Sheet Music for Mixed Choir (SATB)

This edition of Franz Schubert's 'Magnificat' D 486 is based on the composer's autograph score and is the first to make use of his authorised performance material. It offers alternative readings that...

> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...

Anyone who is familiar with Bruckner's symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly e...

Since 2001 the 'Ninth' has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his deat...

Felix Mendelssohn's oratorio Elijah caused a sensation at its world première performance, sung in English, in Birmingham UK in August 1846. The huge forces marshalled for the occasion delighted the au...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

Since 2001 the 'Ninth' has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his deat...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...

Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...

Merulo's setting of Dum illucescente, a text for the Feast of St Mark the Evangelist, is scored with high clefs. The motet is framed by two polyphonic sections that incorporate some melismatic vocal l...

A high-energy Palm Sunday piece for two parts (or two choirs), or for SATB/Unison choirs. Have your children's choir sing Part One and the adults sing Part Two.

Dieses vokal-instrumentale Werk verbindet einen mittelalterkichen Gesang, die gregorianische Choralmelodie Da pacem Domine aus dem 9. Jahrhundert mit dem Kirchenlied O ewger Gott, wir bitten dich gib...

George Frideric Handel is regarded as the first and most important English representative of the oratorio genre. The Messiah in particular is regarded as the epitome of sacred music and is also one of...

Der 8-minütige Chorsatz über einen Text aus dem Buch Jesaja ist für SATB (divisi) a cappella mit umfangreichem Alt-Solo und optionalem Bariton-Solo. Die getragene besinnliche Komposition enthält Absch...

Jazzmesse für gemischten Chor SATB und Klavier (Jazztrio ad lib.) Der lateinische Text wurde hier auf musikalisch neue Weise vertont, nämlich in verschiedenen Jazzstilen wie Swing, Latin und Blues. Ne...

The composition brings together the feelings of collective responsibility and a deep reverence for all of life on earth. Written in the style of a folk song, this arrangement should be performed with...

A reflective work for church or concert choirs at Passiontide. It sets the traditional Seven Last Words of Christ, well-known hymns, and other sacred texts to create a moving and dramatic work that re...

Kleine deutsche Messe für gemischten Chor SATB und Solo (Frauen- oder Männerstimme), optional begleitet mit Streichern und/oder Orgel

A flexible anthem that can be used with both choir and congregational response, or simply with choir. The piece may be performed with or without brass. A very effective opening to worship services.

A new setting of the St. Francis of Assisi text, scored for piano and optional violins/cello, this work is accessible for a medium-sized church choir.

SATB and organ, with optional cello and bass.

The writing of David Ashley White demonstrates a varied approach to texture, mood, and voicing. His choral cycle, Mark the Music!, takes its title from Lorenzo's Admonition in The Merchant of Venice....

Singer/songwriter Erich Eastman created It’ll Be Alright as a response to the anxieties we all can experience in life. It is a joyous celebration of looking deep within oneself to carry on. Originally...

A lyrical setting of the E. E. Cummings text and part of a larger extended work, this piece works well with piano or orchestra. A great piece for a "love-themed" concert.