Sheet Music for Mixed Choir (SATB)

Mozart created the festive musical setting for the first solemn mass celebrated by his childhood friend P. Dominicus Hagenauer on October 15, 1769 in the collegiate church of St. Peter in Salzburg; th...

Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Trompete (2), Posaune (3), Pauke, Streicher, Orgel

Mozart's "Missa in C" K. 258 cannot be clearly dated, but was probably composed around 1775/76. The mass is composed in brevis form and was therefore also labeled as such on the cover of the anthology...

Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Trompete (2), Pauke, Streicher, Orgel - Klavierauszug

The offertory in Festo Sti Benedicti "Scande coeli limina" K. 34, consisting of aria and chorus, is the oldest surviving smaller church music work by Mozart. According to Max Keller, the three-part ar...

Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Flöte (2), Horn (2), Trompete (2), Pauke, Streicher, Orgel - Klavierauszug

According to recent research, the offertory "Benedictus sit Deus" K. 117 (66a) is identical to the offertory K. 47b, which was believed to be lost. It was intended for the dedication of the orphanage...

Piano reduction based on the Urtext of the New Mozart Edition. Soprano solo, mixed choir-SATB, flute (2), oboe (2), horn (2), trumpet (2), timpani, strings, organ - piano reduction

Piano reduction based on the Urtext of the New Mozart Edition. Soprano solo, mixed choir-SATB, flute (2), oboe (2), horn (2), trumpet (2), timpani, strings, organ - piano reduction

Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Horn (2), Pauke, Streicher, Orgel - Klavierauszug

The "Regina coeli" K. 127, composed in Salzburg in May 1772, largely corresponds in expression and formal structure to the first work of the same name, K. 108 (74d), on the same Marian antiphon. In co...

Soprano solo, alto solo, tenor solo, bass solo, mixed choir-SATB, bassoon, trumpet (2), trombone (3), timpani, strings, organ

Like most of his works, Johann Sebastian Bach's "St. John Passion" has not survived in a definitive version - e.g. as a printed edition or fair copy - but in four different versions. Arthur Mendel's e...

Psalm for solo voice, choir and orchestra. Piano reduction based on the Urtext of the New Mozart Edition. Soprano solo, mixed choir-SATB, bassoon, strings, organ - piano reduction

Franz Schubert completed the Mass in E flat D 950 in the last summer of his life. The occasion for the composition of this Missa solemnis cannot be clarified with certainty. Schubert did not live to s...

Unlike Bach's other oratorio compositions, there is no definitive version of the "St. John Passion". The first version from 1724, which is commonly used today, is a mixture of different readings. It w...

Geistliches Konzert aus Opella nova von 1626 für Solisten, Capellchor, Instrumente (Streicher/Bläser) ad lib. und Basso continuo. Alt solo, Tenor solo, Gemischter Chor-SSATB, Instrument ad lib., Basso...

This choral score BA 7590-91 completes the performance material for the now well-established Urtext edition of Verdi's monumental Mass for the Dead.

Mendelssohn’s contemporaries frequently mentioned his 'Hymn of Praise' in the same breath as Beethoven’s Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper,...

In recent years, Théodore Dubois has experienced a renaissance as a composer of highly romantic symphonic and chamber music works. He has remained consistently known for his sacred choral and organ co...