Sheet Music for Brass Ensemble

Tod und Verklärung (Death and Transfiguration), Op. 24, is a tone poem for large orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 Novembe...

Modest Mussorgsky (1839-1881) composed the 'Pictures at an Exhibition' in 1874 as a suite of ten piano pieces. The suite is generally acknowledged to be Mussorgsky's greatest solo piano composition, a...

Modest Mussorgsky (1839-1881) composed the 'Pictures at an Exhibition' in 1874 as a suite of ten piano pieces. The suite is generally acknowledged to be Mussorgsky's greatest solo piano composition, a...

'La Péri' is a 1912 ballet in one act by French composer Paul Dukas, originally choreographed by Ivan Clustine and first performed in Paris, about Iskender (the name of Alexander the Great in Persian)...

'La Péri' is a 1912 ballet in one act by French composer Paul Dukas, originally choreographed by Ivan Clustine and first performed in Paris, about Iskender (the name of Alexander the Great in Persian)...

Pavane pour une infante défunte (Pavane for a Dead Princess) is a well-known piece written for solo piano by Maurice Ravel in 1899 when he was studying composition at the Conservatoire de Paris under...

Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...

Gabriel Fauré composed the 'Pavane' during the summer of 1887 and it was originally be orchestrated for a chamber orchestra. Although he enjoyed composing and performing it, Fauré was unaware of (or t...

The 'Music for the Royal Fireworks' (HWV 351) is a suite for wind instruments composed by Georg Friederich Händel in 1749 under contract of George II of Great Britain for the fireworks in London's Gre...

The 'Music for the Royal Fireworks' (HWV 351) is a suite for wind instruments composed by Georg Friederich Händel in 1749 under contract of George II of Great Britain for the fireworks in London's Gre...

Now thank we all our God" is a popular Christian hymn. It is a translation from the German "Nun danket alle Gott", written circa 1636 by Martin Rinkart (1586-1649), which in turn was inspired by Sirac...

Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas.Based on an excellent play by Beaumarchais, The Barber of Seville delights audiences with its keenly sketched characters, melo...

While Saverio Mercadante (1795-1870) may not have retained the international celebrity of Gaetano Donizetti or Gioachino Rossini beyond his own lifetime, he composed as impressive a number of works as...

Apart from Pomp and Circumstance, Nimrod from the Enigma Variations is Elgar's most famous tune. This arrangement, faithful to the original, maintains its air of dignity and solemnity, and will easily...

This ten part canzona is a classic ~ a calm opening precedes a short cross-rhythmic 3/4 section followed by an extraordinary common time section which combines ingenious counterpoint and crisp rhythms...

Another major key for two five-part choirs beginning with stately counter- point. The lower second choir takes on a more subdued role before a triple time section and a grand ending. Dur 2'45'

In florid and stunning counterpoint throughout, the one near rhythmic unison towards the middle comes as a real shock. A work showing extraordinary technique. Dur 2'45'

Exchanging the familiar antiphonal effects for skilful counterpoint, this canzona manages to successfully combine both grandeur and extreme virtuosity for the principal players of each of the two choi...

Following a grand opening tutti for the two equal choirs of five voices, Gabrieli crafts an ingenious work where every aspect of echo effect is explored.

A work which clearly looks towards the baroque concerto grosso with its repeated ritornello and its virtuoso writing for two soloists.

The predominant feature in this one-choir work is solemn counterpoint, largely in the soprano and alto register.

Characteristic rhythms and triple times for each four-part choir separately, followed by a glorious combination of all three choirs with some wonderfully incisive rhythmic passages. Dur 3'30'

Scored for three, four-part choirs this canzona is the most fanfare-like and brilliant of Gabrieli's entire output and all based on a simple arpeggio figure. Dur 2'15'

Experience the pure splendor of Venetian sound: The "Canzon septimi octavi toni à 12" from 1597 is a majestic Renaissance masterpiece that allows brass ensembles to truly shine. Scored for 12 brass pl...

Scored for three four-part choirs this is an extraordinary work where each choir literally copies the first in succession for much of the time. With carefully distanced groups the effect can be stunni...