Sheet Music for Mixed Choir (SATB) and Piano

Sanctus! Sanctus! is a dynamic and energetic piece ideal for mixed choirs of varying levels and abilities. Written in a standard ABA style and with comfortable ranges in each voice part, this song is...

This exciting work for mixed choir depicts the childlike faith, joy, and trust of children in the arms of their protector. Sing this piece with the unabashed assurance and exuberance of a child!

A Vulgate setting of Psalm 23 for SATB chorus and orchestra. This edition contains a piano reduction of the orchestral score.

Written for SATB choir with a piano reduction. Text taken from Psalms 19 vv3-4 & psalm 79 v3 and Lamentations ch2 v21. This piece is from Annelies-The Anne Frank Oratorio.

Hans Werner Henze's An Den Wind for SATB choir and instruments. Piano reduction by Raimonds Zelmenis. This piece incorporates text by Christian Lehnert.

These two previously-unpublished Psalm settings were written while Benjamin Britten was studying at the Royal College of Music in London but, despite encouragement from Ireland, Vaughan Williams and H...

The Voices Stilled (Agnus Dei) by James Whitbourn was commissioned by John Snelling and the Shipley Arts Festival (director Andrew Bernardi), and first performed on 14 July 2013 in Lancing College Cha...

Audio sample: "Lux aeterna" (performed by workshop choir at Carus Publishing House, June 14th, 2024, Piano: Nicolas Kok, dir. Johannes Meister)

The Stabat Mater is Giuseppe Verdi's last work. The composer completed it in 1897 at the age of 84. A year later, the Stabat Mater appeared in print together with the slightly older Te Deum as part of...

Sacrilege or a stroke of genius? The composer and Kapellmeister Gottlob Benedict Bierey (1772-1840) orchestrated the first movement of Beethoven's famous "Moonlight Sonata" for orchestra (transposed t...

By repeating the complete text, the through-composed motet is divided into two parts, preceded by an instrumental prelude and followed by a coda ("Alleluia").

Since the two verifiable autographs of the Offertorium Misericordias Domini have been lost, Robert Münster has for the first time used the copies he has found from the Munich court music for this new...

Mozart's "Sancta Maria" is one of those liturgical chants that are based on the time of the church year or the respective feast of the saints. It was probably sung on a feast of the Virgin Mary follow...

Cherubini's Requiem in C minor for mixed choir (without vocal soloists) and orchestra, which is presented here in a critically correct new edition, is one of the most important contributions to the ge...

Cherubini's "Messe solennelle in G" was originally composed for a planned coronation ceremony in 1819. However, the celebrations did not take place. The mass disappeared into oblivion and was only red...

Due to the requirement of the Archbishop of Salzburg that even a solemn mass should not last longer than three quarters of an hour, Mozart composed a "Missa brevis et solemnis", i.e. a solemn mass wit...

Rheinberger reported around 150 performances of his Christoforus in Germany and abroad around 1900 - a success story that unfortunately came to an end in the 20th century. With the present edition, ba...

The two Kyrie settings in E flat K. 322 (1778/79) and in C K. 323 (probably not before 1790) are among the works by Mozart that only exist as incomplete draft scores. In both cases, however, Mozart's...