Sheet Music for Choir a capella

An easy and versatile piece for Epiphany written in unison, good for youth or female voices, with organ accompaniment

This folk-like setting of an original sacred for two-part treble voices with piano would be exceptional in a contemporary praise and worship setting. Try it for confirmation or baptism.

Many small choirs extensively use two-part mixed voicings. Here, composer Tim Bushong sets his own text for two part mixed choir with piano, suitable for All Saints Day or for general use.

This piece is included in the series Accent On Young Voices edited by Maribeth Yoder-White. Scored for three-part voices in any combination, there are many possibilities for the performance of this pi...

Valerie Showers Crescenz is not a new name to the Hinshaw catalogue. This secular work is set to a lovely text by poet Lauren Gallagher and is scored for unison treble chorus with optional harmony and...

This is a wonderful Easter piece for children, beginning adult choir, or for standard choir repertoire for those inevitable Sundays when half the choir is unavailable.

This English tune is familiar to many in the choral field due to the arrangement by Leo Sowerby. Here, McCoy set the sweet tune to a lovely piano accompaniment that enhances the rhythm and contour of...

This lovely Christmas piece is set for treble voices SA with an optional S2 accompanied by piano. In the lyrical style so true to the works of Allen Pote, the simple text is enhance by creative phrase...

The concept for this piece was for children's voices, but the two-part treble with piano would be lovely with treble voices of any age. Taken from Ecclesiastes 3, the piece would be perfect on a sprin...

Hunter college composer Victor Bobetsky has arranged this traditional Korean folk song for 2-part treble chorus with piano, it is great for a spring concert. By the way, toraji is a small root vegeta...

A lovely and simply melody written in two parts

Lucy Jones wrote the text for this energetic piece when she was in fifth grade in 2013. Scored for unison voices with piano, the piece is a wonderful addition to the accent on young voices series edit...

Lucy Jones wrote the text for this energetic piece when she was in fifth grade in 2013. Scored for unison voices with piano, the piece is a wonderful addition to the accent on young voices series edit...

Useful teaching aid for secondary chorus class Octavo size listing of musical terms, their meanings, and origins

Patrick Liebergen is a master editor and arranger that here has capably taken the Charpentier work and provided an accessible piece for church or school. Scored for 2-part (any combination) with piano...

Simple, but effective piece for youth or adult choir, especially nice for confirmation Sunday

This is a perfect Epiphany piece. The versatile voicing makes it accessible for choirs of all ages and abilities.

This is a perfect Epiphany piece. The versatile voicing makes it accessible for choirs of all ages and abilities.

Written originally for a middle school honor chorus, this energetic piece with optional cello can be successful for voices of all ages. It is perfect in a festival or honor choir setting!

Written originally for a middle school honor chorus, this energetic piece with optional cello can be successful for voices of all ages. It is perfect in a festival or honor choir setting!

No. 2 In the Choral Experience Series. Designed for new amateur singer, suitable for church, school, and community choral groups and uses clear and simple terms to help the singer understand and enjoy...

No. 3 In the Choral Experience Series of teaching aids

This third century text has been sung during the lighting of lamps in the church for hundreds of years. This new translation is intended to be sung before the singing of Psalms or as a devotional hymn...

This setting of the unchanging (ordinary) common texts of the Eucharist was composed for unison singing, various combinations of choir and congregation may sing the sections.

A simple, lilting piece for two-part choir, mostly one part at a time until the end, when the melody is crowned with a descant