Sheet Music by Female Composers: A Rich and Diverse Selection

The opening of this piece requires short, energetic bows. These passages are contrasted with more lyrical melodies and the bass line is essential for maintaining the momentum and vitality. It has a sl...

The opening of this piece requires short, energetic bows. These passages are contrasted with more lyrical melodies and the bass line is essential for maintaining the momentum and vitality. It has a sl...

Written in G Major, this piece features syncopated rhythms and retakes. Violins and violas are required to use low 2nd fingers. 1st violins use high 3rds, while violas need to play low firsts for D#s....

Written in G Major, this piece features syncopated rhythms and retakes. Violins and violas are required to use low 2nd fingers. 1st violins use high 3rds, while violas need to play low firsts for D-sh...

This is a very easy and straightforward piece in D Major, using repeated eighth and quarter notes. All sections of the orchestra are sure to be kept busy. Whole bows should be used for quarter note pa...

This is a very easy and straightforward piece in D Major, using repeated eighth and quarter notes. All sections of the orchestra are sure to be kept busy. Whole bows should be used for quarter note pa...

Written in E natural minor, this simple piece is a lesson in dynamic variations, bow divisions, and minor tonality. It uses mostly quarter notes and half notes, encouraging students to vary the bow sp...

Written in E natural minor, this simple piece is a lesson in dynamic variations, bow divisions, and minor tonality. It uses mostly quarter notes and half notes, encouraging students to vary the bow sp...

Written in the key of D Major, this piece starts out in unison, using terraced dynamic changes, and is in Rondo form. The theme then breaks into parts, using simple but catchy rhythms, which alternate...

This piece commences with a slow introduction in triple time. Its rich harmonies lead to a feeling of expectation, before heralding the Allegro, with an alternating 6/8-3/4 time signature. Students ar...

This fun piece is written in first position for all parts. It is in D Major, with a short section in b minor. It encourages the use of forearm bowing in the quaver passages and is rhythmically and har...

This fun piece is written in first position for all parts. It is in D Major, with a short section in b minor. It encourages the use of forearm bowing in the quaver passages and is rhythmically and har...

A lullaby dedicated to Loreta's new Grandson, Raphael, born 11/12/2012. Written in triple time and the Aeolian Mode, this gentle lullaby uses dotted rhythms and sustained notes in all parts, useful fo...

A lullaby dedicated to Loreta's new Grandson, Raphael, born 11/12/2012. Written in triple time and the Aeolian Mode, this gentle lullaby uses dotted rhythms and sustained notes in all parts, useful fo...

This lively piece encourages good flexibility in the bow arm and wrist. String crossings are used and should be played in the middle of the bow. The melodic line is shared throughout the orchestra, in...

This lively piece encourages good flexibility in the bow arm and wrist. String crossings are used and should be played in the middle of the bow. The melodic line is shared throughout the orchestra, in...

This fun piece is designed to teach bow division and bow speeds. The last eighth note can be lifted and carefully replaced in the half note rest in various measures - a jack in the box! (2:25)

This fun piece is designed to teach bow division and bow speeds. The last eighth note can be lifted and carefully replaced in the half note rest in various measures - a jack in the box! (2:25)

Travel to the tropics, yet be so cool! The cello and bass rhythms used in this piece are repetitive and the beat is solid, while the melodic line is smooth and relaxed in style. The piano part covers...

Travel to the tropics, yet be so cool! The cello and bass rhythms used in this piece are repetitive and the beat is solid, while the melodic line is smooth and relaxed in style. The piano part covers...

An energetic original work written in Southern Italian dance-style that will be fun and exciting to play! The accelerando in the final section makes for an exciting ending and a great concert closer....

An energetic original work written in Southern Italian dance-style that will be fun and exciting to play! The accelerando in the final section makes for an exciting ending and a great concert closer....

The title doesn't lie: there is no doubt about whether the note should be sharp or natural. The piano part is essential so that the students can hear the changing harmonies from major tonality to mino...

The title doesn't lie: there is no doubt about whether the note should be sharp or natural. The piano part is essential so that the students can hear the changing harmonies from major tonality to mino...

Just like the piece says: it's all about counting beats, rhythms, and rests. Students can fall into the trap of forgetting to count. This piece makes it easy to teach the young ensemble all at the sam...