Sheet Music by Women Composers for Mixed Choir: Extensive Selection

The text of Karakia is a traditional Maori prayer, a homage to the elements and rhythms of nature. Every pitch in the piece is derived from the name of the composer's mother, who was born in New Zeala...

Bindung: Rückendrahtheftung

Sopran (Chorst.) (2), Alt (Chorst.) (2), Tenor (Chorst.) (2), Bass (Chorst.) (2) Chorpartitur 5 Minuten Schwierigkeitsgrad: mittelschwer

This is an ideal anthem for services dealing with prayer for peace in our world and the prayer for the light of Christ to shine: 'In a world where hatred seems so strong, may your grace right the wron...

Emma Brown's setting of 'Sweet was the Song', simple yet utterly compelling, captures the Renaissance character of the text while imparting a fresh, modern twist. Suitable for choirs both professional...

In 1969, soprano Leontyne Price commissioned Bonds to set I Wish I Knew How It Would Feel to Be Free and three other spirituals for performance with the Rust College A Cappella Choir. The setting refl...

Texas University Interscholastic League Sightreading for 2A, 1A, and 3B Varsity Mixed (SATB) Choirs and 5A, 4A, and 3A Non-Varsity Mixed (SATB) Choirs. Original settings for both SAB and SATB voicings...

This is a beautiful setting of an evocative poem by Emily Dickinson that explores the symbolization of hope as a bird. Quartel offers soaring melodic lines, rich harmonies, and a fluttering accompanim...

This is a joyful and expressive setting of the composer's own text, inspired by geographical features of Newfoundland. Wong employs gentle phrases, nimble rhythmical patterns, and a soaring solo desca...

This gentle arrangement for a cappella choir of the well-known fifteenth-century carol conjures a restful but evocatively melancholy atmosphere. The texture is varied by the use of a soprano or barito...

The title "Guarda in giù" ("Look down") is conceived on two levels. On the one hand, it stands for looking into one's own self, and on the other for the deep foundation of this composition, which is c...

für 15-stimmigen Chor a cappella (SSSSAAAATTTBBBB)

Vocal score with piano reduction - can be used with all versions of the Westminster Mass

Come Back Like the Sea sets a Sara Teasdale poem that uses the metaphor of the ocean's tide to symbolize life's ups and downs. The music captures the sea imagery and sense of yearning with a captivati...

The score calls for a boy Soprano for the role of the Prince, a baritone for the Pilot, eight other solo roles and a Chorus of twenty children to sing the parts of stars and birds. It is scored for Or...

The manuscript was written on October 18, 1892 and is now kept in the Austrian National Library. It comprises 20 pages. Kralik titled it as follows: Herbstgefühl von Goethe Musik für Mezzosopran, Alt,...

Paralleling the voyages we make through life with those of a river to the sea, this poignant original work by Amy Bernon creates a thoughtful and meaningful atmosphere suitable for any general concert...

This optimistic piece is characterized by catchy, singable melodies and a syncopated rhythmic drive in the vocal and piano writing. The text was co-written by the composer and the vocal percussionist...

Earlene Rentz ' Gaudeamus Hodie for three part Mixed Choir and Keyboard.

Scored for solo Soprano, Alto, Tenor, Bass, SATB chorus and Orchestra.

This poignant setting of a text by Angier Brock invites us to reflect on how we receive the imago dei in others. Gentle yet captivating throughout, this piece centres on themes of faithful living, hos...

Arranged by Meng Hao-Ran. Mixed chorus. For SSAATTBB Chorus. Premiered by the Ithaca College Choir on November 15, 1997 under the direction of Prof. Lawrence Doebler. Choral. Piano/Vocal Score. Compos...