Sheet Music for Mixed Choir (SATB)

Coro SATB, Gde, Tast

In 1856, Bruckner composed the motet Ave Maria for choir, organ and violoncello for his old place of work, St. Florian. The work is quasi basso continuo in the style of late baroque Austrian sacred mu...

In 1856, Bruckner composed the motet Ave Maria for choir, organ and violoncello for his old place of work, St. Florian. The work is quasi basso continuo in the style of late baroque Austrian sacred mu...

In the late 17th century, English musicians celebrated St. Cecilia as the patron saint of music with special concerts and church services every year on November 22. Handel revived the tradition of the...

Spohr's reputation as a violin virtuoso, composer, conductor and instrumental teacher was outstanding in the early Romantic period. "Die letzten Dinge" is considered the most important of his four ora...

Garcia, born in Rio de Janeiro in 1767, a priest and bandmaster at the cathedral there, is still little known. His mostly sacred works include four settings of the Mass for the Dead. The present "Miss...

This Missa solemnis in C major (before 1764) is recommended for performance to all those who would like to get to know Leopold Mozart not only as the composer of a musical sleigh ride and author of a...

With a musically convincing and in many respects highly original interpretation of the liturgical text, Herzogenberg's mass represents a final highlight in the late Romantic repertoire of the "Missa s...

Nicolai's only surviving mass is one of his most important contributions to church music. It is characterized by its varied structure and good singing quality. It therefore offers many choirs a real a...

The Carus program on Dresden court music continues with the first edition of one of the great masses (No. 9, D major) by Johann David Heinichen, the most important musical representative of the Saxon...

Eberlin's programmatic setting of the offertory "Terra tremuit" was composed for the festive liturgy of Easter Sunday at Salzburg Cathedral, which was a center of polyphonic offertory settings in the...

Among the sacred compositions by Carl Heinrich Graun, the long-serving court conductor of Frederick II in Berlin, two works have acquired a prominent status: the passion cantata Der Tod Jesu from 1755...

The Requiem in F minor op. 146 is one of Franz Lachner's most important works. The composer, who lived in Vienna for a long time, developed into a "classicist romantic" there, merging classical form,...

The Berlin choirmaster and music teacher Michael Betzner-Brandt is known as a particularly creative mind in the choral scene - for example through his "I can't sing" choirs. In order to be able to sin...

The two poems by John Milton L'Allegro (Cheerfulness) and Il Pensieroso (Melancholy) describe the contrasts between these two moods. Charles Jennens used them to create a libretto, supplemented by the...

The cantata Wie schön leuchtet der Morgenstern BWV 1 has become somewhat famous: With it, Bach's ambitious project of a choral cantata year came to an abrupt end on March 25, 1725 after around nine mo...

Bach composed "Ach Gott, vom Himmel sieh darein" BWV 2 for the 2nd Sunday after Trinity in 1724 as the second cantata of the choral cantata year. It is based on Martin Luther's rewriting of the 12th P...

Bach composed the cantata "Ach Gott, wie manches Herzeleid" for the 2nd Sunday after Epiphany in 1725; it is part of the choral cantata cycle. In the large-scale choral movement, a sorrowful choral mo...

The surviving parts for the cantata "Christ lag in Todes Banden" BWV 4.2 were used for a performance on Easter Sunday, April 1, 1725; this performance was presumably an emergency solution, as the chor...

Bach composed the choral cantata Wo soll ich fliehen hin BWV 5 for the 19th Sunday after Trinity in 1724. The cantata belongs to Bach's 2nd Leipzig year, the choral cantata year. The opening movement...

Bach composed the cantata "Bleib bei uns, denn es will Abend werden" BWV 6 for Easter Monday in 1725. A choral cantata was actually planned for this holiday as well, but the choral cantata year breaks...

The cantata Christ unser Herr zum Jordan kam BWV 7 for St. John's Day (24.6.) 1724 is the third cantata of the choral cantata year begun on the 1st Sunday after Trinity (11.6.1724). It is based on Mar...