Sheet Music for Mixed Choir (SATB) and Piano

Kyrie is the only movement completed from a planned Mass and was left unperformed at the time of the composer's death. The edition was prepared for publication from the original manuscript by his son...

This anthem was commissioned in 2012 by Simon Winters to celebrate 25 years of the chamber choir Felicitas. Thinking about the unaccompanied vocal texture brought Will Todd back to his 1995 setting of...

This setting of the famous hymn words by Reginald Heber, a particularly suitable text for Epiphany, was written in memory of Benjamin Hutto, Director of Music at St John's, LaFayette Square, Washingto...

This contemplative and serene piece was commissioned as a retirement gift for Canadian organist and choir director, Paul Merrit, and first performed in 2016. The setting of the well-known biblical wor...

Commissioned by William Saunders for the Royal Hospital School, Ipswich, in 2013, Exalt us in Your love is loosely based on the words of that school's prayer. Choirs and listeners familiar with Will T...

Composed in 2015, Stabat Mater was commissioned by the Genesis Foundation for Harry Christophers and The Sixteen. Scored for mixed chorus and string orchestra it is a long-awaited sequel to the early...

These three jazz arrangements of well-known hymns were composed for Andrew Earis and the choirs of St Martin-in-the-Fields, London, on the occasion of various services and a BBC broadcast from that ch...

A setting of one of the seven O Antiphons, O Adonai, is built upon an ostinato figure on a single note which starts and ends the composition, initially using the words of the title. Acting as a drone...

for two part children's voices and instruments Scoring: Treble instr 1, Treble instr II, bass instr, 2 perc (timps, sd or tamb, cymb, susp cym, trng, tamb or castanets), keyboard. Optional parts, tran...

Widely admired as one of MacMillan's finest achievements, this promises an absorbing and moving experience in concert, for performers and audience alike. This cantata follows Christ's final utterances...

Jubilation is given full voice in this rousing setting of Psalm 150! With piano. 'Laudate Dominum' is the final movement of Raminsh's Symphony of Psalms for chorus and orchestra; full vocal and orches...

The unique blend of bluegrass instrumentation and the familiar text of Gloria lends a new-even fun!-perspective to the Mass tradition. Newcomers to either the classical or bluegrass genres will soon f...

This setting of a Psalm text is reflective and evokes the mood and style of a folk song or hymn but with unexpected turns of harmony ultimately giving way to a more contemporary style. The gentle, lil...

Kitty Brazelton's O Joy! premiered at Twin Cities choir VocalEssence's 40th birthday, and has been heard on NPR's Performance Today. It incorporates her re-translation of Psalm 77:1-6 with medieval an...

After a statement of the chorale in unison, Hal Hopson has taken the final movement from part 1 of J.S. Bach's 'Christmas Oratorio' 'Vom Himmel hoch' and set it using the words penned by Martin Luther...

Originally composed for treble voices and part of Nick's 'Nursery Rhyme Cantata,' this new arrangement for SATB voices captures the innocence of the original but adds lush beautiful harmonies.

The message that one's worth is measured in their compassion and care for future generations is at the core of this inspirational piece. With sweeping melodic lines and grand choral writing, the celeb...

Commissioned by Joseph Ohrt and the Central Bucks High School choir for a festival honoring Rollo August Dilworth. Dilworth's feel and insight for gospel music is reverent and accessible to all. In th...

Considered to be one of the first modern American madrigals.