Sheet Music by Female Composers: A Rich and Diverse Selection

Sopran (Chorst.) (2), Alt (Chorst.) (2), Tenor (Chorst.) (2), Bariton (Chorst.), Bass (Chorst.) Chorpartitur 5 Minuten Schwierigkeitsgrad: schwer

Commissioned in celebration of Philip Brunelle's 40th year as Organist-Choirmaster at Plymouth Congregational Church, Minneapolis, Minnesota, USA. Dedicated to Carolyn Brunelle, faithful Plymouth Choi...

Sopran (Chorst.) (2), Alt (Chorst.) (2), Tenor (Chorst.) (4), Bass (Chorst.) (4) Chorpartitur 14 Minuten Schwierigkeitsgrad: schwer

Sopran (Chorst.), Alt (Chorst.), Tenor (Chorst.), Bass (Chorst.) Chorpartitur 3 Minuten Schwierigkeitsgrad: mittelschwer

Sopran (Chorst.) (2), Alt (Chorst.), Orgel Chorpartitur 12 Minuten Schwierigkeitsgrad: mittelschwer

Sopran (Chorst.), Alt (Chorst.), Tenor (Chorst.), Bass (Chorst.) Chorpartitur 5 Minuten Schwierigkeitsgrad: schwer

Sopran solo, Gemischter Chor (SATB) Chorpartitur 5 Minuten Texter: Herbert, George Schwierigkeitsgrad: schwer Band/Reihe: Contemporary Choral

Sopran (Chorst.) (2), Alt (Chorst.), Harfe Chorpartitur 5 Minuten Schwierigkeitsgrad: schwer

First performed on 3rd June 2008 at Westminster Cathedral by The Sixteen, Christoper Glynn (organ) and Harry Christophers (conductor). Words attributed to Padre Pio, translated by Stephen Macklow-Smit...

Sopran (Chorst.) (2), Alt (Chorst.) (2), Tenor (Chorst.) (2), Bass (Chorst.) (2) Chorpartitur 3 Minuten Schwierigkeitsgrad: schwer

Commissioned by the Exultate Singers for a concert celebrating 20 years since the fall of the Berlin Wall. First performance on 8th November 2009, Clifton Cathedral, by Exultate Singers, Richard May -...

The first new setting of the Plainsong Mass for fifty years in which Panufnik's own harmonic language interweaves with the plainsong melodies to create a highly effective original work. Also see: EP72...

Words: Wendy Cope. The words of 'the homeless hammer' were inspired by the poet hearing Boulez's Le Marteau san Maître ('The Hammer without a Master”). Two Poems by Wendy was co-commissioned by The Na...

A setting of George Herbert's Come my way, my truth, my life Commissioned by The Choir of St John's College, Cambridge, for the Advent Carol Services 2010 First performed (in the version for SATB and...

A setting of George Herbert's Come my way, my truth, my life Commissioned by The Choir of St John's College, Cambridge, for the Advent Carol Services 2010 First performed (in the version for SATB and...

A setting of George Herbert's Come my way, my truth, my life Commissioned by The Choir of St John's College, Cambridge, for the Advent Carol Services 2010 First performed (in the version for SATB and...

Words from The Wind in the Willows by Kenneth Grahame

Sopran (Chorst.) (3), A sowie 2 S, Alt (Chorst.) (2), Tenor (Chorst.) (2), Bass (Chorst.) (2) Chorpartitur 7 Minuten Schwierigkeitsgrad: schwer

A medtitative piece, built up variously on chord and sound or repetitive lines respectivly.

Navajo and Cheyenne Prayers, for six soloists and choir SSAA. A piece written for four soloists and female choir. There are clear instructions for the performance for both the placement of the choir,...

Written to the Adolf Fredrik Girls' Choir in memory of Bo Johansson.

For treble choir, piano and 1-2 saxophones or optional instrument.

SSA, Klav., Föte (auch acap.)

SAB, Rhythmusgruppe (auch acap)