Sheet Music by James 'Red' McLeod at Kendor Music

Originally written and performed by members of the Original Dixieland Jazz Band of New Orleans in 1917, this rousing tune puts capable clarinetists through the paces in fun-loving Dixieland style. Pre...

Originally written in 1901 by Joplin soon after he moved from Sedalia to St. Louis (Missouri), this buoyant rendering for quintet features several fun-loving trombone glisses and an authentic moderate...

Scored for the standard quintet instrumentation, this version of Irving Berlin's classic hit calls for equal contributions from every player. Well-placed contrasts in dynamics and changes in key add m...

Here's Scott Joplin's immortal rag in an upbeat setting for sax quartets! A modulation midway through boosts the dramatic impact it makes on everyone involved. Ample articulations and dynamic markings...

Celebrating the enduring popularity of Scott Joplin's most famous ragtime tune, this setting calls upon all players to make meaningful melodic contributions. In addition, modulations in key are used e...

Featuring clear melodic lines, classical harmonies, and the traditional sonatina form in four movements -- I. Allegro brilliante, II. Menuetto-allegretto, III. Adagio, IV. Allegro -- this contest-wort...

Written in 1908, this great ragtime classic features all the elements you'd expect -- a moderate tempo, steady beat, syncopated rhythms, and an irresistible melody. Changing dynamics and strategic art...

Originally written in 1923 by Zes Confrey, this energetic adaptation for Bb clarinet quartets gives all players a chance at the melody so no one feels stuck entirely in the accompaniment role.

Originally written and performed by members of the Original Dixieland Jazz Band of New Orleans in 1917, this rousing tune puts capable clarinetists through the paces in fun-loving Dixieland style. Pre...

Scored for the standard quintet instrumentation, this version of Irving Berlin's classic hit calls for equal contributions from every player. Well-placed contrasts in dynamics and changes in key add m...

Originally written in 1901 by Joplin soon after he moved from Sedalia to St. Louis (Missouri), this buoyant rendering for quintet features several fun-loving trombone glisses and an authentic moderate...

First written by members of the Original Dixieland Jazz Band shortly after the turn of the century, this zesty tune bubbles with energy. Two modulations and extremes in dynamic levels are examples of...

Written in 1908, this great ragtime classic features all the elements you'd expect -- a moderate tempo, steady beat, syncopated rhythms, and an irresistible melody. Changing dynamics and strategic art...

The Allegro section from the Mozart Sonata K. 279 arranged for Clarinet trio.

Featuring mistuned solo violin playing an eerie, melancholy motive, this largely repetitive work consists of two contrasting themes with variations. The harmonic scheme is especially intriguing and fu...

Featuring mistuned solo violin playing an eerie, melancholy motive, this largely repetitive work consists of two contrasting themes with variations. The harmonic scheme is especially intriguing and fu...

Written in 1908, this great ragtime classic features all the elements you'd expect -- a moderate tempo, steady beat, syncopated rhythms, and an irresistible melody. Changing dynamics and strategic art...

Originally written in 1923 by Zes Confrey, this energetic adaptation for Bb clarinet quartets gives all players a chance at the melody so no one feels stuck entirely in the accompaniment role.

Today the music of Scott Joplin is no less popular than it was when he wrote it at the turn of the century, which is precisely why we have great confidence in the potential of this arrangement for Bb...

Today the music of Scott Joplin is no less popular than it was when he wrote it at the turn of the century, which is precisely why we have great confidence in the potential of this arrangement for Bb...

Today the music of Scott Joplin is no less popular than it was when he wrote it at the turn of the century, which is precisely why we have great confidence in the potential of Red McLeod's arrangement...