Sheet Music Downloads from Schott Musik
Johanna Senfter’s Duo, completed in 1956, is the last and at the same time most compact of her five compositions for viola and piano. The impressive work is in a classical A-B-A form. Two mostly calm,...
Johanna Senfter’s Duo, completed in 1956, is the last and at the same time most compact of her five compositions for viola and piano. The impressive work is in a classical A-B-A form. Two mostly calm,...
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In 1932 Johanna Senfter wrote Sechs Stücke for the church holidays for viola and organ. She arranged five of them for viola and piano as well. They are remarkable, atmospheric and colourful character...
In 1932 Johanna Senfter wrote Sechs Stücke for the church holidays for viola and organ. She arranged five of them for viola and piano as well. They are remarkable, atmospheric and colourful character...
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The Sonata F minor for viola and piano op. 41, completed in May 1922, still breathes the spirit of the grand master Reger and yet already goes its own way in terms of rhythm, harmony, modulation and f...
The Sonata F minor for viola and piano op. 41, completed in May 1922, still breathes the spirit of the grand master Reger and yet already goes its own way in terms of rhythm, harmony, modulation and f...
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The second Sonata F major for viola and piano op. 101 was composed in 1943 and is a fascinating testimony to its time. It stands in the tradition of the great classical sonata literature and yet is ch...
The second Sonata F major for viola and piano op. 101 was composed in 1943 and is a fascinating testimony to its time. It stands in the tradition of the great classical sonata literature and yet is ch...
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Of the five works that Johanna Senfter wrote for viola and piano, the Variations op. 94, completed at the beginning of the 1940s, are certainly her most sophisticated composition in terms of harmony a...
Of the five works that Johanna Senfter wrote for viola and piano, the Variations op. 94, completed at the beginning of the 1940s, are certainly her most sophisticated composition in terms of harmony a...
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What is it like to become a stranger to yourself? A loss of memory due to traumatic experiences or dementia is addressed in a fascinating way in this composition, with the resonating strings of the vi...
What is it like to become a stranger to yourself? A loss of memory due to traumatic experiences or dementia is addressed in a fascinating way in this composition, with the resonating strings of the vi...
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Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...
Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...
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Kompositionsjahr: 2014.
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The original version for violin dates from 1981, thus being one of the early works by the Israeli composer who teaches at Harvard University. About 35 years later, Chaya Czernowin wrote the arrangemen...
The original version for violin dates from 1981, thus being one of the early works by the Israeli composer who teaches at Harvard University. About 35 years later, Chaya Czernowin wrote the arrangemen...
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Die Fantasia bucolica für Viola und Kammerorchester op. 13f (ursprünglicher Titel: Fantasie in D) entstand im Jahr 1956 im Auftrag des Kleinen Unterhaltungsorchesters Südwestfunk Baden-Baden. Im selbe...
Die Fantasia bucolica für Viola und Kammerorchester op. 13f (ursprünglicher Titel: Fantasie in D) entstand im Jahr 1956 im Auftrag des Kleinen Unterhaltungsorchesters Südwestfunk Baden-Baden. Im selbe...
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In the summer of 1852, Vier Stücke ['Four Pieces'] for viola and piano by Robert Schumann were published under the title Märchenbilder ['Fairy-Tale Pictures'] by the Kassel publishing house Luckhardt,...
In the summer of 1852, Vier Stücke ['Four Pieces'] for viola and piano by Robert Schumann were published under the title Märchenbilder ['Fairy-Tale Pictures'] by the Kassel publishing house Luckhardt,...
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This arrangement of the three-part compilation published in 1905 is based on Fritz Kreisler's original version as well as on later piano transcriptions by Sergei Rachmaninoff, with the harmonies, chro...
This arrangement of the three-part compilation published in 1905 is based on Fritz Kreisler's original version as well as on later piano transcriptions by Sergei Rachmaninoff, with the harmonies, chro...
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- Sergei Rachmaninow Mats Lidström
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Scent Dance II for solo viola is based on the version for cello written in 2010. The virtuoso work was inspired by Xuntian He's poem Passing by the Earth, in which the author asks about the meaning of...
Scent Dance II for solo viola is based on the version for cello written in 2010. The virtuoso work was inspired by Xuntian He's poem Passing by the Earth, in which the author asks about the meaning of...
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aus der Oper 'Die Meistersinger von Nürnberg'
aus der Oper 'Die Meistersinger von Nürnberg'
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- Georg Goltermann
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Die sechs Sonaten von Benedetto Marcello (1686-1739) gehören neben denjenigen von Antonio Vivaldi zu den bekanntesten Barockkompositionen für Violoncello und Basso continuo. Schon zu Lebzeiten des zu...
Die sechs Sonaten von Benedetto Marcello (1686-1739) gehören neben denjenigen von Antonio Vivaldi zu den bekanntesten Barockkompositionen für Violoncello und Basso continuo. Schon zu Lebzeiten des zu...
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- Cello and Continuo
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- Cello and Continuo
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- Cello Duet
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- Klaus Storck
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Die Edition Schott spiegelt die ganze Vielfalt der Musik in einer umfassenden Noten-Bibliothek für den Schüler, Amateur- und Profi-Musiker wider. Die Edition Schott bietet Musik von der Renaissance bi...
Die Edition Schott spiegelt die ganze Vielfalt der Musik in einer umfassenden Noten-Bibliothek für den Schüler, Amateur- und Profi-Musiker wider. Die Edition Schott bietet Musik von der Renaissance bi...
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Eine überraschende Entdeckung für die Cello-Konzertliteratur stellt das vorliegende Werk dar, das in der 2. Hälfte des 18. Jahrhunderts entstanden ist und Einflüsse der Mannheimer Schule zeigt, sowie...
Eine überraschende Entdeckung für die Cello-Konzertliteratur stellt das vorliegende Werk dar, das in der 2. Hälfte des 18. Jahrhunderts entstanden ist und Einflüsse der Mannheimer Schule zeigt, sowie...
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