Sheet Music for Mixed Choir (SATB)

Choral Setting by Daniel Bird.

Choral Setting by John Innes.

Choral Setting by Lloyd Larson.

Work for Soprano and Tenor Soloists, SATB Choir and Orchestra. Commissioned by Danish Radio.

For mixed chorus and Cello. Published in 1979. Texts: Yeats. First performance: The Ionian Singers, conducted by James Wood, 14th April 1988. Score.

I sleep, but my heart waketh was commissioned by the National Youth Choir of Great Britain and premiered by them in a concert at Manchester's Bridgewater Hall directed by Michael Brewer on 15th April,...

Op. 77 No. 4. For SATB chorus with harp accompaniment.

Sleep Canticle was writtenin 1974 for the Conference of the National Federation of Gramophone Societies in Norwich. The texts are drawn from the two famous Norwich writers, the lady Julian (1343-1443)...

The Tiger is a 1995 piece based on the poem The Tiger by William Blake, though it is not a straightforward setting of the work. Part of the poem appears in English and a second part in French, German,...

This piece written for SATB contains solos for the soprano and tenor. Commissioned by the Rev. Dr P. C. Moore for the choir of Pershore Abbey and first performed at the Festival there in 1964, this an...

Invocation was written for the Choir of The Queen's College, Oxford and represents the culmination of the composer's time as a research fellow at the college, when he worked closely with the choir. P...

Three John Donne Settings was commissioned by the Friends of the National Youth Choir of Wales. Comisiynwyd gan Gyfeillion Côr Cenedlaethol Ieuenctid Cymru. Three John Donne Settings was first perfor...

A setting of Christina Rossetti's poem for Soli SATB Quartet and SATB (divisi) chorus. Although this work would tax the most accomplished chamber choirs, the composer remains true to rhythmic style an...

For SATB Choir and Harp (or Piano). Text: Eric Crozier.

However often Bennett may have employed serial techniques or introduced jazz and modern elements into his work, his Choral compositions are always tonal and melodic. In A Farewell To Arms he displays...

Commissioned by Spitalfields Festival. First performed by The Orlando Consort at the Spitalfields Festival 2006.

Written for Soprano and Tenor soloists and SATB chours. These two short Emily Dickinson (1830-1886) settings, commissioned by Craig Hella Johnson and Conspirare for their September 2007 concert series...

Martyr was commissioned by St Albans Chamber Choir in celebration of the fiftieth anniversary of their founding. It was premiered by the St Albans Chamber Choir and the Royal Philharmonic Orchestra in...

The Great Silence (setting Edward Thomas' poem Snow) was commissioned by Timothy Brown and the Choir of Clare College, Cambridge. It was premiered under the direction of Timothy Brown in St John's, Sm...

Composed in 1796, the "Missa in Tempore Belli", better known as the "Timpani Mass", got its name from the striking use of timpani and a brass fanfare at the beginning of the "Dona nobis pacem" – both...

The "Missa Cellensis", composed in 1782, is better known as the "Mariazell Mass", with reference to the pilgrimage site of Mariazell in Styria, where it was performed. The revision of the complete vol...

Jauchzet, frohlocket! – Johann Sebastian Bach's Christmas Oratorio BWV 248 is one of the most enduring masterpieces of sacred choral music, filling the festive season with radiant splendor and profoun...