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This edition contains vigorous dance tunes with illustrative titles such as 'Les Noces', 'La Coquette' or 'Le Tambourin de la folie'. With -simple technique, they have been made into four- or five-mov...

This edition contains vigorous dance tunes with illustrative titles such as 'Les Noces', 'La Coquette' or 'Le Tambourin de la folie'. With -simple technique, they have been made into four- or five-mov...

This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.

This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.

This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.

This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.

This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.

This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.

This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.

Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...

Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...

Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...

Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...