Sheet Music by Women Composers for Concert Band: Powerful Works

The Girl in 14G was written by Jeanine Tesori for the American actress and singer, Kristen Chenoweth, and featured on her 2001 debut CD, Let Yourself Go. The song is based on her personal experience:...

A wonderful piece from the new Wind Band Select series. Commissioned by the Metropolitan Wind Symphony in 2005, Suite From China West for Wind Ensemble is written in four movements, and was premiered...

From the composer: Dragon Rhyme for Symphonic Band is in two movements: I. Mysteriously-Harmoniously; and II. Energetically. The first movement is lyrical; and the second powerful. Featuring the basic...

Backwards March! by Katie O'Hara LaBrie puts a playful twist on the traditional concert march as melodies are based on a clever forward-and-backward melodic motion, which is perfect for teaching note...

Marche wurde 1976 für Harmonieorchester komponiert und hat einen spielerischen, leichten zwar eleganten Charakter. Die rhythmische Reichtum bildet einen Kontrast mit der klassischen Metrik eines Marsc...

With "Die Schwalbe," Alexandra Hahn presents her debut work—a lively polka that combines lightness, movement, and warmth. Inspired by the return of swallows from the south, the piece captures that spe...

Feature your low woodwind and brass players in Rhino Ruckus, a high energy work by Erin Keeton-Howard that really rocks! Optional drumset helps with the style, and there is a wealth of material for al...

Feature your low woodwind and brass players in Rhino Ruckus, a high energy work by Erin Keeton-Howard that really rocks! Optional drumset helps with the style, and there is a wealth of material for al...

Aus der Reihe 'Bernaerts Pop Music'.

The Complete Warm-Up For Band is the quintessential method for preparing your ensemble for rehearsal & performance. Created by well-known Composers and Music Educators Carol Brittin Chambers & Tyler A...

Representing the hope that we can all live with peaceful thoughts, this expressive ballad lets younger ensembles work on the essential skills of legato-style playing, listening across the ensemble, an...

Spiders? Nope! brings people's fears of the eight-legged arachnid to life with its creepy, crawly rhythm, hair-raising dissonances, and staccato movement. Trumpet's highest note is D. Clarinets do not...

Amberwood Overture is in ABA form. There are no key changes and the rhythms throughout are simple, thus allowing extra rehearsal time for tone development as well as attacks and releases. The attacks...

This medley features three well-known American folk songs: Billy Boy, This Old Man and Skip to My Lou. The beat remains constant throughout the piece. (2:30)

Shelley Hanson originally composed Islas y Montañas for orchestra. Tocata is the first movement and functions as a fanfare or introduction. It features the entire ensemble clapping rhythmic patterns b...

Seis Manuel is the 3rd movement of the 4-movement suite Islas y Montañas and represents the traditional song and dance form of the Jibaro people, peasant farmers from the mountains of Puerto Rica. Sol...

Seis Manuel is the 3rd movement of the 4-movement suite Islas y Montañas and represents the traditional song and dance form of the Jibaro people, peasant farmers from the mountains of Puerto Rica. Sol...

Volver A La Montana (Return to the Mountain) is based on several folk tunes of the Quechua (Inca) people of Ecuador, Peru, and Bolivia. Near the end of the movement, the folk song Sepracion (Separatio...

Volver A La Montana (Return to the Mountain) is based on several folk tunes of the Quechua (Inca) people of Ecuador, Peru, and Bolivia. Near the end of the movement, the folk song Sepracion (Separatio...