Sheet Music by Female Composers: A Rich and Diverse Selection

Here's a piece guaranteed to have your audience's toes tapping! Designed as a fun, flashy showpiece that features every section of the band, the catchy rhythms of School of Swing, by Amy Webb, will en...

Here's a piece guaranteed to have your audience's toes tapping! Designed as a fun, flashy showpiece that features every section of the band, the catchy rhythms of School of Swing, by Amy Webb, will en...

Cool syncopation, funky riffs and smooth, stylish tunes - from dynamic to nostalgic, Pam Wedgwood's series has it all. Really Easy Jazzin' About is a vibrant collection of original pieces in a range o...

Who doesn't know the mixed feelings associated with the turn of the year? The composer Joanna Stepalska-Spix translates this into sounds in a charming way with a blues and a swing. The edition contain...

Beebop City is a fun, upbeat swing tune that captures the lively energy of a jazz metropolis and serves as a great vehicle for working on swing style, syncopation, and jazz language. Great for an open...

Several contrasting sections alternate with the rhythmic main theme of this original work. An excellent selection for younger or developing choirs, your students will develop many important choral ski...

Seasons come, seasons go, nothing stays the same - this is the message of this folk-like original with words based on the text from Ecclesiastes. Younger choirs will enjoy singing this well-crafted wo...

Hilda Conkling was a remarkable poet whose entire body of work was created between the ages of four and twelve. This exquisite setting eases students into part singing using canon, while teaching inde...

Engaging and filled with imagination, this 2-part choral paints a picture of clouds forming into various shapes as they float across the sky. A wealth of learning opportunitiespresent themselves with...

Bei uns im Angebot: Erhalten Sie 10 Ausgaben im Set zum stark reduzierten Preis. Jetzt zuschlagen (solange Vorrat reicht)! This gentle original is a quiet celebration of the power of music. Expertly c...

Presented here in an arrangement for unison voices (with an optional second part), this setting of words by Chief Dan George optimistically reminds us that there is still beauty to be found in times o...

Presented here in a version for unison voices (with optional second part), this setting of words by the composer, based on a quote by Brian Palmer, encourages singers to listen to the sounds and peopl...

Here's a captivating choral work written especially for 2-part and developing SSA choirs. Energetic vocal lines are punctuated by rhythmic handclaps and added layer upon layer to create a festive cont...

A triumphant fanfare motive is echoed across the choir before breaking into a joyous refrain, punctuated with rhythmic handclaps. Suitable for concert, festival, and church use, this celebratory chora...

An optional flute obbligato floats dreamily above throughout this lovely treble setting of the famous poem by Thomas Hood. Both melody and harmony are written in ideal vocal ranges, and subtle changes...

Ruth Morris Gray presents an exquisite minor-key setting that elevates choral musicianship. A rich melody ebbs and flows over the colorful harmonic palette, while a captivating piano theme winds its w...

Singers will love the independent vocal lines in this bright setting of Emily Dickinson's hopeful poem. A lovely melody is introduced in unison and later assembles in canon. Radiant refrains are drive...

Created in 2000, this work for children's choir and large orchestra was transformed by the Australian composer into the present version with piano accompaniment in 2008. Even in the reduced and conden...

From the composer of 'Jesus Christ the apple tree', this gentle Christmas carol by Poston is a lullaby using the familiar text 'O my deir heart, young Jesus sweet' by James, John and Robert Wedderburn...

Three short musical pictures charmingly capture aspects of nature at a river: a spider web in the morning, playful children at a rope swing, and buzzing dragonflies.

Choirs will love this light-hearted text set to a flowing piano accompaniment.

This poem by Longfellow is mainly in unison, breaking into two parts at the end of stanzas and in the coda where the voices pick up the “snowflake” motif from the piano.

The Lamb is a setting of William Blake's poem from his “Songs of Innocence.” This piece works nicely on a concert program when paired with the composer's setting of Blake's corresponding p...