Sheet Music for Cello Solo
Scent Dance II für Viola solo basiert auf der Fassung für Violoncello aus dem Jahr 2010. Inspiriert wurde das vielschichtig virtuose Werk durch Xuntian Hes Gedicht Passing by the Earth, in dem der Aut...
Scent Dance II für Viola solo basiert auf der Fassung für Violoncello aus dem Jahr 2010. Inspiriert wurde das vielschichtig virtuose Werk durch Xuntian Hes Gedicht Passing by the Earth, in dem der Aut...
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Faz?l Say's 'Four Cities' Sonata can be considered as a journey through four cities of Anatolia. This work has taken its inspiration from Faz?l Say's memories and events of his life. Bodrum is well kn...
Faz?l Say's 'Four Cities' Sonata can be considered as a journey through four cities of Anatolia. This work has taken its inspiration from Faz?l Say's memories and events of his life. Bodrum is well kn...
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The Moscow-based composer Alexander Rosenblatt writes music that ranges between classical and jazz music. His composition 'Waltz Elegy' is an expressive piece full of melancholy, a 'song without words...
The Moscow-based composer Alexander Rosenblatt writes music that ranges between classical and jazz music. His composition 'Waltz Elegy' is an expressive piece full of melancholy, a 'song without words...
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As is the case with 'Trauermusik', there now exists an organ version of its sister work. Heribert Breuer, choir director and professor in Berlin, arranged the score for the organ, thus opening up furt...
As is the case with 'Trauermusik', there now exists an organ version of its sister work. Heribert Breuer, choir director and professor in Berlin, arranged the score for the organ, thus opening up furt...
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- Heribert Breuer
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The last of three Concertos for Violoncello and Orchestra by the famous film composer combines in two movements soloistic virtuosity with the characteristic style of Mediterranean folk tunes - now als...
The last of three Concertos for Violoncello and Orchestra by the famous film composer combines in two movements soloistic virtuosity with the characteristic style of Mediterranean folk tunes - now als...
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Barbara Heller's duet 'Herbstmusik' [Autumnal Music] for cello and piano is a short piece of 5-6 minutes' duration which is as vibrant and colourful as the season itself and a welcome addition to the...
Barbara Heller's duet 'Herbstmusik' [Autumnal Music] for cello and piano is a short piece of 5-6 minutes' duration which is as vibrant and colourful as the season itself and a welcome addition to the...
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Of the compositions by Goltermann, who was a sought-after composer in the 19th century, it is particularly his cello concertos that are still remembered today and which, in his day, in some cases went...
Of the compositions by Goltermann, who was a sought-after composer in the 19th century, it is particularly his cello concertos that are still remembered today and which, in his day, in some cases went...
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- Fritz Zumkley
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The title goes back to the illustrated book 'Kamfu mir helfen?' by Dirk Schmidt & Barbara Schmidt. The charming story inspired the composer to write music which, according to tradition, is based on th...
The title goes back to the illustrated book 'Kamfu mir helfen?' by Dirk Schmidt & Barbara Schmidt. The charming story inspired the composer to write music which, according to tradition, is based on th...
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Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauer...
Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauer...
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- Heribert Breuer
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Vier Seiten for violoncello is an attempt to present an event that in reality takes about two seconds in extreme slow motion, thus making even the micromovements visible or audible beyond the straight...
Vier Seiten for violoncello is an attempt to present an event that in reality takes about two seconds in extreme slow motion, thus making even the micromovements visible or audible beyond the straight...
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- Cello and Continuo
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- Rainer Mohrs
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Stephen Paxton was one of the most important English composers for the cello in the transitional period between the Baroque and Classical eras. As the cello repertoire does not feature many very early...
Stephen Paxton was one of the most important English composers for the cello in the transitional period between the Baroque and Classical eras. As the cello repertoire does not feature many very early...
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Commissioned by the Concertgebouw Brügge and the London Wigmore Hall, this work was written in 2014. It is dedicated by Olli Mustonen to the outstanding British cellist Steven Isserlis who also perfor...
Commissioned by the Concertgebouw Brügge and the London Wigmore Hall, this work was written in 2014. It is dedicated by Olli Mustonen to the outstanding British cellist Steven Isserlis who also perfor...
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Eine frühe Komposition von Aribert Reimann: Das knapp vierminütige Werk für Violoncello und Klavier verbindet ein elegisches Adagio mit gewohnt anspruchsvoller Rhythmik - jetzt als Neuauflage erschien...
Eine frühe Komposition von Aribert Reimann: Das knapp vierminütige Werk für Violoncello und Klavier verbindet ein elegisches Adagio mit gewohnt anspruchsvoller Rhythmik - jetzt als Neuauflage erschien...
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Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas f...
Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas f...
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Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas f...
Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas f...
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In 1972 Nino Rota composed his Cello Concerto No. 1; the actual date of the world premiere, however, remains unknown today. In contrast to his Cello Concerto No. 2, he refers here to the late Romantic...
In 1972 Nino Rota composed his Cello Concerto No. 1; the actual date of the world premiere, however, remains unknown today. In contrast to his Cello Concerto No. 2, he refers here to the late Romantic...
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In 1972 Nino Rota composed his Cello Concerto No. 1; the actual date of the world premiere, however, remains unknown today. In contrast to his Cello Concerto No. 2, he refers here to the late Romantic...
In 1972 Nino Rota composed his Cello Concerto No. 1; the actual date of the world premiere, however, remains unknown today. In contrast to his Cello Concerto No. 2, he refers here to the late Romantic...
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My work lautlos II for solo cello further explores the idea of an inner dialogue between the performer and his or her instrument, in a manner similar to my previous work lautlos I. The instrumentalist...
My work lautlos II for solo cello further explores the idea of an inner dialogue between the performer and his or her instrument, in a manner similar to my previous work lautlos I. The instrumentalist...
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- Joachim Stutschewsky
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