Sheet Music for Mixed Choir (SATB)

Opening with the phrase How you wonder what you are, this poem, described by the composer as a sort of fable for adults, is set for mixed voices with soprano solo as a work of lyricism and reassurance...

Opening with the phrase How you wonder what you are, this poem, described by the composer as a sort of fable for adults, is set for mixed voices with soprano solo as a work of lyricism and reassurance...

This favorite Shaker song from the mid-1800s in an invigorating arrangement by Kevin Siegfried is a wonderful concert opener or sacred anthem with themes of love, peace and personal righteousness.

This favorite Shaker song from the mid-1800s in an invigorating arrangement by Kevin Siegfried is a wonderful concert opener or sacred anthem with themes of love, peace and personal righteousness.

This text by the Wedderburns is best known from Benjamin Britten's timeless A Ceremony of Carols. This setting serves as a manger lullaby, with the soprano soloist representing Mary.

This text by the Wedderburns is best known from Benjamin Britten's timeless A Ceremony of Carols. This setting serves as a manger lullaby, with the soprano soloist representing Mary.

Solo tenor and SATB (double choir optional) unaccompanied. This is a vivid musical depiction of the colourful dreamscape created in Charles Bennett's text. The solo tenor floats over the soft, jazzy h...

Ever-changing in mood and pace, La Musique is a setting of poems by Elizabeth Bishop and Charles Baudelaire on the transformative power of music. Jackson musically represents the complex psychological...

David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant, for tenor soloist, with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow, com...

Setting a beautiful text by Charles Bennett, this is a gentle, optimistic piece that remembers those lost to conflict and looks encouragingly towards peace. The tenor solo is supported by vocal accomp...

Setting a beautiful text by Charles Bennett, this is a gentle, optimistic piece that remembers those lost to conflict and looks encouragingly towards peace. The tenor solo is supported by vocal accomp...

In this innovative arrangement Stanley M. Hoffman takes Henry Purcell's most popular solo aria, the 'Lament' from his opera Dido and Aeneas, and reimagines it as a work for unaccompanied soprano solo...

David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant, for tenor soloist, with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow, com...

This is an atmospheric setting of an anonymous fifteenth-century text. The exquisite tenor solo at the opening and the calm intensity of the middle section attest to Chilcott's gift for writing beauti...

This gentle and reflective piece sets the George Herbert text 'Blest be the God of love'. The poet's intense imagery is enhanced by expressive cross-rhythms and harmonies enriched by split alto and ba...

An expressive Lenten motet reflecting the agony of the Mount of Olives; the tenor sings the words of Christ.

Offprinted from the collection "Sprituals for Choirs".

Javier Busto's Kuttun Kantak (Night Songs) is a set of three songs: a lullaby with characteristic cross-rhythms; a prayer in irregular metre; and a song of rejoicing. An English text by Bob Chilcott i...

This is an innovative, striking setting of the Magnificat text that is well suited to both liturgical and concert performance. The work celebrates the strength, character, and intelligence of teenage...

This motet is the fifth of a set of seven relating the life story of the Blessed Virgin Mary. Finnissy's aim was to hint at technical and expressive continuity with the music of the 11th and 12th cent...

This setting was commissioned by Choir and Organ magazine in 2003 and first performed by St Alban's Cathedral Choir under the direction of Andrew Lucas. Offprinted from the collection Cantica Nova.

Aiming for weightless flexibility of expression, this setting employs an idiom detectably in keeping with aspects of medieval practise. Offprinted from the collection Cantica Nova.

This motet features text painting throughout the piece, with the music opening outwards from a unison F to reflect a flower slowly unfolding when exposed to sunlight, as well as a chill wind sweeping...

Lucy Walker's thoughtful setting of There is no rose flows between swells of emotion and warm chromatic inflections in the Latin refrains. This piece captures the natural emphases of the text, seamles...

This innovative setting of the Magnificat celebrates the strength of teenage girls and is suitable for both liturgical and concert performance. The upper-voices sing in the style of Bulgarian choral f...