Sheet Music for Flute Solo

This work is in five movements. The music was inspired by an examination tour of North-East India on behalf of the ABRSM and so a trace of the atmosphere and exoticism of the country and its people fi...

Two Harlem Pieces for flute and piano were commissioned from Bryan Kelly by Brenda Dykes and Robert Ferguson. The first piece is marked lugubre and reflects the darker side of Harlem music, while the...

Two Harlem Pieces for flute and piano were commissioned from Bryan Kelly by Brenda Dykes and Robert Ferguson. The first piece is marked lugubre and reflects the darker side of Harlem music, while the...

Mozart wrote the beautiful Concerto for Flute & Harp K.266 for the Duc de Guines and his talented daughter, despite being not particularly fond of either the flute or the harp! This Andante has been a...

Eight extracts from Carmen. All the best tunes!

Immerse yourself in the passionate world of Georges Bizet's most famous opera! With "A Bizet Notebook – a Fantasia on Carmen", published by the renowned Clifton Edition, you can bring the most unforge...

Concerto IX. Woodcock's only surviving musical compositions are a set of twelve concertos (3 for flute, 3 for recorder, and 3 for oboe) published by Walsh and Hare in London circa 1727. The concertos...

Concerto IX. Woodcock's only surviving musical compositions are a set of twelve concertos (3 for flute, 3 for recorder, and 3 for oboe) published by Walsh and Hare in London circa 1727. The concertos...

Jean Baptiste Loeillet was a member of the large and musical Loeillet family - the son of Pieter Loeillet. He added "de Gant" to his surname to avoid confusion with his cousin, Jean-Baptiste Loeillet...

Jean Baptiste Loeillet was a member of the large and musical Loeillet family - the son of Pieter Loeillet. He added "de Gant" to his surname to avoid confusion with his cousin, Jean-Baptiste Loeillet...

Twenty-four page album full of fun including 'Locked on Latin', 'Enharmonium' and 'Flutata'.

Twenty-four page album full of fun including 'Locked on Latin', 'Enharmonium' and 'Flutata'.

This new edition of 'Compositions' includes the complete piano accompaniments and supersedes the old Useful Music edition (U120) that previously provided the piano accompaniments only on CD. The 'Gra...

This new edition of 'Compositions' includes the complete piano accompaniments and supersedes the old Useful Music edition (U121) that previously provided the piano accompaniments only on CD. The 'Gra...

This new edition of 'Compositions' includes the complete piano accompaniments and supersedes the old Useful Music edition (U121) that previously provided the piano accompaniments only on CD. The 'Gra...

A variety of beginner to intermediate graded pieces, selected and arranged for Flute and Piano by Graham Lyons. Optionally, free backing tracks are provided. Free backing tracks available to downloa...

A variety of beginner to intermediate graded pieces, selected and arranged for Flute and Piano by Graham Lyons. Optionally, free backing tracks are provided. Free backing tracks available to downloa...

The Graham Lyons "Compositions for Flute" and "Useful Flute Solos" are well known, but these seven pieces were written too recently to appear in either collection. Until now, they were available as do...

The Graham Lyons "Compositions for Flute" and "Useful Flute Solos" are well known, but these seven pieces were written too recently to appear in either collection. Until now, they were available as do...

Sonatina for Flute and Piano was composed in London and premiered by the flautist Robert Winn at the Royal Academy of Music in 1979. I Tense, building from the very depths of the piano. II Evocative,...

Sonatina for Flute and Piano was composed in London and premiered by the flautist Robert Winn at the Royal Academy of Music in 1979. I Tense, building from the very depths of the piano. II Evocative,...

The Concert Solos for Flute and Piano represent the epitome of Demersseman's prodigious output. They were composed in two distinct phases of his short life: Opp. 19-21, and then later: Opp:80-82. This...

The Concert Solos for Flute and Piano represent the epitome of Demersseman's prodigious output. They were composed in two distinct phases of his short life: Opp. 19-21, and then later: Opp:80-82. This...

The Concert Solos for Flute and Piano represent the epitome of Demersseman's prodigious output. They were composed in two distinct phases of his short life: Opp. 19-21, and then later: Opp:80-82. This...

The Concert Solos for Flute and Piano represent the epitome of Demersseman's prodigious output. They were composed in two distinct phases of his short life: Opp. 19-21, and then later: Opp:80-82. This...