Sheet Music by Sammy Nestico at Kendor Music: Signature Style

Recorded in 1967 by Count Basie & His Orchestra on the album Basie Straight Ahead, this beautiful tune featuring alto sax includes written solo lines for players lacking improvisation confidence or ex...

Starting and ending as a ballad in a comfortable two-beat style, the jazz waltz midsection provides essential contrast in this beautiful arrangement of the Rimsky-Korsakoff classic. As always, attenti...

This beautiful, torchy jazz ballad in two tempos features solo trumpet throughout. Written lines with chord changes are provided for the soloist, and even though the solo lines are pretty, they should...

This beautiful, torchy jazz ballad in two tempos features solo trumpet throughout. Written lines with chord changes are provided for the soloist, and even though the solo lines are "pretty," they shou...

According to the score notes for this pensive adaptation, the key to a warm and colorful rendition lies chiefly in an exceptional emphasis on dynamics. Playing in a smooth legato style and with vibrat...

According to the score notes for this pensive adaptation, the key to a warm and colorful rendition lies chiefly in an exceptional emphasis on dynamics. Playing in a smooth legato style and with vibrat...

First written for the Count Basie Orchestra in 1983 and later revised for the Sammy Nestico CD 'This Is The Moment,' this great blues tune features an extended, three-chorus soli for the sax section....

First written for the Count Basie Orchestra in 1983 and later revised for the Sammy Nestico CD 'This Is The Moment,' this great blues tune features an extended, three-chorus soli for the sax section....

First written for the Count Basie Orchestra in 1983 and later revised for the Sammy Sammy Nestico CD "This Is The Moment," this great blues tune features an extended, three-chorus soli for the sax sec...

Originally recorded by Count Basie and completely revised for the SWR Big Band CD Basie-cally Sammy, this medium-bright original swings hard and features lots of satisfying full-ensemble work. Solos f...

Originally recorded by Count Basie and completely revised for the SWR Big Band CD Basie-cally Sammy, this medium-bright original swings hard and features lots of satisfying full-ensemble work. Solos f...

Originally recorded by Count Basie and completely revised for the SWR Big Band CD Basie-cally Sammy, this medium-bright original swings hard and features lots of satisfying full-ensemble work. Solos f...

First recorded by Count Basie, then Quincy Jones, and most recently by the SWR Big Band on their 'Basie-cally Sammy' CD, this popular blues tune was originally written for 'Sweets' Edison and features...

First recorded by Count Basie, then Quincy Jones, and most recently by the SWR Big Band on their 'Basie-cally Sammy' CD, this popular blues tune was originally written for 'Sweets' Edison and features...

First recorded by Count Basie, then Quincy Jones, and most recently by the SWR Big Band on their "Basie-cally Sammy" CD, this popular blues tune was originally written for "Sweets" Edison and features...

Recorded by Count Basie & His Orchestra in the late 1960's, this classic blues for developing ensembles features written or ad lib solos for trombone and drums. Midway through, shortly after the tromb...

Brass and sax unisons, easy figures and a rich harmonic structure will make this a big hit with everyone. The primary solo is reserved for trumpet (optional written solo provided), but piano adds some...

This dynamic blues shuffle offers optional written solos for alto, tenor, trumpet and/or trombonethe piano player has written solos at the beginning and end as well. For this chart to sound its best,...

Duration 3:30

Duration 3:30

Here's a blues as only Sammy Nestico could write. Solid and swinging!

Duration 3:00.

Duration 3:00.

This arrangement calls for a very lazy feel. Keep saxes quietbehind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce so...