century prayer begins with a gentle recurring figure in the keyboard, building to a rousing climax. The primarily homophonic texture allows the timeless text to shine...

Rutter's arrangement of the hymn O God, Our Help in Ages Past uses the hymn tune St. Anne to great effect. The verses alternate between choir alone and choir with congregation, building to an upliftin...

This popular movement from John Rutter's Requiem is presented here separately, with the accompaniment arranged for organ.

Male voices take the leading role in this mixed-voice arrangement of the tender and well-loved solo piece attributed to Caccini (and usually sung to 'Ave Maria').