Sheet Music for Flute Solo
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Vartan Adjemian wrote the Sonata No 2 for flute and piano in 1982. The great Armenian flutist and teacher, Levon Aloyan, who was particularly enamored of the composition, edited it for performance, an...
Vartan Adjemian wrote the Sonata No 2 for flute and piano in 1982. The great Armenian flutist and teacher, Levon Aloyan, who was particularly enamored of the composition, edited it for performance, an...
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Vartan Adjemian wrote the Sonata No 2 for flute and piano in 1982. The great Armenian flutist and teacher, Levon Aloyan, who was particularly enamored of the composition, edited it for performance, an...
Vartan Adjemian wrote the Sonata No 2 for flute and piano in 1982. The great Armenian flutist and teacher, Levon Aloyan, who was particularly enamored of the composition, edited it for performance, an...
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This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
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This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
This one-movement concerto stands out by Adjemian's elegant writing which links flashing rhythmical passages with meditative sequences, a solo or accompanied cadenza, all together attached within that...
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Lace' for flute and piano was written in 2007. It is a brilliant, masterly and very effectiv piece putting the virtuoso aspect of the flute playing in evidence.
Lace' for flute and piano was written in 2007. It is a brilliant, masterly and very effectiv piece putting the virtuoso aspect of the flute playing in evidence.
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Lace' for flute and piano was written in 2007. It is a brilliant, masterly and very effectiv piece putting the virtuoso aspect of the flute playing in evidence.
Lace' for flute and piano was written in 2007. It is a brilliant, masterly and very effectiv piece putting the virtuoso aspect of the flute playing in evidence.
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As Ingrid Dingfelder, flute player and dedicacee (with pianist Rita Koors-Myers) of this Sonata No.3 for flute and piano relates, this piece, dated September 1973, is in fact a revised version of a wo...
As Ingrid Dingfelder, flute player and dedicacee (with pianist Rita Koors-Myers) of this Sonata No.3 for flute and piano relates, this piece, dated September 1973, is in fact a revised version of a wo...
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As Ingrid Dingfelder, flute player and dedicacee (with pianist Rita Koors-Myers) of this Sonata No.3 for flute and piano relates, this piece, dated September 1973, is in fact a revised version of a wo...
As Ingrid Dingfelder, flute player and dedicacee (with pianist Rita Koors-Myers) of this Sonata No.3 for flute and piano relates, this piece, dated September 1973, is in fact a revised version of a wo...
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Petite Suite has three movements. I wrote 'Contrastes', the first one, for an anniversary. The beginning is peaceful, the second part becomes more animated, and the end is again calm, as if suspended...
Petite Suite has three movements. I wrote 'Contrastes', the first one, for an anniversary. The beginning is peaceful, the second part becomes more animated, and the end is again calm, as if suspended...
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Petite Suite has three movements. I wrote 'Contrastes', the first one, for an anniversary. The beginning is peaceful, the second part becomes more animated, and the end is again calm, as if suspended...
Petite Suite has three movements. I wrote 'Contrastes', the first one, for an anniversary. The beginning is peaceful, the second part becomes more animated, and the end is again calm, as if suspended...
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Bagatelles, similarly to 'Badineries' or 'Capprici' allow composers to express their sense of humor, of parody or derision. This genre strongly inspires Jean-François Michel as these 3 Bagatelles for...
Bagatelles, similarly to 'Badineries' or 'Capprici' allow composers to express their sense of humor, of parody or derision. This genre strongly inspires Jean-François Michel as these 3 Bagatelles for...
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Bagatelles, similarly to 'Badineries' or 'Capprici' allow composers to express their sense of humor, of parody or derision. This genre strongly inspires Jean-François Michel as these 3 Bagatelles for...
Bagatelles, similarly to 'Badineries' or 'Capprici' allow composers to express their sense of humor, of parody or derision. This genre strongly inspires Jean-François Michel as these 3 Bagatelles for...
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Learning instrumental techniques is transmitted through methods and technical studies. But for the art of interpretation, the transmission occurs with musical works that are adapted to specific techni...
Learning instrumental techniques is transmitted through methods and technical studies. But for the art of interpretation, the transmission occurs with musical works that are adapted to specific techni...
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Learning instrumental techniques is transmitted through methods and technical studies. But for the art of interpretation, the transmission occurs with musical works that are adapted to specific techni...
Learning instrumental techniques is transmitted through methods and technical studies. But for the art of interpretation, the transmission occurs with musical works that are adapted to specific techni...
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Caroline Charrière was a flute virtuoso and knew all the secrets of her instrument. She wrote a first version of Envol [Flight] in 2004, on the occasion of the retirement of Pierre Wavre (flutist and...
Caroline Charrière was a flute virtuoso and knew all the secrets of her instrument. She wrote a first version of Envol [Flight] in 2004, on the occasion of the retirement of Pierre Wavre (flutist and...
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Caroline Charrière was a flute virtuoso and knew all the secrets of her instrument. She wrote a first version of Envol [Flight] in 2004, on the occasion of the retirement of Pierre Wavre (flutist and...
Caroline Charrière was a flute virtuoso and knew all the secrets of her instrument. She wrote a first version of Envol [Flight] in 2004, on the occasion of the retirement of Pierre Wavre (flutist and...
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These pieces are an homage to the many amusing and silly little songs and ditties invented by me and my brother, David, to whom this work is dedicated. It would take a great deal of space to attempt t...
These pieces are an homage to the many amusing and silly little songs and ditties invented by me and my brother, David, to whom this work is dedicated. It would take a great deal of space to attempt t...
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These pieces are an homage to the many amusing and silly little songs and ditties invented by me and my brother, David, to whom this work is dedicated. It would take a great deal of space to attempt t...
These pieces are an homage to the many amusing and silly little songs and ditties invented by me and my brother, David, to whom this work is dedicated. It would take a great deal of space to attempt t...
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Freelance Dance was composed for Bart Feller, principal flute with the New York City Opera and the New Jersey Symphony Orchestra. The piece is included on his first CD 'Elysian Fields'. Based on a syn...
Freelance Dance was composed for Bart Feller, principal flute with the New York City Opera and the New Jersey Symphony Orchestra. The piece is included on his first CD 'Elysian Fields'. Based on a syn...
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Freelance Dance was composed for Bart Feller, principal flute with the New York City Opera and the New Jersey Symphony Orchestra. The piece is included on his first CD 'Elysian Fields'. Based on a syn...
Freelance Dance was composed for Bart Feller, principal flute with the New York City Opera and the New Jersey Symphony Orchestra. The piece is included on his first CD 'Elysian Fields'. Based on a syn...
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